All the Sonnets of Shakespeare Synopsis
How can we look afresh at Shakespeare as a writer of sonnets? What new light might they shed on his career, personality, and sexuality? Shakespeare wrote sonnets for at least thirty years, not only for himself, for professional reasons, and for those he loved, but also in his plays, as prologues, as epilogues, and as part of their poetic texture. This ground-breaking book assembles all of Shakespeare's sonnets in their probable order of composition. An inspiring introduction debunks long-established biographical myths about Shakespeare's sonnets and proposes new insights about how and why he wrote them. Explanatory notes and modern English paraphrases of every poem and dramatic extract illuminate the meaning of these sometimes challenging but always deeply rewarding witnesses to Shakespeare's inner life and professional expertise. Beautifully printed and elegantly presented, this volume will be treasured by students, scholars, and every Shakespeare enthusiast.
About This Edition
| ISBN: |
9781108490399 |
| Publication date: |
10th September 2020 |
| Author: |
William Shakespeare |
| Publisher: |
Cambridge University Press |
| Format: |
Hardback |
| Pagination: |
306 pages |
| Primary Genre |
Poetry
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| Other Genres: |
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William Shakespeare Press Reviews
'What a fresh and lovely idea! I've been speaking the sonnets for most of my life. They are such wonderful training for an actor, and the notes and paraphrases in this book are just what we all need to guide us through them.' Judi Dench
'This new arrangement of Shakespeare's sonnets is a revelation. Paul Edmondson, and Stanley Wells have truly illuminated the author's themes, preoccupations and obsessions. In so doing the poems have a fresh, and startlingly clear narrative progression. Thanks to their scholarship I found myself experiencing this work as never before. There is a directness, simplicity, and humanity, which shines from the page. It was an honour to read them in this form. I hope a large audience will enjoy seeing (and hearing), this new light shone on a great literary treasure.' Kenneth Branagh
'Paul Edmondson and Stanley Wells have done something daring, controversial, and richly illuminating. To the 154 poems collected in the celebrated volume of Shakespeare's Sonnets they have conjoined the sonnets that appear in the plays – such as the famous lines shared by Romeo and Juliet. To these they have added a number of passages from the plays that are in effect close relations to the conventional sonnet form. The result is to break down the walls and set Shakespeare's famous sequence in a much expanded field of poetic making. But that is not all: jettisoning the order in which the sonnets first appeared in print, Edmondson and Wells arrange them in what they take to be their chronological order of composition. The result is something radical and unsettling. To make these deeply familiar poems seem unexpected and new is a significant achievement.' Stephen Greenblatt, Author of Tyrant: Shakespeare on Politics and The Rise and Fall of Adam and Eve
'A marvellously refreshing new look at Shakespeare's devotion to the sonnet form, expanding our understanding of the published sonnets by adding those he included in the plays. The single sentence description of each sonnet is also immensely useful and helpful to even the most seasoned reader.' Gregory Doran, Royal Shakespeare Company, Artistic Director
'This is a book of clarity and love which shadows the mind in time of Shakespeare the poet and in so doing brings us closer than ever before to his own awareness of the reach of his genius.' Carol Ann Duffy
'All the Sonnets of Shakespeare presents a wealth of valuable material and compelling interpretations in a clear, comprehensible, and convincing style that will hold appeal not only for Shakespeare scholars and students, but for all devotees of 'the supreme poet-dramatist' and his work.' Deb Miller, DC Metro Theater Arts
'A valuable project, and one which achieves what Shakespeare editions so often promise but so rarely deliver: which is to prompt a genuinely new way of looking at these familiar works.' Daniel Swift, The Spectator
'What Edmondson and Wells have done is both groundbreaking and profoundly significant … whether dipping in for a brief encounter or wanting to fully immerse oneself in the entire Sonnet canon, with scholarly explication and guidance, All the Sonnets of Shakespeare is a one volume tour de force. 400 years after his death, Edmondson and Wells have breathed new life into our engagement with his poetic output and a revised understanding of the man, his motives and his responses to creative muses … I strongly recommend grabbing a copy of their book and rediscovering the Sonnets for yourself! The casual reader will be both enlightened and entertained and the scholar will be academically stimulated.' Paul Spalding-Mulcock, Yorkshire Times
'… a model of editing, which scraps the conventional sentimentalities and lets us read the Sonnets as poems - explorations into worlds of possible feeling, speech and thought, rather than coded memoirs.' Rowan Williams, New Statesman, Books of the Year 2020
'In putting Shakespeare's dramatic sonnets alongside the 1609 group, this edition exhibits the breadth with which he handles the form.' Molly Clark, Times Literary Supplement
'This book is a gift to scholars and students … This study will prove valuable to all who specialize in Shakespearean topics.' M. H. Kealy, Choice
'Exploring the sonnets hidden in some of Shakespeare's most revered plays gives a new flavour and dynamic to those characters. It draws our attention to the author's intention in each play, where he makes a character unexpectedly speak in poetry. It illuminates that moment and poses new questions. The detailed and extremely in-depth introduction strongly supports the original works and allows us to examine all of Shakespeare's sonnets in a new, exciting and precise way. I learned a lot from reading this. I hope you do too.' Lolita Chakrabarti
About William Shakespeare
William Shakespeare was born at Stratford upon Avon in April, 1564. He was the third child, and eldest son, of John Shakespeare and Mary Arden. Little is known of Shakespeare’s early life; but it is unlikely that a writer who dramatized such an incomparable range and variety of human kinds and experiences should have spent his early manhood entirely in placid pursuits in a country town. There is one tradition, not universally accepted, that he fled from Stratford because he was in trouble for deer stealing, and had fallen foul of Sir Thomas Lucy, the local magnate; another that he was for some time a schoolmaster.
When Shakespeare died fourteen of his plays had been separately published in Quarto booklets. In 1623 his surviving fellow actors, John Heming and Henry Condell, with the co-operation of a number of printers, published a collected edition of thirty-six plays in one Folio volume, with an engraved portrait, memorial verses by Ben Jonson and others, and an Epistle to the Reader in which Heming and Condell make the interesting note that Shakespeare’s ‘hand and mind went together, and what he thought, he uttered with that easiness that we have scarce received from him a blot in his papers.’
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