LoveReading Says
Beautifully thought-provoking and yet simply and effortlessly readable, this is an intimate compassionate dance with life, death and hope. Read the first letter, followed by the prologue and you think you know exactly what this is going to be, a book that makes you cry, however there is so, so much more to be experienced than heartache. The author allows us to see moments in time for four different people, it feels as though she has a deeply affectionate link to all four, all the more so when we see their inner confusion, agitation and pain. The fleeting links become important and create stories within stories. The individual letters, so expressive and eloquent, sad, sometimes funny, create a pause, yet at the same time unify the feel and the emotion of this story. There is an honesty and truth to this tale, it’s captivating and stimulating and thoroughly wonderful. ~ Liz Robinson
Rowan Coleman on the importance of writing letters...
'Writing and receiving handwritten letters has always given me a special thrill, since I was quite young. A teenager in the eighties and nineties, before any one had heard of emails or texts, I always wrote to old school friends to keep in touch, and they always wrote back. Letters would be long-winded, funny, fully illustrated, addressed to made-up names. Then gradually over the years that followed it stopped being necessary to put pen to paper, in almost any form. Now we can say - to a loved one, and old friend, even a celebrity - what ever we want to say, instantly and often, publicly. So I’ve been trying to think about the piece of post that has come through my letterbox that has meant the most to me, and there have been a few really important letters in my life. But I think if I am going to choose a series of letters, that have meant more to me than any, it’s the handwritten letters I received last summer from some of my best friends. I had started 2014 with a plan to write a letter, and post it every week, and it had been going really well. And then in the summer my youngest son was injured, in a deeply traumatic way, that although was not life threatening, shook my family very deeply. My letter writing stalled, and never really found its feet again, but over those difficult, deeply upsetting weeks of summer, I got three letters from dear friends. Friends who knew what our family was dealing with, who knew how hard it had hit me, who knew that I was finding it difficult to find my feet again. Those three letters, each one unique, were little pieces of the people who wrote them, coming through my letterbox to offer me a hand of friendship. And I took enormous comfort in them, because what I learnt, through writing letters myself, and during the writing of ‘WE ARE ALL MADE OF STARS’ is that a handwritten letter does something that an email, or a text, or a tweet can’t do. It captures a moment in time, a feeling, a thought and a sentiment and it preserves it, for as long as the letter is preserved. It becomes a lasting token of what would otherwise be fleeting. So I keep those three letters in a special place, with my special things, because it meant so much to me that my friends took the time to think of me, and write those thoughts down.'
The hardback was One of our Books of the Year 2015.
Liz Robinson
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About Rowan Coleman
Rowan Coleman lives with her husband and five children in a very full house in Hertfordshire. She juggles writing novels with raising her family which includes a very lively set of toddler twins whose main hobby is going in opposite directions. When she gets the chance, Rowan enjoys sleeping, sitting and loves watching films; she is also attempting to learn how to bake.
Rowan would like to live every day as if she were starring in a musical, although her daughter no longer allows her to sing in public. Despite being dyslexic, Rowan loves writing, and The Memory Book is her eleventh novel. Others include The Accidental Mother, Lessons in Laughing Out Loud and the award-winning Dearest Rose, a novel which lead Rowan to become an active supporter of domestic abuse charity Refuge, donating 100% of royalties from the ebook publication of her novella, Woman Walks Into a Bar, to the charity. Rowan does not have time for ironing.
Below is a Q & A with the author.
1. What would be the most treasured memory you would put in your memory book?
I think I actually did put it in The Memory Book, right at the beginning as the first scene ‘Caitlin is Born’ is very much based on the feelings I had after my daughter was born. We were alone for a while and I will never forget the experience of falling in love with my own child. I’ve had three more children since, and each is very special, but my introduction to motherhood and the feelings that it inspires in you is a very strong life defining moment.
2. Your main character, Claire, suffers from early onset Alzheimer’s, how did you research this disease?
The most important part of the research that I did was finding words written down by Alzheimer sufferer’s, because I found it really hard to know whether I was getting Claire’s inner voice right. There is quite a difference often between what is going on in a person with Alzheimer’s head, in terms of thoughts and feelings, and what they are able to articulate outwardly. So I read a lot, about the disease, I also found cases of people s young and sometimes younger than my heroine, who suffered from Early Onset Alzheimer’s and I read as many first person accounts as I could find.
3. What do libraries mean to you?
Libraries mean everything to me, and that is no exaggeration. One thing many writers have in common is childhood spent in libraries, and I loved my weekly trips every Saturday and the joy that borrowing new books brought me. Now I take my own children (when I library is open, which sadly isn’t every day any more) and they love it too.
4. Which of your books is your favourite and why?
It’s a tough one, but I have to say ‘The Memory Book’ it’s a very personal book, I drew a lot on my own experiences of being and mother and a daughter for it, and I wrote it for my Mum. It feels like a book that drawn us all closer together in a funny sort of way. It made me think a lot about my relationships, and how much I value them.
5. Who is your inspiration?
My mum inspires me a lot. She married young, gave up her job to be a wife and mother, and when her marriage to my father broke down 28 years later she was sort of thrown out into the world to fend for herself and her children. And she did it. She taught me to be a strong independently minded woman, and she taught me how to be a mother. I think if circumstances had allowed it she would have been a writer too, she has an amazing imagination and a very quick wit. I’m lucky I had the opportunities that she didn’t, and that she encouraged me to take them.
6. If you had to choose your top three books, what would they be?
Jane Eyre is my all time favourite life changing book, also Anne of Green Gables and I have to say Pride and Prejudice, it’s a perfect book.
7. ‘The memory book’ certainly makes the reader shed a tear or two, did you cry when you were writing it?
Yes, I’m afraid I did. When you put yourself in the shoes of someone who knows they are leaving their children, and the people they love its very hard not to.. But I also laughed quite a bit too.
8. How did you first get into writing?
I was always a storyteller, although being an undiagnosed dyslexic held me back at school for quite a few years. It wasn’t until I somehow made it to university that I began to help to cope with my dyslexia and then I became to write in earnest. I worked in bookshops, and then as a admin assistant at a publishers, and kept writing all the time. In 2000 I sent an entry to Company Magazine Young Writer of Year award and won, which opened up all sorts of doors for me and eventually I acquired and agent, and then my first book deal in 2001.
9. You have some fantastic female characters in ‘The Memory Book’, who was your favourite to write?
That’s a hard one, I think I would have to say Claire, when I was finally confident I had her voice right, she really seemed to come alive for me. I still think about her. That’s weird, isn’t it?
10. What is your next project we can look forward too?
I could tell you but I’d have to kill you. No really, I am working on the next book now and trying to perfect the plot so I can’t tell you yet!
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