LoveReading Says
His massive space sagas make the Star Wars movies feel like a trip around the neighbourhood block. Imagination, intrigue, IMAX-size adventures on a mega-scale make this hard SF at its very best. HOUSE OF SUNS is the latest in his Revelation Space series, and I challenge anyone not to become breathless confronted by the sheer power of Reynolds’ imagination. Takes scientific speculation to new heights of adventure.
Sarah Broadhurst's view...
A spectacular, large-scale space opera from a master in this area. Big themes on a giant canvas, a galaxy-spanning adventure of some note.
Comparison: Kim Stanley Robinson, Neal Asher, Ben Bova.
Maxim Jakubowski
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House of Suns Synopsis
Six million years ago, at the very dawn of the starfaring era, Abigail Gentian fractured herself into a thousand male and female clones: the shatterlings. Sent out into the galaxy, these shatterlings have stood aloof as they document the rise and fall of countless human empires. They meet every two hundred thousand years, to exchange news and memories of their travels with their siblings.
Campion and Purslane are not only late for their thirty-second reunion, but they have brought along an amnesiac golden robot for a guest. But the wayward shatterlings get more than the scolding they expect: they face the discovery that someone has a very serious grudge against the Gentian line, and there is a very real possibility of traitors in their midst. The surviving shatterlings have to dodge exotic weapons while they regroup to try to solve the mystery of who is persecuting them, and why - before their ancient line is wiped out of existence, for ever.
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Alastair Reynolds Press Reviews
"Reynolds injects a good old fashioned sense of wonder into his science fiction by combining a story of epic scale with a series of awe-inspiring revelations, each more breathtaking than the last. The finale is thrilling, moving and humane. This is Reynolds' best novel to date." Eric Brown, THE GUARDIAN
"Reynolds retains a highly readable style which allows him to dip into solid technology without losing the pace and he fleshes out a convincing background to his world." Anthony Brown, STARBURST
"Reynolds has written a hugely entertaining extrapolation of contemporary mores: a far-flung comedy of manners, with fascinating precedents. This is warm hearted science fiction with big ideas that are easy to follow. House of Suns might well be the author's most human novel to date." INTERZONE
"Reynolds understands and uses hard science, giving an aura of plausibility to his wildest flights of fancy. As well as visionary brilliance, Reynolds also supplies a knock-your-socks-off ending. A thrilling, mind-boggling adventure." Lisa Tuttle, THE TIMES
"I abandoned science fiction years ago, except for the Discworld books, but a friend insisted I read House Of Suns by Alastair Reynolds. I tried it, became hooked, and have now read everything he's written. Alastair Reynolds is an astrophysicist, so he knows his stuff, but what really distinguishes him is a galaxy-sized imagination allied to a real story-telling ability." Bernard Cornwell
About Alastair Reynolds
Alastair Reynolds was born in Barry, South Wales, in 1966. He studied at Newcastle and St Andrews Universities and has a Ph.D. in astronomy. Since 1991 he has lived in the Netherlands, near Leiden. He gave up working as an astrophysicist for the European Space Agency to become a full-time writer. Revelation Space and Pushing Ice were shortlisted for the Arthur C. Clarke Award; Revelation Space, Absolution Gap and Century Rain were shortlisted for the British Science Fiction Award, and Chasm City won the BSFA, and Diamond Dogs was shortlisted for the British Fantasy Award.
Below is a Q & A with this author.
Who’s your favourite author? Considering his career as a whole, and the effect his writing has had on me, I would probably say Arthur C. Clarke. I can still remember the unbearable excitement of reading The City and the Stars for the first time.
Typewriter, word processor or pen? A computer if it's available, but I've written a lot on a typewriter, and am quite happy to write in longhand if necessary. I get a lot of inspiration from doodles and random word-association, so I tend to have a lot of paper around when I'm writing.
What educational qualifications do you have? Have you had any formal tuition in creative writing? If so, where and what? Did you find it useful? I have the usual science-graduate background: degree and doctorate. I wanted to keep studying English (and Art, which I was also good at), but it wasn't possible – it was one or the other. I still bitterly resent that! I've never had any formal tuition in creative writing, but I'm open-minded as to the usefulness of it.
Name your top five pieces of music. Really difficult, this one. When I'm in a classical mood I tend to listen to Vaughan Williams, Shostakovich, Sibelius, but picking one or two choices would be impossible. When I want to rock out I listen to everything from early Who through to recent stuff like Grandaddy and The Flaming Lips. My favourite defunct band is probably The Chameleons, a British group from Manchester who made some fine records. My favourite solo artist would probably be Neil Young.
What were the first pieces of writing that you produced? e.g. short stories, school magazine etc. I wrote stories as soon as I could write. I used to illustrate them myself and staple them up into little books. I wrote two novels before I was 18, and vast numbers of short stories. A story of mine was published in a South Wales regional schools magazine in 1984 – that was a big boost to my confidence. Someone compared it to Malcolm Bradbury, so I went away and read all Bradbury's novels (and then David Lodge). That was good for me as it encouraged me to read beyond science fiction.
Tell us about your best or worst holiday experience. Best experience was probably horse-riding up a precarious mountain pass in Chile. Amazing views, with the sun going down.
How do you write each novel – i.e. do you block out the narrative first, take each page at a time, create the central character, build a cast of characters? I just dive on into it, like a bulldozer rampaging through a shopping mall, leaving a trail of chaos in my wake, and making most of it up as I go along. This entails a huge amount of rewriting, and throwing away of surplus material, but I find it preferable to working to a rigid plan. My characters need to grow organically through their interactions with other people in the story – they don't have any reality for me until I'm at least halfway into the project.
What is a typical writing day? Get up. Have breakfast. Check email and surf the web. Aim to get a good chunk of work done by lunchtime – say a thousand words. Two to three thousand a day is my usual target. I usually break the afternoon up by going for a run or a swim. Drink vast amounts of coffee. After years of doing all my work in the evenings, I really like having them back now – although I'll often write just because I feel like it. I also tend to be a tiny bit more creative in the evening, for some reason.
What do you do when you are not writing? How do you relax? What are your hobbies? I do some sports: running, swimming, cycling and a bit of horse-riding. My partner and I watch a lot of films, in the cinema and on DVD. I like scratchy British black-and-white films, mainly. I'm also a great fan of anything to do with trains. I'm an anorak, basically, but at 38 I've long stopped caring.
Have you started your next book? Can you tell us a little bit about it? I've made a tentative start on something, which may or may not become the next book. It's a far-future, hard-SF space opera, with lots of interacting alien cultures. The main characters are people from near our own time, catapulted into the distant future. I have every intention of doing another book in the Revelation Space universe, but it won't be the next one.
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