The contemporary magician of the post-modern and often quirky novel (maybe equalled by just Haruki Murakami) returns with a doorstepper at nearly 900 pages and apart from the initial concept, it proves wonderfully traditional, if not old-fashioned. From the moment of his birth, we follow the life, or rather the lives, of Archie Ferguson, a bright Jewish boy growing up in America from the 1940s to the 1960s. However, from a similar starting point, we are given four different versions depending on varying circumstances, as events run in parallel, relationships, fortunes and loves change according to the respective life stream. Ambitious but rewarding, an exquisite panorama of the way we live and feel seen through a microscope controlled by a writer in full control of his imaginative powers, which is not a metaphor as the character shares a birth date and a profession with Auster himself. An elegy for what could have been, might have been, could still be or should be. The choice is the reader's. ~ Maxim Jakubowski
Auster's Booker Prize-shortlisted epic from the author of contemporary classic The New York Trilogy: 'a literary voice for the ages' (Guardian)
'A masterpiece.' Daily Mail 'Absorbing and immersive . . . the author's greatest novel.' FT SHORTLISTED FOR THE MAN BOOKER PRIZE 2017
On March 3rd, 1947, Archibald Isaac Ferguson, the only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson's life will take four simultaneous but entirely different paths. Family fortunes diverge. Loves and friendships and passions contrast. Each version of Ferguson's story rushes across the fractured terrain of mid-twentieth century America, in this sweeping story of birthright and possibility, of love and the fullness of life itself.
'Remarkable . . . A novel that contains multitudes.' New York Times
'A vast portrait of the turbulent mid-20th century . . . wonderfully, vividly conveyed.' New Statesman
