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The Alchemist by Ben Jonson - is a comedy by English playwright Ben Jonson. First performed in 1610 by the King's Men, it is generally considered Jonson's best and most characteristic comedy; Samuel Taylor Coleridge believed that it had one of the three most perfect plots in literature. The play's clever fulfilment of the classical unities and vivid depiction of human folly have made it one of the few Renaissance plays (except the works of Shakespeare) with a continuing life on stage, apart from a period of neglect during the Victorian era Synopsis An outbreak of plague in London forces a gentleman, Lovewit, to flee temporarily to the country. He leaves his house under the sole charge of his butler, Jeremy. Jeremy uses the opportunity given to him to use the house as the headquarters for fraudulent acts. He transforms himself into 'Captain Face,' and enlists the aid of Subtle, a fellow conman, and Dol Common, a prostitute. The play opens with a violent argument between Subtle and Face concerning the division of the riches which they have, and will continue to gather. Face threatens to have an engraving made of Subtle with a face worse than that of the notorious highwayman Gamaliel Ratsey. Dol breaks the pair apart and reasons with them that they must work as a team if they are to succeed. Their first customer is Dapper, a lawyer's clerk who wishes Subtle to use his supposed necromantic skills to summon a 'familiar' or spirit to help in his gambling ambitions. The tripartite suggest that Dapper may win favour with the 'Queen of Fairy,' but he must subject himself to humiliating rituals in order for her to help him. Their second gull is Drugger, a tobacconist, who is keen to establish a profitable business. After this, a wealthy nobleman, Sir Epicure Mammon, arrives, expressing the desire to gain himself the philosopher's stone, which he believes will bring him huge material and spiritual wealth. He is accompanied by Surly, a sceptic and debunker of the whole idea of alchemy. He is promised the philosopher's stone and promised that it will turn all base metal into gold. Surly however, suspects Subtle of being a thief. Mammon accidentally sees Dol and is told that she is a Lord's sister who is suffering from madness. Subtle contrives to become angry with Ananias, an Anabaptist, and demands that he should return with a more senior member of his sect (Tribulation). Drugger returns and is given false and ludicrous advice about setting up his shop; he also brings news that a rich young widow (Dame Pliant) and her brother (Kastril) have arrived in London. Both Subtle and Face in their greed and ambition seek out to win the widow. The Anabaptists return and agree to pay for goods to be transmuted into gold. These are in fact Mammon's goods. Dapper returns and is promised that he shall meet with the Queen of Fairy soon. Drugger brings Kastril who, on being told that Subtle is a skilled match-maker, rushes to fetch his sister. Drugger is given to understand that the appropriate payment might secure his marriage to the widow. Dapper is blindfolded and subjected to 'fairy' humiliations; but on the reappearance of Mammon, he is gagged and hastily thrust into the privy.
Ben Jonson (Author), Abby Pugh, Alan Mapstone, Arielle Lipshaw, Elizabeth Klett, Kevin Johnson, Nathanial Higgins, Teddy Hodge, Thomas Leigh Moore, Tricia G (Narrator)
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Hernani by Victor Hugo - (full title: Hernani, ou l'Honneur Castillan) is a drama in rhyming alexandrines by the French romantic author Victor Hugo. The title originates from Hernani, a Spanish town in the Southern Basque Country, where Hugo's mother and her three children stopped on their way to General Hugo's place of residence. The play was given its premiere on 25 February 1830 by the Comédie-Française in Paris. Today, it is more remembered for the demonstrations which accompanied the first performance and for being the inspiration for Giuseppe Verdi's opera Ernani than it is for its own merits. Hugo had enlisted the support of fellow Romanticists such as Hector Berlioz and Théophile Gautier to combat the opposition of Classicists who recognised the play as a direct attack on their values. Plot Set in a fictitious version of the Spanish court of 1519, it is based on courtly romance and intrigues. Three men - two noblemen and a mysterious bandit - are in love with the same woman. What follows in the ensuing chaos of action prompted the biographer of Hugo, J.P. Houston, to write '... and a résumé [plot synopsis] will necessarily fail, as in the case of Notre-Dame de Paris, to suggest anything like the involution of its details'. In the first scenes Hugo introduces Don Carlos, King of Spain (the future Charles V, Holy Roman Emperor) sneaking into the bedchamber of Doña Sol. He forces her maid to help conceal him within the room. Shortly thereafter, Doña Sol enters to welcome her lover Hernani. Hernani and Sol discuss their situation _ Doña Sol is about to be forced to marry her elderly uncle, and Hernani is a bandit whose father was executed by the previous King. Hernani and Doña Sol plot to run away together, but Don Carlos emerges from the cabinet where he was hiding, disrupting them. The two men clash swords, but are interrupted by Sol's uncle and fiancé Don Ruy Gomez de Silva. He demands to know why both men are in Sol's private chambers. Don Carlos reveals his identity, and asserts that he had come hoping to meet Ruy Gomez to discuss the recent death of Emperor Maximilian, and claims that Hernani is a member of his entourage, thereby allowing everyone to leave peacefully.
Victor Hugo (Author), Abby Pugh, Alan Mapstone, Greg Giordano, Jake Malizia, James R. Hedrick, Jenn Broda, Lynette Caulkins, Michael Broomhill, Michele Eaton, Teddy Hodge (Narrator)
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Pseudolus: or, The Cheat (Unabridged)
Pseudolus: or, The Cheat by Titus Maccius Plautus - is a play by the ancient Roman playwright Titus Maccius Plautus. It is one of the earliest examples of Roman literature. Pseudolus was first shown in 191 B.C. during the Megalesian Festival, which was a celebration for the Greek Goddess Cybele. The temple for worship of Cybele in Rome was completed during the same year in time for the festival. Plot synopsis The play starts with a two-line prologue (incomplete and probably not by Plautus),[8] which is a warning to the audience that the play is long and now is the time to stretch their legs because they are about to be sitting for a long time. Act 1 Once the play starts Calidorus and Pseudolus enter the stage, Calidorus is visibly upset. After Pseudolus pushes his master's son to tell him what is wrong, Calidorus shows him a letter he received. Pseudolus first mocks the poor handwriting it is written in then reads the letter, which says that Calidorus' lover Phoenicium, a prostitute, has been sold and the man who is supposed to come with the last of the money to pay for her and pick her up for her new master is coming very soon. Calidorus obviously wants to save her but he has no money of his own and his father won't lend him any to help save her. He turns to Pseudolus, who is his father's chief slave, for help. Pseudolus doesn't have the money they require to buy her, but thinks he can improvise a plan to get it and to save Phoenicium. At this time, Calidorus tells Pseudolus to be quiet, saying he hears the pimp Ballio, Phoenicium's master, leaving his house. Ballio enters the stage addressing his slaves, telling them that they aren't worth their keep and that they don't know how to behave. He claims beating them hurts him more than it hurts them and that they will steal anything if given the chance. Ballio begins organizing his slaves and making preparations for his own birthday celebration, and says he will be off to the market to strike a deal with the fishmonger. After he organizes his slaves and assigns them all specific tasks for the day, he calls his four courtesans out of the house. He orders them to make themselves the most desirable companions for the day, and to earn him supplies based on their status with men in different markets-specifically, grain, meat, oil, and farm produce. Ballio threatens to whip them and send them to work in a brothel if his demands are not met. Calidorus and Pseudolus have been watching Ballio throughout this entire speech from a hidden corner, making comments about his corruption and tyranny, and generally loathing his entire existence. Calidorus is deeply concerned about the future of Phoenicium and asks Pseudolus what he should do in order to keep Ballio from putting her on the streets. Pseudolus tells Calidorus not to worry about it, and that he will take care of it by delivering Ballio 'a nice fat packet of trouble.' This uncertain prospect is torturous to Calidorus, who claims that it's only natural that a lover must behave like a fool.
Titus Maccius Plautus (Author), Adam Bielka, Adrian Stephens, Alan Martin, Eva Davis, Jason Miller, Jenn Pratt, Max Körlinge, Michael Maggs, Teddy Hodge, Tomas Peter (Narrator)
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