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Much Ado About Nothing, Twelfth Night, and As You Like It are usually regarded as Shakespeare’s crowning achievements in the world of mirth and humor. In this group of plays, written during the playwright’s Second Period (1595–1600), the author depicts chiefly the cheerful, energetic side of life. In As You Like It, a wicked Duke expels his virtuous brother, the lawful ruler, from his domains. The banished Duke takes refuge with his followers in the Forest of Arden, where they live as free a life as did Robin Hood and his merry men. They are presently sought out by the Duke’s daughter Rosalind and her cousin Celia, who have been banished by the usurper. Also among the banished is Orlando, a virtuous young man, who is being pursued by his wicked brother Oliver, pursuant to the orders of the usurping duke. Orlando and Rosalind immediately fall in love, and she, disguised as a boy under the name of Ganymede, makes sport with him throughout the play. Eventually all ends happily – with conversions, repentance and revelations of love. Featuring the voices of Linda Barrans, Blaise Doran, Laura Richcreek, Emma Faye, Claudia Anglade, P J Morgan, Gary MacFadden, Denis Daly, Marty Krz, Dara Brown, Trisha Rose, John Burlinson, and Kendra Murray. Audio edited by Denis Daly Tunes for songs provided by Alan Weyman. The text used for this performance was kindly provided by playshakespeare.com. Production copyright 2024 is held by Voices of Today.
William Shakespeare (Author), A Full Cast, Blaise Doran, Claudia Anglade, Dara Brown, Denis Daly, Emma Faye, Gary Macfadden, John Burlinson, Kendra Murray, Laura E. Richcreek, Linda Barrans, Marty Krz, Pj Morgan, Trisha Rose (Narrator)
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Mistaken identity (which the Elizabethans called “Error”) is nearly always amusing, whether on the stage or in actual life. The Comedy of Errors is a play in which this situation is developed to the extreme of improbability – but we lose sight of this improbability in the roaring fun which results. Nowadays we should call a play of this type a farce, since most of the fun comes from situations which are improbable and the play depends on these for success, rather than on characterization or dialogue. Shakespeare’s Comedy of Errors draws on a much older play, Menaechmi, written by the ancient Roman playwright Plautus (254–184 B.C.). A merchant of Syracuse has twin sons and buys twin servants for them. His wife, with one twin and one servant, is soon separated from him by a shipwreck, and comes to live in Ephesus. When grown, the other son and his slave start out to find their brothers, and the father, some years later, starts out in turn to find them. Once in Ephesus, an amusing series of errors begins. The wife takes the wrong twin for her husband, the master beats the wrong slave, the wrong son disowns his father, the twin at Ephesus is arrested instead of his brother, and the twin slave Dromio of Syracuse is claimed as a husband by a black kitchen girl of Ephesus. The situation gets more and more mixed, until at last the real identity of the strangers from Syracuse is established, and all ends happily. Featuring the voices of Susan Iannucci, Gary MacFadden, David Shears, Dara Brown, Blaise Doran, Aisling Gray, Claudia Anglade, Kendra Murray and P.J. Morgan
William Shakespeare (Author), A Full Cast, Aisling Gray, Blaise Doran, Claudia Anglade, Dara Brown, David Shears, Gary Macfadden, Kendra Murray, Pj Morgan, Susan Iannucci (Narrator)
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As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection. Olivia is also the target of two other romantic schemes. Her pompous steward, Malvolio, has persuaded himself that Olivia has fallen for him but is too diffident to reveal her passion. Her dissipated uncle, Sir Toby Belch, has plans to set up a match for her with Sir Andrew Aguecheek, a feeble-minded squire. Viola/Cesario falls in love with Orsino and Olivia with Cesario, but all of the parties are obliged to hide their feelings. Having survived the shipwreck, Sebastian now appears on the scene and contracts a secret marriage with Olivia, who believes him to be Cesario. In the final act, Viola reveals her true identity … Featuring Emma Faye as Viola, Kendra Murray as Olivia, Cate Barratt as Sir Toby Belch, Alan Weyman as Sir Andrew Aguecheek, Lillian Rachel as Malvolio, Marty Krz as Feste and Laura Richcreek as Orsino. Also featuring the voices of Claudia Anglade, Linda Barrans, PJ Morgan, Denis Daly and John Burlinson. Songs arranged by Alan Weyman and Marty Krz Audio edited by Denis Daly Text kindly provided by playshakespeare.com
William Shakespeare (Author), A Full Cast, Alan Weyman, Cate Barratt, Claudia Anglade, Denis Daly, Emma Faye, Jennie Litt, John Burlinson, Kendra Murray, Laura E. Richcreek, Lillian Rachel, Linda Barrans, Marty Krz, Pj Morgan, Trisha Rose (Narrator)
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Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the sombre tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage. The odd man out is the sinister Don John, brother and former enemy of Don Pedro, Prince of Aragon, but recently restored to the Prince’s favour. Being of a morose and jealous temperament, Don John plots to disrupt the wedding and cause division between the lovers, with the aid of his fellow conspirators, Borachio and Conrade. However, this evil plan is thwarted by an unexpected incursion by the bumbling constables Dogberry and Verges. The young couple are finally reunited, but only after Claudio has first been led to believe that his rejected spouse, Hero, has died of shame and grief. The matching of Beatrice and Benedick, encouraged by some artful chicanery by Hero and Claudio, and marked by many witty and sardonic exchanges of repartee, serves to lighten the texture of the darker elements of the action. Featuring Emma Faye as Hero, Kendra Murray as Beatrice, Dara Brown as Claudio, Lillian Rachel as Benedick, Cate Barratt as Dogberry, and Gary Macfadden as Don John. Also featuring the voices of Catherine Bilson, Ron Altman, Alan Weyman, P J Morgan, Claudio Anglade, John Burlinson and Linda Barrans. Songs arranged by Alan Weyman Audio edited by Denis Daly Text kindly provided by playshakespeare.com
William Shakespeare (Author), A Full Cast, Alan Weyman, Cate Barratt, Catherine Bilson, Claudia Anglade, Dara Brown, Emma Faye, Gary Macfadden, John Burlinson, Kendra Murray, Lillian Rachel, Linda Barrans, Pj Morgan, Ron Altman (Narrator)
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This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale. The comedy has for its heroine a young woman who loves the haughty Bertram with an unrequited and despised passion, cures the King of France of a dangerous sickness, claims as her reward the right to choose a husband from among the courtiers, chooses Bertram, is repudiated by him, and, after a nocturnal meeting at which she takes the place of another woman whom he believes himself to have seduced, at last overcomes his resistance and is acknowledged as his wife. In Helena, Shakespeare drew a portrait of familiar type of loving and cruelly maltreated womanhood—the woman who suffers everything in inexhaustible tenderness and humility, and never falters in her love until in the end she wins the rebellious heart.
William Shakespeare (Author), A Full Cast, Aisling Gray, Claudia Anglade, David Shears, Denis Daly, Emma Faye, Gary Macfadden, John Burlinson, Kendra Murray, Linda Barrans, Marty Krz, Pj Morgan (Narrator)
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Together with The Tempest, A Midsummer Night’s Dream is one of Shakespeare’s most magical plays. One night, two parties creep from Athens into the surrounding forest. One party includes sweethearts Lysander and Hermia, fleeing from Athenian law and the disapproval of Hermia’s father to get married. In pursuit is Demetrius, the suitor of Hermia favored by her father, and the doleful Helena, formerly affianced to Demetrius. Six tradesman (the “rude mechanicals”) make up the other party. They hope to present a play at the upcoming nuptials of Theseus, Duke of Athens, and are seeking a private place for rehearsal. Surveying these disparate interlopers are the forest fairies, whose King Oberon and Queen Titania are engaged in a ferocious marital dispute. A magical love potion throws all into disarray. Attachments are disrupted, new ones are formed—but finally, conjugal harmony is established between lovers. In the last act the “rude mechanicals” win their chance to present their clumsy dramatic piece to the amusement and satisfaction of the aristocratic audience.
William Shakespeare (Author), A Full Cast, Blaise Doran, Claudia Anglade, Emma Faye, Gary D. Macfadden, Gary Macfadden, Kendra Murray, Linda Barrans, Mark Crowle-Groves, Marty Krz, Pj Morgan, Tom Saer (Narrator)
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Science. Serial killers. Liberation. Alien planets. Trauma. Zen koans. Amorous vampires. Gay stuff. Tentacle beasts. In these five short stories (with ten full-page illustrations!), you'll find all this and more! Horror is transformational. Overwhelm is the dissolution of the ego within the knowledge that what you are is a fleeting instant in an incomprehensibly vast universe. But will this understanding lead to destruction, or will it grant liberation? Open yourself to strange new worlds, and worlds eerily familiar in this debut anthology from author and illustrator Simon Shadows!
Simon Shadows (Author), Matt Haynes, Pj Morgan (Narrator)
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A murder. A twisted truth. A fight for survival.Investigative journalist Meg Dawson is about to be demoted to the graveyard shift unless she can score a big scoop. But she gets more than she bargained for when a murder case lands in her lap—the victim was an old friend, Sam Vargas. When the police start asking all the wrong questions, both about Sam and her dark past, it's up to Meg to uncover one ugly deed after the next, until she comes face to face with a devastating truth. Can Meg outsmart a killer who always seems to be one step ahead?
Amy Waeschle (Author), Pj Morgan (Narrator)
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Hamlet and Macbeth are two of Shakespeare's best-known plays and contain some of the most famous speeches in world literature. These one-act versions of the plays, which were edited by J. P Crabb, the details of whose life and other works have disappeared into obscurity, retain the significant monologues and dialogues while presenting a streamlined view of the action. Featuring the voices of Alan Weyman, Amanda Friday, Anna Grace, Blythe Melin, David Shears, Denis Daly, Graham Scott, Huw Brentnall, Jeff Moon, Lance Rasmussen, PJ Morgan, Rob Goll, Ron Altman, Sarah Bacaller, Senn Annis, Sydnee Fullmer and Tyler Hyrchuk. Production copyright 2020 is held by The Online Stage
William Shakespeare (Author), Alan Weyman, Amanda Friday, Anna Grace, Blythe Melin, David Shears, Denis Daly, Graham Scott, Huw Brentnall, Jeff Moon, Lance Rasmussen, Pj Morgan, Rob Goll, Ron Altman, Sarah Bacaller, Senn Annis, Shaina Summerville, Sydnee Fullmer, Tyler Hyrchuk (Narrator)
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