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Audiobooks Narrated by Mark Mcnamara
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This Audiobook contains the following works :
The Castle of Otranto - Horace Walpole
The Damned (Là-bas) - Joris-Karl Huysmans
The Legend of Sleepy Hollow - Washington Irving
Frankenstein - Mary Shelley
The Picture of Dorian Gray - Oscar Wilde
Dracula - Bram Stoker
The Turn of the Screw - Henry James
The Dunwich Horror - H.P Lovecraft
The Masque of the Red Death - Edgar Allan Poe
The Phantom of the Opera - Gaston Leroux
The Future of the American Negro was written to put more definite and permanent form the ideas regarding the condition of the negro. Booker T. Washington, a prominent African American leader, educator, and author, articulates the importance of Industrial education. He emphasized the importance of the development of the Negro in hand and heart training, which would provide the solid foundation necessary to attain the highest form of citizenship.
This volume is the outgrowth of a series of articles written to enlighten people on the doctrine of industrial education that would address the mistakes of the reconstruction period. Booker T. Washington expresses arguments through sound reason in an impassioned plea to resolve the problems of increased crime, ignorance, discrimination, and debilitating debt crippling the black race. He substantiates his case with inspiring examples of former students of the Tuskegee Normal and Industrial Institute who overcame adversity to achieve their dreams.
'The Brushwood Boy'. First published as part of 'The Day's Work' (1898), it is the curious story of a boy's adventures both in real life and within his dreams. 'The Brushwood Boy' is a timeless tale that makes for ideal bedtime reading, and is not to be missed by fans and collectors of Kipling's marvellous work.
The experiences in public school, Sandhurst and military life in India of Major George Cotter together with his adventures in the dream world he discovers and frequents.
Published in 1866, Battle-Pieces and Aspects of the War is a collection of poems about the Civil War by Herman Melville. Many of the poems are inspired by second- and third-hand accounts from print news sources (especially the Rebellion Record) and from family and friends. A handful of trips Melville took before, during, and after the war provide additional angles of vision into the battles, the personalities, and the moods of war. In an opening note, Melville describes his project not so much as a systematic chronicle (though many of the individual poems refer to specific events) but as a kind of memory piece of national experience. The 'aspects' to which he refers in the title are as diverse as 'the moods of involuntary meditation—moods variable, and at times widely at variance.' Much of the verse is stylistically conventional (more so than modern readers perhaps expect from the author of Moby-Dick), but the shifting subjectivities and unresolved traumas that unfold in the collection merit repeated contemplation. Melville's Battle-Pieces do not offer a neatly versified narrative of the Civil War but rather kaleidescopic glimpses of shifting emotions and ambivalent reflections of post-war America
Mardi is Melville's first purely fictional work. In it he contemplates man's beliefs, and questions whether or not one faith has value over another--or is it all simply a sham? Mardi is a poetically existential analysis of religious truths as told through the protagonist's allegorical wanderings across the South Pacific. But is this all that Mardi is?
A young man sets out on his first voyage as captain, aboard a vessel and among a crew that are equally unfamiliar to him. A mysterious night-swimmer climbs aboard, and, in keeping the presence of this fugitive a secret, the skipper risks both his captaincy and the safety of his ship. A test of nerve in the Gulf of Siam ensues.
Written in 1915, The Shadow-Line is based upon events and experiences from twenty-seven years earlier to which Conrad returned obsessively in his fiction. A young sea captain's first command brings with it a succession of crises: his sea is becalmed, the crew laid low by fever, and his deranged first mate is convinced that the ship is haunted by the malignant spirit of a previous captain.
This is indeed a work full of 'sudden passions,' in which Conrad is able to show how the full intensity of existence can be experienced by the man who, in the words of the older Captain Giles, is prepared to 'stand up to his bad luck, to his mistakes, to his conscience.' A subtle and penetrating analysis of the nature of manhood, The Shadow-Line investigates varieties of masculinity and desire in a subtext that counters the tale's seemingly conventional surface
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
An Outcast of the Islands is the second novel by Joseph Conrad, published in 1896, inspired by Conrad's experience as mate of a steamer, the Vigar. The novel details the undoing of Peter Willems, a disreputable, immoral man who, on the run from a scandal in Makassar, finds refuge in a hidden native village, only to betray his benefactors over lust for the tribal chief's daughter. The story features Conrad's recurring character Tom Lingard, who also appears in Almayer's Folly (1895) and The Rescue (1920), in addition to sharing other characters with those novels. This novel was adapted for the screen in 1952 by director Carol Reed, featuring Trevor Howard as Willems, Ralph Richardson as Lingard, Robert Morley, and Wendy Hiller
