Browse audiobooks narrated by Julia Emelin, listen to samples and when you're ready head over to Audiobooks.com where you can get 3 FREE audiobooks on us
The black market is Liza’s lifeline, where she barters family heirlooms and steals whatever she can get her hands on just for enough food to survive. Morality, after all, has become a fluid thing since the Nazi siege has cut off her city from the rest of the world. Hope for a quick liberation is obliterated as the Soviet government focuses on sustaining the Red Army and not the city, subjecting its people to unimaginable cruelties at the hands of the secret police. When Liza’s best friend Aka proposes that they go to the same bullying officials, rumored to give young women food in exchange for “entertainment,” Liza thinks there surely must be some other way. Then Aka disappears and Liza resolves to rescue her no matter the cost, entangling herself in an increasingly dangerous web with two former classmates, one a policeman, the other forced to live underground. The Hunger Between Us is an absorbing novel about being trapped with impossible choices and the bonds of love that are tested along dangerous paths.
Marina Scott (Author), Julia Emelin (Narrator)
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Last Witnesses: Unchildlike Stories
Penguin presents the audiobook edition of Last Witnesses by Svetlana Alexievich, read by Julia Emelin, Yelena Shmulenson and Allen Lewis Rickman. What did it mean to grow up in the Soviet Union during the Second World War? In the late 1970s, Svetlana Alexievich started interviewing people who had experienced war as children, the generation that survived and had to live with the trauma that would forever change the course of the Russian nation. With remarkable care and empathy, Alexievich gives voice to those whose stories are lost in the official narratives, uncovering a powerful, hidden history of one of the most important events of the twentieth century. Published to great acclaim in the Soviet Union in 1985 and now available in English for the first time, this masterpiece offers a kaleidoscopic portrait of the human consequences of the war - and an extraordinary chronicle of the Russian soul.
Svetlana Alexievich (Author), Allen Lewis Rickman, Julia Emelin, Yelena Shmulenson (Narrator)
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Penguin presents the audiobook edition of The Unwomanly Face of War by Svetlana Alexeivich, read by Julia Emelin and Yelena Shmulenson. Bringing together dozens of voices in her distinctive style, The Unwomanly Face of War is Svetlana Alexievich's collection of stories from Soviet women who lived through the Second World War: on the front lines, on the home front and in occupied territories. As Alexievich gives voice to women who are absent from official narratives - captains, sergeants, nurses, snipers and pilots - she shows us a new version of the war we're so familiar with, creating an extraordinary alternative history from their private stories. Published in 1985 in Russia and now available in English for the first time, The Unwomanly Face of War was Alexievich's first book and a huge bestseller in the Soviet Union, establishing her as a brilliantly revolutionary writer.
Svetlana Alexievich (Author), Julia Emelin, Yelena Shmulenson (Narrator)
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The Unwomanly Face of War: An Oral History of Women in World War II
A long-awaited English translation of the groundbreaking oral history of women in World War II across Europe and Russia-from the winner of the Nobel Prize in Literature "A landmark."-Timothy Snyder, author of On Tyranny: Twenty Lessons from the Twentieth Century For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her invention of "a new kind of literary genre," describing her work as "a history of emotions . . . a history of the soul." In The Unwomanly Face of War, Alexievich chronicles the experiences of the Soviet women who fought on the front lines, on the home front, and in the occupied territories. These women-more than a million in total-were nurses and doctors, pilots, tank drivers, machine-gunners, and snipers. They battled alongside men, and yet, after the victory, their efforts and sacrifices were forgotten. Alexievich traveled thousands of miles and visited more than a hundred towns to record these women's stories. Together, this symphony of voices reveals a different aspect of the war-the everyday details of life in combat left out of the official histories. Translated by the renowned Richard Pevear and Larissa Volokhonsky, The Unwomanly Face of War is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. "But why? I asked myself more than once. Why, having stood up for and held their own place in a once absolutely male world, have women not stood up for their history? Their words and feelings? They did not believe themselves. A whole world is hidden from us. Their war remains unknown . . . I want to write the history of that war. A women's history."-Svetlana Alexievich Read by Julia Emelin, Yelena Shmulenson, Allen Lewis Rickman, and Alan Winter THE WINNER OF THE NOBEL PRIZE IN LITERATURE "for her polyphonic writings, a monument to suffering and courage in our time." "Patient in overcoming cliché, attentive to the unexpected, and restrained in exposition, her writing reaches those far beyond her own experiences and preoccupations, far beyond her generation, and far beyond the lands of the former Soviet Union."-Timothy Snyder, author of On Tyranny: Twenty Lessons from the Twentieth Century "Alexievich's artistry has raised oral history to a totally different dimension. It is no wonder that her brilliant obsession with what Vasily Grossman called 'the brutal truth of war' was suppressed for so long by Soviet censors, because her unprecedented pen portraits and interviews reveal the face of war hidden by propaganda."-Antony Beevor, author of Stalingrad: The Fateful Siege "[Alexievich moves] away from military narrative and [tells] the tales of Soviet women who took on male roles, fought on the front lines, killed and got killed, but still looked at the shattered world around them from a feminine perspective, focusing on human suffering and basic emotions free of any pathos."-Newsweek "A mighty documentarian and a mighty artist . . . Her books are woven from hundreds of interviews, in a hybrid form of reportage and oral history that has the quality of a documentary film on paper. But Alexievich is anything but a simple recorder and transcriber of found voices; she has a writerly voice of her own which emerges from the chorus she assembles, with great style and authority, and she shapes her investigations of Soviet and post-Soviet life and death into epic dramatic chronicles as universally essential as Greek tragedies."-The New Yorker
Larissa Volokhonsky, Richard Pevear, Svetlana Alexievich (Author), Julia Emelin, Yelena Shmulenson (Narrator)
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What if Anton Chekhov, undisputed master of the short story, actually wrote a novel, and the manuscript still existed? This tantalizing possibility drives The Summer Guest, a spellbinding narrative that draws together, across two centuries, the lives of three women through the discovery of a diary.During the long, hot summer of 1888, an extraordinary friendship blossoms between Anton Chekhov and Zinaida Lintvaryova, a young doctor. Recently blinded by illness, Zinaida has retreated to her family's estate in the lush countryside of Eastern Ukraine, where she is keeping a diary to record her memories of her earlier life. But when the Chekhov family arrives to spend the summer at a dacha on the estate, and she meets the middle son Anton Pavlovich, her quiet existence is transformed by the connection they share. What begins as a journal kept simply to pass the time becomes an intimate, introspective narrative of Zinaida's singular relationship with this doctor and writer of growing fame.More than a century later, in 2014, the unexpected discovery of this diary represents Katya Kendall's last chance to save her struggling London publishing house. Zinaida's description of a gifted young man still coming to terms with his talent offers profound insight into a literary legend, but it also raises a tantalizing question: Did Chekhov, known only as a short story writer and playwright, write a novel over the course of their friendship that has since disappeared? The answer could change history, and finding it proves an irresistible challenge for Ana Harding, the translator Katya hires. Increasingly drawn into Zinaida and Chekhov's world, Ana is consumed by her desire to find the "lost" book. As she delves deeper into the moving account of two lives changed by a meeting on a warm May night, she discovers that the manuscript is not the only mystery contained within the diary's pages.Inspired by the real friendship between Chekhov and the Lintvaryov family, landowners in the Ukraine, The Summer Guest is a masterful and utterly compelling literary novel that breathes life into a vanished world, while exploring the transformative power of art and the complexity of love and friendship.
Alison Anderson (Author), Julia Emelin, Kirsten Holly Smith, Lucy Rayner (Narrator)
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NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR |BuzzFeed | Tor.com | BookPage |Library Journal | Publishers Weekly -Naomi Novik, author of the New York Timesbestselling and critically acclaimed Temeraire novels, introduces a bold new world rooted in folk stories and legends, as elemental as a Grimm fairy tale. "Uprooted is confidently wrought and sympathetically cast. I might even call it bewitching."-Gregory Maguire, bestselling author of Wicked and Egg & Spoon "Our Dragon doesn't eat the girls he takes, no matter what stories they tell outside our valley. We hear them sometimes, from travelers passing through. They talk as though we were doing human sacrifice, and he were a real dragon. Of course that's not true: he may be a wizard and immortal, but he's still a man, and our fathers would band together and kill him if he wanted to eat one of us every ten years. He protects us against the Wood, and we're grateful, but not that grateful." Agnieszka loves her valley home, her quiet village, the forests and the bright shining river. But the corrupted Wood stands on the border, full of malevolent power, and its shadow lies over her life. Her people rely on the cold, driven wizard known only as the Dragon to keep its powers at bay. But he demands a terrible price for his help: one young woman handed over to serve him for ten years, a fate almost as terrible as falling to the Wood. The next choosing is fast approaching, and Agnieszka is afraid. She knows-everyone knows-that the Dragon will take Kasia: beautiful, graceful, brave Kasia, all the things Agnieszka isn't, and her dearest friend in the world. And there is no way to save her. But Agnieszka fears the wrong things. For when the Dragon comes, it is not Kasia he will choose. Praise for Uprooted "Uprooted has leapt forward to claim the title of Best Book I've Read Yet This Year. . . . Moving, heartbreaking, and thoroughly satisfying, Uprooted is the fantasy novel I feel I've been waiting a lifetime for. Clear your schedule before picking it up, because you won't want to put it down."-NPR "A very enjoyable fantasy with the air of a modern classic . . . Naomi Novik skillfully takes the fairy-tale-turned-bildungsroman structure of her premise . . . and builds enough flesh on those bones to make a very different animal. . . . The vivid characters around her also echo their fairy-tale forebears, but are grounded in real-world ambivalence that makes this book feel quietly mature, its world lived-in."-The New York Times Book Review "Novik here delivers a tale that is funny and fast-paced, laced with hair-raising battle scenes and conspiracies; it also touches on deeper ecological concerns we grapple with today."-The Washington Post "Novik takes us on a surprise-filled journey. . . . The resulting warmth and intimacy provide a nicely nurturing environment for her heroine's unusual adventures."-The Seattle Times "Breathtaking . . . [Novik] weaves a tale that is both elegantly grand and earthily humble, familiar as a Grimm fairy tale yet fresh, original, and totally irresistible. This will be a must-read for fantasy fans for years to come."-Pubilshers Weekly (starred review) "An original and fully realized fantastical place guaranteed to enthrall her longtime fans and attract new readers."-Library Journal (starred review) From the Hardcover edition.
Naomi Novik (Author), Julia Emelin (Narrator)
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The Family Romanov: Murder, Rebellion, and the Fall of Imperial Russia
From the acclaimed author of Amelia Lost and The Lincolns comes more nonfiction at its very best—and a perfect resource for meeting Common Core standards. Here is the riveting story of the Russian Revolution as it unfolded. When Russia’s last tsar, Nicholas II, inherited the throne in 1894, he was unprepared to do so. With their four daughters (including Anastasia) and only son, a hemophiliac, Nicholas and his reclusive wife, Alexandra, buried their heads in the sand, living a life of opulence as World War I raged outside their door and political unrest grew. Deftly maneuvering between the lives of the Romanovs and the plight of Russia’s peasants—and their eventual uprising—Fleming offers up a fascinating portrait, complete with inserts featuring period photographs and compelling primary-source material that brings it all to life. History doesn’t get more interesting than the story of the Romanovs.
Candace Fleming (Author), , Eugene Alper, Gleb Kaminer, Julia Emelin, Kimberly Farr, Mark Deakins, Paul Michael, Rustam Kasymov, Stefan Rudnicki, Various Readers (Narrator)
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From Kathryn Harrison, one of America's most admired literary voices, comes a gorgeously written, enthralling novel set in the final days of Russia's Romanov Empire. St. Petersburg, 1917. After Rasputin's body is pulled from the icy waters of the Neva River, his eighteen-year-old daughter, Masha, is sent to live at the imperial palace with Tsar Nikolay and his family—including the headstrong Prince Alyosha. Desperately hoping that Masha has inherited Rasputin's miraculous healing powers, Tsarina Alexandra asks her to tend to Aloysha, who suffers from hemophilia, a blood disease that keeps the boy confined to his sickbed, lest a simple scrape or bump prove fatal. Two months after Masha arrives at the palace, the tsar is forced to abdicate, and Bolsheviks place the royal family under house arrest. As Russia descends into civil war, Masha and Alyosha grieve the loss of their former lives, finding solace in each other's company. To escape the confinement of the palace, they tell stories—some embellished and some entirely imagined—about Nikolay and Alexandra's courtship, Rasputin's many exploits, and the wild and wonderful country on the brink of an irrevocable transformation. In the worlds of their imagination, the weak become strong, legend becomes fact, and a future that will never come to pass feels close at hand. Mesmerizing, haunting, and told in Kathryn Harrison's signature crystalline prose, Enchantments is a love story about two people who come together as everything around them is falling apart.
Kathryn Harrison (Author), Julia Emelin, Rustam Kasymov (Narrator)
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