Browse audiobooks narrated by George Keller, listen to samples and when you're ready head over to Audiobooks.com where you can get 3 FREE audiobooks on us
Narrative of the Most Extraordinary and Distressing Shipwreck of the Whale-ship Essex
On November 20, 1820, a sperm whale struck and sunk the whaling ship Essex, stranding the 21 crew members who escaped on three whale-boats in the middle of the Pacific Ocean, 2000 miles from land. Up against rough storms, vicious sharks, and desperation leading to cannibalism, only eight men survived. One was First Mate Owen Chase, who published this account of the disaster. His story served as real-life inspiration for Herman Melville's Moby Dick.
Owen Chase (Author), George Keller (Narrator)
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While sitting on his private piazza, the narrator imagines life at an idyllic home in the mountains. In his daydream, he meets a lonely young woman who often gazes at his house from afar and wonders about him. Using prose rife with literary allusions, Melville explores the limitations of idealism. This story is found in his collection of short fiction, The Piazza Tales.
Herman Melville (Author), George Keller (Narrator)
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When an American sea captain sees a Spanish slave ship in distress, he reaches out with an offer to help. Once on board, however, the odd behavior of the captain, crew, and slaves leave him with an uneasy feeling that something is not as it seems. Melville based the plot of this novella on real events that occurred off the coast of Chile in 1799. Though it is not Melville's best-known work, it is favored among scholars as one of his most complex.
Herman Melville (Author), George Keller (Narrator)
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With "The Prophets' Paradise," acclaimed horror writer Robert Chambers plays with form to create a series of dream-like prose poems. In one section, a woman empties a jar of blood on a patch of white flowers, crying out, "I have killed him I loved!" In another, a clown tells Death, "You are very beautiful." These eerie, yet ethereal poems defy interpretation and will linger in the minds of readers.
Robert W. Chambers (Author), George Keller (Narrator)
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Wandering the streets of Paris, the impoverished artist Severn happens upon a stray cat. He befriends the creature, who in turn reciprocates his affection. When Severn decides to return the cat to her owner, however, the story takes a macabre turn. This tale was originally published in Robert Chambers' collection The King in Yellow.
Robert W. Chambers (Author), George Keller (Narrator)
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A stranger, lost while hunting in the moors of Brittany, meets the mysterious Demoiselle D'Ys. She invites him back to her castle, and the two grow closer. After a while, however, the stranger begins to suspect that the other inhabitants of the castle are not from the world as he knows it. "Demoiselle D'Ys" is a quintessential romantic horror story from Robert Chambers' collection, The King in Yellow.
Robert W. Chambers (Author), George Keller (Narrator)
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This tale follows a group of art students roaming around the Latin Quarter of Paris. Bohemians with womanizing tendencies, they go through as many working-class girls as they can find. One girl, a pianist, stands out from the rest, but she will not be so easily won over. "Rue Baree" is the final story in Robert Chambers' The King in Yellow.
Robert W. Chambers (Author), George Keller (Narrator)
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In a departure from traditional horror writing, "The Street of the First Shell" focuses on the inescapable horrors of war. The story follows a group of struggling artists in Paris during the Franco-Prussian War. The characters struggle to remain safe and together during the 1870 Siege of Paris, when Germans shelled the Latin Quarter. This nightmarish story is part of Robert Chambers' collection The King in Yellow.
Robert W. Chambers (Author), George Keller (Narrator)
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"Jabberwocky" is one of the most well-known nonsense poems in the English language. Though full of playful made-up words like "brillig," "mimsy," and frumious," the poem still tells a story. A young warrior faces up against the fearsome Jabberwock, armed with a "vorpal blade," and comes out triumphant: "O frabjous day! Callooh! Callay!" This poem first appeared in the middle of Through the Looking-Glass, and What Alice Found There, Carroll's follow-up to the well-beloved children's classic Alice's Adventures in Wonderland.
Lewis Carroll (Author), George Keller (Narrator)
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In the middle of a church service, a man is struck by a sense of dread. As impassioned organ music fills the building, the man senses that the source of his anxiety is coming from a hostile organist. What is the root of the musician's animosity? Is it real, or is the narrator just imagining it? This quick, suspenseful story from The King in Yellow gives readers a taste of Chambers' mastery of the horror genre.
Robert W. Chambers (Author), George Keller (Narrator)
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Delirium, jealousy, and passion run free in Robert Chambers' short story "The Mask." Boris, a sculptor, has created a liquid that transforms objects into marble. His innocent art-making takes a turn for the worse when his lover Genevieve descends into madness and Alec, the man she snubbed for Boris, comes to stay. This chilling tale is part of Robert Chambers' short story collection, The King in Yellow.
Robert W. Chambers (Author), George Keller (Narrator)
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From his Washington Park studio, Scott can see the sinister watchman of a nearby church. His model, Tessie, tells him the watchman shares the face of a hearse driver who's been appearing in her dreams. Scott grows more and more unsettled by the watchman, until one day, he hears the man mumble something from a mysterious play that always signals trouble: The King in Yellow. Readers of "The Yellow Sign" will be left questioning the boundaries between reality, dream, and fiction.
Robert W. Chambers (Author), George Keller (Narrator)
Audiobook
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