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Preparing for Glory: Biblical Answers to 40 Questions on Living and Dying in Hope of Heaven
Will I become an angel when I die? What is life like in heaven? How do I leave a spiritual legacy? You don't have to be dying to have questions about death, the afterlife, legacy planning, and more. Life and legacy coach Elizabeth Turnage presents bite-size biblical answers on theological and practical issues, accompanied by beautiful hymns, prayers, reflection questions, and additional resources. Rediscover hope as you meditate on the glory that lies ahead.
Elizabeth Reynolds Turnage (Author), Emma Faye (Narrator)
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The Method of Our Mission: United Methodist Polity & Organization
Theology shapes who we are and how we organize to transform the world. Especially written for required United Methodist classes, this accessible book uses a Wesleyan theological frame-connection-to help listeners understand United Methodism's polity and organization as the interrelationship of our beliefs, mission, and practice. The book is organized into four parts-United Methodist beliefs, mission, practice, and organization. Polity and organization are primary embodiments of The United Methodist Church. Functional in nature, these aspects of the denomination facilitate our mission to make disciples for the transformation of the world. This book connects denominational governance and organization to our beliefs as well as our mission. A clear understanding of our identity-as Methodists with Wesleyan roots in connection-and our purpose-to make disciples for the transformation of the world-can help students of United Methodism navigate this treacherous landscape as present and future leaders. Warner also addresses the estrangement between theology and institutional structures and practice by framing governance practices and organizational structure within a Wesleyan theology of connection. This book has been updated with changes from the 2016 General Conference.
Laceye C. Warner (Author), Emma Faye (Narrator)
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Antonio, a wealthy and popular merchant, is in financial difficulty. He approaches a Jewish money lender, Shylock, who agrees to provide 3000 ducats, with a very curious bond – a pound of the merchant’s flesh, to be levied if Antonio fails to make a timely repayment. Feeling confident that his argosies will arrive in time to cover the debt, Antonio agrees to this bizarre transaction. Meanwhile, a wealthy gentlewoman, Portia, must choose a suitor using a curious ritual mandated by her father’s will. Applicants must choose from three locked caskets, one of which contains a picture of Portia. He who chooses the casket with the picture will wed Portia immediately; the unsuccessful applicants will cease courting not only Portia, but all prospective partners. Portia’s preferred suitor is a young Venetian, Bassanio, who is a close friend of Antonio. Antonio’s ships fail to arrive in time to satisfy his debt to Shylock and Antonio is hauled into court. In a male disguise, Portia appears in court to represent Antonio. Will her skillful representation free Antonio from Shylock’s demands? Written between 1596 and 1598 and published in 1600, The Merchant of Venice most notably touches on the troubling subject of antisemitism. While critical debate rages about Shakespeare’s actual attitudes toward Jewish culture, it is difficult to deny that the eventual fate of Shylock is not in accord with today’s view of social justice. Featuring the voices of Denis Daly, Catherina Bilson, Alexandra Lee Smith, Gary D. Macfadden, Blaise Doran, Graham Scott, Roberta Jackson, Josh Innerst, Simon Paxton, Alan Weyman, Emma Faye and Marty Krz.
William Shakespeare (Author), A Full Cast, Alan Weyman, Alexandra Lee Smith, Blaise Doran, Catherine Bilson, Denis Daly, Emma Faye, Gary Macfadden, Graham Scott, Josh Innerst, Marty Krz, Roberta Jackson, Simon Paxton (Narrator)
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Much Ado About Nothing, Twelfth Night, and As You Like It are usually regarded as Shakespeare’s crowning achievements in the world of mirth and humor. In this group of plays, written during the playwright’s Second Period (1595–1600), the author depicts chiefly the cheerful, energetic side of life. In As You Like It, a wicked Duke expels his virtuous brother, the lawful ruler, from his domains. The banished Duke takes refuge with his followers in the Forest of Arden, where they live as free a life as did Robin Hood and his merry men. They are presently sought out by the Duke’s daughter Rosalind and her cousin Celia, who have been banished by the usurper. Also among the banished is Orlando, a virtuous young man, who is being pursued by his wicked brother Oliver, pursuant to the orders of the usurping duke. Orlando and Rosalind immediately fall in love, and she, disguised as a boy under the name of Ganymede, makes sport with him throughout the play. Eventually all ends happily – with conversions, repentance and revelations of love. Featuring the voices of Linda Barrans, Blaise Doran, Laura Richcreek, Emma Faye, Claudia Anglade, P J Morgan, Gary MacFadden, Denis Daly, Marty Krz, Dara Brown, Trisha Rose, John Burlinson, and Kendra Murray. Audio edited by Denis Daly Tunes for songs provided by Alan Weyman. The text used for this performance was kindly provided by playshakespeare.com. Production copyright 2024 is held by Voices of Today.
William Shakespeare (Author), A Full Cast, Blaise Doran, Claudia Anglade, Dara Brown, Denis Daly, Emma Faye, Gary Macfadden, John Burlinson, Kendra Murray, Laura E. Richcreek, Linda Barrans, Marty Krz, Pj Morgan, Trisha Rose (Narrator)
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Stop Saying I'm Fine: Finding Stillness When Anxiety Screams
What if 'I'm fine' is the language that the wounded heart speaks? Many of us have become experts at pretending we're fine. Our shiny social media feeds and skin-deep smiles certainly give off a happy illusion. But we are not fine. Taylor has heard countless stories from her generation of our fetal positions on cold tile floors, immobilized by anxiety. She personally knows this place well. At eighteen, she too found herself in an anxiety-induced fetal position behind a locked bathroom stall, wondering, 'What did Jesus mean when he promised me full life?' Stop Saying I'm Fine is a generational call to honesty, healing, and a spiritual hunger that defies superficial Christianity. We'll dig beneath the bedrock of our anxiety into the pain of our experiences, and together we'll learn how to connect to the stillness that exists beneath the chaos, finding that the wholeness and healing we long for isn't as distant as it may seem. - For the young adult who feels trapped inside their anxiety - For the parent or caregiver who aches to understand - For the wounded heart that can't seem to move on - For the weary one who has tried and failed a thousand other ways
Taylor Joy Murray (Author), Emma Faye (Narrator)
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As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection. Olivia is also the target of two other romantic schemes. Her pompous steward, Malvolio, has persuaded himself that Olivia has fallen for him but is too diffident to reveal her passion. Her dissipated uncle, Sir Toby Belch, has plans to set up a match for her with Sir Andrew Aguecheek, a feeble-minded squire. Viola/Cesario falls in love with Orsino and Olivia with Cesario, but all of the parties are obliged to hide their feelings. Having survived the shipwreck, Sebastian now appears on the scene and contracts a secret marriage with Olivia, who believes him to be Cesario. In the final act, Viola reveals her true identity … Featuring Emma Faye as Viola, Kendra Murray as Olivia, Cate Barratt as Sir Toby Belch, Alan Weyman as Sir Andrew Aguecheek, Lillian Rachel as Malvolio, Marty Krz as Feste and Laura Richcreek as Orsino. Also featuring the voices of Claudia Anglade, Linda Barrans, PJ Morgan, Denis Daly and John Burlinson. Songs arranged by Alan Weyman and Marty Krz Audio edited by Denis Daly Text kindly provided by playshakespeare.com
William Shakespeare (Author), A Full Cast, Alan Weyman, Cate Barratt, Claudia Anglade, Denis Daly, Emma Faye, Jennie Litt, John Burlinson, Kendra Murray, Laura E. Richcreek, Lillian Rachel, Linda Barrans, Marty Krz, Pj Morgan, Trisha Rose (Narrator)
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Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the sombre tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage. The odd man out is the sinister Don John, brother and former enemy of Don Pedro, Prince of Aragon, but recently restored to the Prince’s favour. Being of a morose and jealous temperament, Don John plots to disrupt the wedding and cause division between the lovers, with the aid of his fellow conspirators, Borachio and Conrade. However, this evil plan is thwarted by an unexpected incursion by the bumbling constables Dogberry and Verges. The young couple are finally reunited, but only after Claudio has first been led to believe that his rejected spouse, Hero, has died of shame and grief. The matching of Beatrice and Benedick, encouraged by some artful chicanery by Hero and Claudio, and marked by many witty and sardonic exchanges of repartee, serves to lighten the texture of the darker elements of the action. Featuring Emma Faye as Hero, Kendra Murray as Beatrice, Dara Brown as Claudio, Lillian Rachel as Benedick, Cate Barratt as Dogberry, and Gary Macfadden as Don John. Also featuring the voices of Catherine Bilson, Ron Altman, Alan Weyman, P J Morgan, Claudio Anglade, John Burlinson and Linda Barrans. Songs arranged by Alan Weyman Audio edited by Denis Daly Text kindly provided by playshakespeare.com
William Shakespeare (Author), A Full Cast, Alan Weyman, Cate Barratt, Catherine Bilson, Claudia Anglade, Dara Brown, Emma Faye, Gary Macfadden, John Burlinson, Kendra Murray, Lillian Rachel, Linda Barrans, Pj Morgan, Ron Altman (Narrator)
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They expected a proxy bride—and got more than they bargained for. Loretta is a daddy’s girl who loves hunting, fishing, and horseback riding. Unfortunately, she’s also spoiled and easily frustrated. When tragedy strikes, everything she’s depended on is instantly gone, and her only hope of survival is on the frontier in Montana. Loretta doesn’t hide her anger at the calamity that destroyed her life, pinning the blame on her last living family member. But when disaster strikes a second time, Loretta finds a new destiny thrust upon her. Her past is not her own, nor is the story she’s living. Settling with family friends in the wilds of Montana above the Yellowstone River in Assiniboine Indian territory, the realities of life in 1868 come alive as Loretta comes of age. She tries to leave her life in the hands of fate, but God directs her steps. She wasn’t what he expected, but she was exactly what he needed.
Heidi Gray Mcgill (Author), Emma Faye (Narrator)
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Monsters emerge as magic appears out of legend after major earthquakes and volcanic eruptions alter the layout of the land. Even the skies suffer under an unending darkness. Two sisters, Lera and Haylia Rainer, must learn to navigate this new world as they search for their missing brother. They soon discover their family line contains the necessary Light power required to fight the lasting Darkness, but how much could they lose in their efforts to be heroes? As the world threatens to tear itself apart, both sisters must accept their destinies and fix what’s been broken before the hope of rebuilding a peaceful world and restoring the light is lost.
Laurie Duersch (Author), Emma Faye (Narrator)
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One of the things I’ve been looking forward to since opening my scuba shop is leading groups to dive in all the amazing spots around the globe. The Galapagos and Great Barrier Reef are calling. First things first, though. I figure we’ll start off with the Caribbean. Which is why I’m headed down to spend some time scouting resorts and dive spots on the various islands. I’ve chartered a yacht, complete with a captain who, I’m told, knows everything there is to know about diving down here. Of course, when I booked the trip, I pictured a grizzled old pirate at the wheel. What else was I supposed to imagine when I was told their name was “Sonny”? Imagine my surprise when I get to the dock and the captain is definitely not a man. Sunny—short for Sunshine—is the best there is. And she’s got at least ten years on me, so it’s not like there can be anything romantic. Older women have never been my vibe. So I’ll spend the time with her, alone on the boat, and soak up all the things she has to teach me. And do everything in my power to ignore just how good she looks while she does it. It’s only three weeks. What can go wrong? The Billionaire's Teacher is an age-gap, older woman, stranded together contemporary Christian romance.
Elizabeth Maddrey (Author), Emma Faye, Joel Simler (Narrator)
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Mama's Got Anxiety: But It's Not Going to Steal Her Joy
All moms worry, right? But if you suffer from an anxiety disorder, that worry can quickly become debilitating. Fears about something bad happening to your kids, obsessing, stigmas around taking medication, panic attacks, the need for control, difficulty sleeping, and the feeling of what your anxiety says about your faith. You know your time with your kids is precious, but the worry, fear, and anxiety conspire to steal your joy. In Mama's Got Anxiety, fellow anxious mom Courtney Devich helps you understand all the anxious feelings you're facing so you can cope and take your joy back. Equipping you with biblical hope and encouragement, she shows you - the truth to combat the lies you've believed about your anxiety - the strength from God's Word to face all the feelings and symptoms of anxiety - how anxiety is not a sign of weak faith or something to be ashamed of - how God can use your anxiety for good You don't have to let your anxiety steal your joy in motherhood. Instead, let Courtney show you the comfort God gives.
Courtney Devich (Author), Emma Faye (Narrator)
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This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale. The comedy has for its heroine a young woman who loves the haughty Bertram with an unrequited and despised passion, cures the King of France of a dangerous sickness, claims as her reward the right to choose a husband from among the courtiers, chooses Bertram, is repudiated by him, and, after a nocturnal meeting at which she takes the place of another woman whom he believes himself to have seduced, at last overcomes his resistance and is acknowledged as his wife. In Helena, Shakespeare drew a portrait of familiar type of loving and cruelly maltreated womanhood—the woman who suffers everything in inexhaustible tenderness and humility, and never falters in her love until in the end she wins the rebellious heart.
William Shakespeare (Author), A Full Cast, Aisling Gray, Claudia Anglade, David Shears, Denis Daly, Emma Faye, Gary Macfadden, John Burlinson, Kendra Murray, Linda Barrans, Marty Krz, Pj Morgan (Narrator)
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