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This full cast presentation includes Part 1 and Part 2 of Shakespeare’s Henry IV. In 1598 appeared a Quarto with the following title: The History of Henrie the Fourth; With the Battell at Shrewsburie, betweene the King and Lord Henry Percy, surnamed Henrie Hotspur of the North. With the humorous conceits of Sir John Falstaffe. At London. Printed by P. S. for Andrew Wise, dwelling in Paules Churchyard, at the signe of the Angell. 1598. This was the First Part of Shakespeare’s Henry IV, which must have been written in 1597. This play is the first in which Shakespeare really demonstrated his great and overwhelming individuality. Its dramatic structure is fairly loose, though is closer knit and technically stronger than that of the Second Part. However, as a poetical creation, it is one of the great masterpieces of the world’s literature, at once heroic and burlesque, thrilling and side-splitting. Yet these contrasted elements are not brought into hard-and-fast rhetorical antithesis, but move and mingle with a natural freedom. The driving elements of the plot are the machinations of the guilt-ridden King Henry IV to establish the legitimacy of his accession and the inevitable revolt by the former supporters who helped him to gain the throne. One of the leaders of the opposing faction is the warlike Henry Percy, nicknamed Hotspur, who the king compares unfavourably with his own son, the self-indulgent and riotous Prince Hal. The prince spends much of his time cavorting with a group of boon companions, the most notable of which is the dissipated and unscrupulous knight, Sir John Falstaff, who acts as something of a surrogate parent. At the end of the First Part, the revolt is suppressed; in the conflict, Prince Hal reveals his true character as a doughty defender of the realm. In the Second Part, the king’s health progressively declines and Hal begins to assert his royal prerogative. Eventually, the king dies, and Hal, now having shed all his adolescent impertinence, ascends to the throne. Falstaff, in expectation of elevation to high office and new-found prosperity, publicly accosts the new king and is rudely rebuffed, together with his disreputable retinue. Audio edited by Denis Daly The text used for this performance was kindly provided by playshakespeare.com. Welsh dialogue and tune for Lady Mortimer’s song in Henry IV Part One provided by Noni Lewis.
William Shakespeare (Author), Alan Weyman, Blaise Doran, Christopher Dukes, Denis Daly, Geraint Pickard, Graham Scott, Gregory Dwyer, Josh Innerst, Laura E. Richcreek, Noni Lewis, Roberta Jackson, Rory Barnett, Sarah Jane Rose, Shane Emmett, Tim Dehn, a full cast (Narrator)
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The Tragical History of Doctor Faustus
The Tragical History of Doctor Faustus is one of the earliest and most compelling presentations of the story of a man who sold his soul to the Devil. It is based on the popular history of Johann Georg Faust (1466–1541) a German chemist and magician, allegedly perished in an explosion during an alchemical experiment. In the theologically charged world of early reformation Germany, a report spread that his violent death was a demonstration that the devil had come to collect his soul. The legend spread quickly and has formed the basis of many later literary and dramatic works. Marlowe’s play is essentially a morality play. However, unlike medieval morality plays, in this version, Faust is portrayed as a tragic hero rather than as a hapless sinner. Marlowe’s play was published posthumously in two separate folios, the first in 1604 and a more extended version in 1616. The earlier version was divided into sixteen scenes and the latter into twenty. This performance is based on a special conflation of material from both folios.
Christopher Marlowe (Author), Blaise Doran, Christopher Dukes, Dara Brown, Denis Daly, Laura E. Richcreek (Narrator)
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