Browse audiobooks narrated by Alfred Molina, listen to samples and when you're ready head over to Audiobooks.com where you can get 3 FREE audiobooks on us
An L.A. Theatre Works commissioned adaptation of the classic Agatha Christie “whodunit.” Adapted from the novel by Kate McAll. In Christie’s clever and beautifully crafted tale, Detective Hercule Poirot receives an urgent letter from Paul Renauld summoning him to France. Upon their arrival, Poirot and his companion, Arthur Hastings, find they are too late. Plus, to complicate things further, certain facts just don’t add up. Original Music by John Biddle. Recorded at The Invisible Studios, West Hollywood, in April 2021. Director: Anna Lyse Erikson Producing Director: Susan Albert Loewenberg An L.A. Theatre Works Full-Cast Performance Featuring: Edita Brychta as Madame Renauld and Francoise Kevin Daniels as Detective Giraud Anna Lyse Erikson as Leonie Simon Helberg as Captain Hastings Adhir Kalyan as Jack Renauld Alfred Molina as Hercule Poirot Darren Richardson as Sergeant, Doctor, and others Jocelyn Towne as Cinderella and Marthe Daubreuil Joanne Whalley as Madame Daubreuil Matthew Wolf as Monsieur Hautet Senior Producer: Anna Lyse Erikson Prepared for Audio by: Mark Holden Sound Designers: Andrea Allmond, Charles Carroll Recording Engineer: Neil Wogensen Editor and Mixer: Charles Carroll for The Invisible Studios, West Hollywood Senior Radio Producer: Ronn Lipkin Foley Artist: Jeff Gardner
Agatha Christie, Kate Mcall (Author), Adhir Kalyan, Alfred Molina, Simon Helberg (Narrator)
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Peter Sellers, rightly regarded as a comic genius, lived a life full of success and excess - fuelled by indulgence and wild mood swings. Dying at an early age in 1980, Sellers left no autobiography, no revealing record of his life and feelings. This audio play aims to fill that gap. Featuring an incredible solo performance from Alfred Molina (loved by many in his role as Marvel's Doctor Octopus) this comic fantasy allows Sellers to construct his own documentary on his own life, told through his own eyes. There Used To Be A Me bubbles with comedy insight into the workings of an eccentric - and, at times, cruel - mind, examining the pressures of a tortured imagination when given free and total control... but unable to take full responsibility. As Sellers once said: "There used to be a me. But, I had it surgically removed."
Ian Billings (Author), Alfred Molina (Narrator)
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An idealistic American diplomat locks horns with a mercurial Soviet negotiator during a series of conversations in the woods outside Geneva. As their mutual friendship and understanding deepens, an awareness that their work may ultimately be pointless casts a shadow over their hopes to achieve a lasting peace. Includes a post-play discussion with playwright Lee Blessing and UCLA Political Science professor Richard Anderson. Lead funding for A Walk in the Woods is generously provided by The John Logan Foundation. Recorded before an audience at UCLA's James Bridges Theater in January 2019. Directed by Cameron Watson Producing Director Susan Albert Loewenberg Alfred Molina as Andrey Botvinnik Steven Weber as John Honeyman Associate Artistic Director, Anna Lyse Erikson. Recording Engineer, Sound Designer and Mixer, Mark Holden for The Invisible Studios, West Hollywood. Senior Radio Producer, Ronn Lipkin. Production Manager, Rick V. Moreno. Editor, Julian Nicholson.
Lee Blessing (Author), Alfred Molina, Steven Weber (Narrator)
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Tales from the Perilous Realm: Four BBC Radio 4 full-cast dramatisations
Four BBC radio dramatisations starring Michael Hordern as Tolkien – plus a special archive compilation exploring Tolkien’s life and workThe tales in this collection all reflect an aspect of what Tolkien himself called ‘the perilous realm of Faerie’. Adapted for radio by Brian Sibley, co-writer of the acclaimed BBC radio production of The Lord of the Rings, they are rich in myth, magic and adventure. Among the supporting cast are Brian Blessed, Nigel Planer, Sorcha Cusack, Paul Copley and James Grout.In Farmer Giles of Ham, having accidentally shot a giant, Farmer Giles’ brave reputation is tested by Chrysophylax the dragon. In Smith of Wootton Major, a young boy eats a piece of cake containinga silver star, and is granted access to the magical land of Fäerie. Leaf by Niggle is a thought-provoking allegory of the creative process, and The Adventures of Tom Bombadil features Tom and the Hobbits in scenes from The Lord of the Rings which were not included in the BBC Radio 4 dramatisation.Also included is J R R Tolkien: An Audio Portrait, in which Brian Sibley draws together interviews from radio and television programmes featuring the author himself, his original publisher Rayner Unwin, his biographer Humphrey Carpenter and many others torelate the story of both Tolkien the man and the worlds he created.Duration: 5 hours 50 mins
Brian Sibley, J. R. R. Tolkien (Author), , Alfred Molina, Brian Blessed, Brian Sibley, Full Cast, James Grout, Michael Hordern, Nigel Planer (Narrator)
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The author of the acclaimed bestsellers Benjamin Franklin, Einstein, and Steve Jobs delivers an engrossing biography of Leonardo da Vinci, the world's most creative genius. Leonardo da Vinci created the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and engineering. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history's most creative genius. Now Walter Isaacson brings Leonardo da Vinci to life, showing why we have much to learn from him. His combination of science, art, technology, and imagination remains an enduring recipe for creativity. So, too, was his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His relentless curiosity should remind us of the importance of instilling, both in ourselves and our children, not just received knowledge but a willingness to question it-to be imaginative and, like talented misfits and rebels in any era, to think different **Contact Customer Service for Additional Material**
Walter Isaacson (Author), Alfred Molina (Narrator)
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He was history's most creative genius. What secrets can he teach us? The author of the acclaimed bestsellers Steve Jobs, Einstein, and Benjamin Franklin brings Leonardo da Vinci to life in this exciting new biography. Based on thousands of pages from Leonardo's astonishing notebooks and new discoveries about his life and work, Walter Isaacson weaves a narrative that connects his art to his science. He shows how Leonardo's genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and technology. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history's most creative genius. His creativity, like that of other great innovators, came from having wide-ranging passions. He peeled flesh off the faces of cadavers, drew the muscles that move the lips, and then painted history's most memorable smile. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper. Isaacson also describes how Leonardo's lifelong enthusiasm for staging theatrical productions informed his paintings and inventions. Leonardo's delight at combining diverse passions remains the ultimate recipe for creativity. So, too, does his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His life should remind us of the importance of instilling, both in ourselves and our children, not just received knowledge but a willingness to question it-to be imaginative and, like talented misfits and rebels in any era, to think different. **Contact Customer Service for Additional Material**
Walter Isaacson (Author), Alfred Molina (Narrator)
Audiobook
Read by acclaimed actor Alfred Molina, star of The Da Vinci Code, An Education and Chocolat, this is the definitive biography of Leonardo Da Vinci. Based on thousands of pages from Leonardo's astonishing notebooks and new discoveries about his life and work, Walter Isaacson weaves a narrative that connects his art to his science. He shows how Leonardo's genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. Da Vinci produced the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and technology. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history's most creative genius. His creativity, like that of other great innovators, came from having wide-ranging passions. He peeled flesh off the faces of cadavers, drew the muscles that move the lips, and then painted history's most memorable smile. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper. Isaacson also describes how Leonardo's lifelong enthusiasm for staging theatrical productions informed his paintings and inventions. Leonardo's delight at combining diverse passions remains the ultimate recipe for creativity. So, too, does his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His life should remind us of the importance of instilling, both in ourselves and our children, not just received knowledge but a willingness to question it - to be imaginative and, like talented misfits and rebels in any era, to think different. Hear to the true story of Leonardo Da Vinci, brought to life by the brilliant Alfred Molina.
Walter Isaacson (Author), Alfred Molina (Narrator)
Audiobook
Read by a cast of award-winning narrators, this collection contains some of the most timeless and enchanting folk and fairy tales collected by the Brothers Grimm. The Brothers Grimm collected the original fairy tales that Americans are most familiar with today. Lyrically translated and beautifully narrated by an all-star cast, these 21 tales are selected from The Complete Grimm's Fairy Tales and presented just as Jacob and Wilhelm Grimm originally set them down: bold, primal, just frightening enough, and endlessly engaging. Stories include: Rapunzel, read by Katherine Kellgren Cinderella, read by January LaVoy Little Red-Cap, read by Simon Vance Little Briar-Rose, read by Grover Gardner Little Snow-White, read by Kate Rudd Rumpelstiltskin, read by Jim Dale The Shoes That Were Danced to Pieces, read by Alfred Molina A Riddling Tale, read by Janis Ian The Twelve Brothers, read by Graeme Malcolm The White Snake, read by Scott Brick The Elves, read by Bahni Turpin The Six Swans, read by Davina Porter The Twelve Huntsmen, read by Dion Graham The Goose-Girl, read by Edoardo Ballerini Sweet Porridge, read by Jayne Entwistle The Golden Goose, read by Luke Daniels Eve's Various Children, read by Roy Dotrice Snow-White and Rose-Red, read by Julia Whelan The Frog-King, or Iron Henry, read by Kirby Heyborne The Sea-Hare, read by Mark Bramhall Hansel and Gretel, read by Robin Miles
Brothers Grimm, The Brothers Grimm (Author), Alfred Molina, Janis Ian, Jim Dale, Katherine Kellgren, Various (Narrator)
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WATERSTONES BOOK OF THE YEAR 2013 'It's the most marvellous discovery for everyone who loves literature' Ian McEwan, BBC Radio 4 Colum McCann once called Stoner one of the great forgotten novels of the past century, but it seems it is forgotten no longer - in 2013 translations of Stoner began appearing on bestseller lists across Europe. Forty-eight years after its first, quiet publication in the US, Stoner is finally finding the wide and devoted readership it deserves. Have you read it yet? William Stoner enters the University of Missouri at nineteen to study agriculture. A seminar on English literature changes his life, and he never returns to work on his father's farm. Stoner becomes a teacher. He marries the wrong woman. His life is quiet, and after his death his colleagues remember him rarely. Yet with truthfulness, compassion and intense power, this novel uncovers a story of universal value. Stoner tells of the conflicts, defeats and victories of the human race that pass unrecorded by history, and reclaims the significance of an individual life. A reading experience like no other, itself a paean to the power of literature, it is a novel to be savoured.
John Williams (Author), Alfred Molina (Narrator)
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The artist Mark Rothko has just hired Ken, an aspiring artist, to be his assistant – and errand boy. Ken discovers that Rothko’s temper can run hot; but as he gets to know his boss better, he finds that Rothko has opened him up to more than just painting. A 2010 Tony Award winner for Best Play. An L.A. Theatre Works full-cast performance featuring: Alfred Molina as Mark Rothko Jonathan Groff as Ken Directed by Bart DeLorenzo. Recorded by L.A. Theatre Works before a live audience.
John Logan (Author), Alfred Molina, Jonathan Groff (Narrator)
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The most iconic love story of all time, Shakespeare's Romeo and Juliet is an epic-scale tragedy of desire and revenge. Despite the bitter rivalry that exists between their families, Romeo Montague and Juliet Capulet have fallen madly in love. But when the long-running rivalry boils over into murder, the young couple must embark on a dangerous and deadly mission to preserve their love at any cost. An L.A. Theatre Works full-cast performance featuring: Calista Flockhart as Juliet Matthew Wolf as Romeo Julie White as Nurse Alan Mandell as Friar Laurence Richard Chamberlain as Prince Escalus Nicholas Hormann as Lord Capulet Josh Stamberg as Mercutio Mark J. Sullivan as Benvolio and others Logan Fahey as Tybalt and Balthasar Alfred Molina as Chorus Henry Clarke as Paris and others Lily Knight as Lady Capulet Janine Barris as Young Lady, Boy Page to Paris and others Darren Richardson as Sampson and Peter Alan Shearman as Lord Montague and others André Sogliuzzo as Gregory and others Sarah Zimmerman as Lady Montague and others Directed by Martin Jarvis. Recorded at the Invisible Studios, West Hollywood in January, 2012.
Calista Flockhart, William Shakespeare (Author), Alan Mandell, Alan Shearman, Alfred Molina, André Sogliuzzo, Calista Flockhart, Darren Richardson, Henry Clarke, Janine Barris, Josh Stamberg, Julie White, Lily Knight, Logan Fahey, Mark Jude Sullivan, Matthew Wolf, Nicholas Hormann, Richard Chamberlain, Sarah Zimmerman (Narrator)
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Tolstoy called The Iliad a miracle; Goethe said that it always thrust him into a state of astonishment. Homer's story is thrilling, and his Greek is perhaps the most beautiful poetry ever sung or written. But until now, even the best English translations haven't been able to re-create the energy and simplicity, the speed, grace, and pulsing rhythm of the original. In Stephen Mitchell's The Iliad, the epic story resounds again across 2,700 years, as if the lifeblood of its heroes Achilles and Patroclus, Hector and Priam flows in every word. And we are there with them, amid the horror and ecstasy of war, carried along by a poetry that lifts even the most devastating human events into the realm of the beautiful. Mitchell's Iliad is the first translation based on the work of the preeminent Homeric scholar Martin L. West, whose edition of the original Greek identifies many passages that were added after the Iliad was first written down, to the detriment of the music and the story. Omitting these hundreds of interpolated lines restores a dramatically sharper, leaner text. In addition, Mitchell's illuminating introduction opens the epic still further to our understanding and appreciation. Now, thanks to Stephen Mitchell's scholarship and the power of his language, the ancient story of The Iliad comes to moving, vivid new life.
Homer (Author), Alfred Molina (Narrator)
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