These five recordings of twentieth-century American authors interpreting their own works were highly praised when first released in the 1960s. Today the cultural and historical value of these recordings makes them an essential part of our literary heritage.
This volume contains readings by James Baldwin from Giovanni's Room and Another Country, exploring the challenges of being black and gay in mid-twentieth century America. William Styron reads about a disabled child finding brief moments of joy in Lie Down in Darkness, his novel about a troubled Southern family. James Jones reads the most famous passage from his celebrated World War II novel, From Here to Eternity. And Philip Roth does a hilarious comic turn in a bizarre scene from his early novel, Letting Go.
Lie Down in Darkness traces the tragic fate of a Southern family with acute sensitivity, in a style that mirrors the inner lives of its four major characters. The parents are estranged, with each favoring one of their two daughters. The father dotes on Peyton, the family beauty, while the mother is devoted to Maudie, the disabled child. The novel, told in flashbacks, opens with Peyton's funeral after her emotional unraveling and suicide. The passage Styron reads here shows Maudie's magical encounter with the workman, Bennie.
These recordings of twentieth-century American authors interpreting their own works were highly praised when first released in the 1960s. Today the cultural and historical value of these recordings makes them an essential part of our literary heritage.
In this collection, James Baldwin reads from Giovanni's Room and Another Country, exploring the challenges of being black and gay in mid-twentieth century America. William Styron reads about a disabled child finding brief moments of joy in Lie Down in Darkness, his novel about a troubled Southern family. James Jones reads the most famous passage from his celebrated World War II novel, From Here to Eternity. And Philip Roth does a hilarious comic turn in a bizarre scene from his early novel, Letting Go.
Additionally, Nelson Algren reads from his most famous novel, The Man with the Golden Arm, about the decline and fall of a drug dealer and card sharp. Bernard Malamud's devastating selection from The Magic Barrel portrays poor, embittered old Jews who achieve a moment of grace after fierce antagonism. In John Updike's story from Pigeon Feathers and Other Stories, a seminary student working as a lifeguard draws a witty and lyrical contrast between saving souls and bodies. And James Jones' account of a World War II battle in Japan in The Thin Red Line shows young soldiers at their most heroic and perilous moments.
A work of great personal courage and a literary tour de force, this bestseller is Styron's true account of his descent into a crippling and almost suicidal depression. Styron is perhaps the first writer to convey the full terror of depression's psychic landscape, as well as the illuminating path to recovery.
Volume 1 contains readings by James Baldwin from Giovanni’s Room and Another Country, exploring the dilemmas of being black and gay in mid-twentieth century America. Willliam Styron reads about a disabled child finding brief moments of joy in Lie Down in Darkness, his novel about a troubled Southern family. James Jones reads the most famous passage from his celebrated World War II novel, From Here to Eternity. And Philip Roth does a hilarious comic turn in a bizarre scene from his early novel, Letting Go.
From the poignant novel about a troubled Southern family, William Styron reads with tenderness about the disabled younger child finding joy in the magic tricks of a workman, as her mother looks on, knowing her child’s sad fate.
***This title is presented as an excerpt***
Before writing his memoir of madness, Darkness Visible, William Styron was best known for his ambitious works of fiction–including The Confessions of Nat Turner and Sophie's Choice. Styron also created personal but no less powerful tales based on his real-life experiences as a U.S. Marine. The Suicide Run collects five of these meticulously rendered narratives. One of them–"Elobey, Annobón, and Corisco"–is published here for the first time.
In "Blankenship," written in 1953, Styron draws on his stint as a guard at a stateside military prison at the end of World War II. "Marriott, the Marine" and "The Suicide Run"–which Styron composed in the early 1970s as part of an intended novel that he set aside to write Sophie's Choice–depict the surreal experience of being conscripted a second time, after World War II, to serve in the Korean War. "My Father's House" captures the isolation and frustration of a soldier trying to become a civilian again. In "Elobey, Annobón, and Corisco," written late in Styron's life, a soldier attempts to exorcise the dread of an approaching battle by daydreaming about far-off islands, visited vicariously through his childhood stamp collection.
Perhaps the last volume from one of literature's greatest voices, The Suicide Run brings to life the drama, inhumanity, absurdity, and heroism that forever changed the men who served in the Marine Corps.
First published in 1979, this novel opens with Stingo, a young southerner, journeying north in 1947 to become a writer. It leads us into his intellectual and emotional entanglement with his neighbors in a Brooklyn rooming house: Nathan, a tortured, brilliant Jew, and his lover, Sophie, a beautiful Polish woman whose wrist bears the grim tattoo of a concentration camp ... and whose past is strewn with death that she alone survived.
