Here, in this book, is Raymond Carver's complete uncollected fiction and nonfiction, including the five posthumously discovered "last" stories, found a decade after Carver's death. Call If You Need Me includes all of the prose previously collected in No Heroics, Please, four essays from Fires, and those five marvelous stories that range over the period of Carver's mature writing and give his devoted fans a final glimpse of the great writer at work. The pure pleasure of Carver's writing is everywhere in his work, here no less than in those stories that have already entered the canon of modern literature.
More than sixty stories, poems, and essays are included in this wide-ranging collection by the extravagantly versatile Raymond Carver. Two of the stories-later revised for What We Talk About When We Talk About Love-are particularly notable in that between the first and the final versions, we see clearly the astounding process of Carver's literary development.
The nine stories and one poem in this volume formed the basis for the astonishingly original film Short Cuts, directed by Robert Altman. Collected altogether in this volume, these stories form a searing and indelible portrait of American innocence and loss. With deadpan humor and enormous tenderness, this is the work of "one of the true contemporary masters" (The New York Review of Books).
With this, his first collection of stories, Raymond Carver breathed new life into the American short story and instantly became both the recognized master of the form and one of our best-loved and most widely read fiction writers. Carver shows us the humor and tragedy that dwell in the hearts of ordinary people; his stories are the classics of our time.
This is Raymond Carver's third collection of stories, a finalist for the Pulitzer Prize, including the canonical titular story about blindness and learning to enter the very different world of another. The twelve stories in Cathedral mark a turning point in Carver's work and "overflow with the danger, excitement, mystery and possibility of life. . . . Carver is a writer of astonishing compassion and honesty . . . his eye set only on describing and revealing the world as he sees it. His eye is so clear, it almost breaks your heart" (Jonathan Yardley, Washington Post Book World).
By the time of his early death in 1988, Raymond Carver had established himself as one of the great practitioners of the American short story, a writer who had not only found his own voice but imprinted it in the imaginations of thousands of readers. Where I'm Calling From, his last collection, encompasses classic stories from Cathedral, What We Talk About When We Talk About Love, and earlier Carver volumes, along with seven new works previously unpublished in book form. Together, these thirty-seven stories give us a superb overview of Carver's life work and show us why he was so widely imitated but never equaled.
In his second collection, including the iconic and much-referenced title story featured in the Academy Award-winning film Birdman, Raymond Carver establishes his reputation as one of the most celebrated short-story writers in American literature. What We Talk About When We Talk About Love is a haunting meditation on love, loss, and companionship, and finding one's way through the dark.
This prodigiously rich collection suggests that Raymond Carver was not only America's finest writer of short fiction, but also one of its most large-hearted and affecting poets. Like Carver's stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy. This complete edition brings together all the poems of Carver's five previous books, from Fires to the posthumously published No Heroics, Please. It also contains a moving introduction by Carver's widow, the poet Tess Gallagher.
Here is the original manuscript of Raymond Carver's seminal 1981 collection, What We Talk About When We Talk About Love. Carver is one of the most celebrated short-story writers in American literature-his style is both instantly recognizable and hugely influential-and the pieces in What We Talk About . . ., which portray the gritty loves and lives of the American working class, are counted among the foundation stones of the contemporary short story. In this unedited text, we gain insight into the process of a great writer. These expansive stories illuminate the many dimensions of Carver's style, and are indispensable to our understanding of his legacy.
An adaptation of the prose & poetry of author Raymond Carver and his wife Tess Gallagher.
The story chronicles the final year of Carver’s life when he was struggling to finish his final book. This two-person play is a co-production with Chicago’s City Lit Theater.
