Lauded as his number-one favorite book of the year, Stephen King advised President Obama, in the pages of Entertainment Weekly, to pick up Michael Gruber’s previous book, The Good Son. With an unforgettable hero, The Return is as exciting and provocative as Gruber’s best work.
The real Richard Marder would shock his acquaintances, if they ever met him. Even his wife, long dead, didn’t know the real man behind the calm, cultured mask he presents to the world. Only an old army buddy from Vietnam, Patrick Skelly, knows what Marder is capable of. Then, a shattering piece of news awakens Marder’s buried desire for vengeance; with nothing left to lose, he sets off to punish the people whose actions changed his life years earlier. Skelly shows up uninvited, and the two of them together raise the stakes far beyond anything Marder could have envisioned.
As Marder and Skelly head toward an apocalypse of their own making, Marder learns that good motives and a sense of justice can’t always protect the people a man loves. With a range of fearsomely real characters, from a brutally violent crime lord to a daringly courageous young woman, a roller-coaster of twists and turns, and a shattering exploration of what constitutes morality in the face of evil, Michael Gruber has once more proven that he is “a gifted and natural storyteller” (Chicago Tribune) and shows why he has been called “the Stephen King of crime writing” (Denver Post).
“Gruber has a gift for seamlessly combining the visceral with the cerebral, without any degradation of quality on either side of the coin…Like Gruber’s other books, this novel puts the work of other thriller writers to shame and raises the quality bar for the genre to a precipitously high level.”—Kirkus Reviews (starred review)
New York Times bestselling author Michael Gruber, a member of the elite ranks of those who can both 'chill the blood and challenge the mind' (Denver Post), delivers a taut, multilayered, riveting novel of suspense.
Somewhere in Pakistan, Sonia Laghari and eight fellow members of a symposium on peace are being held captive by armed terrorists. Laghari, a deeply religious woman as well as a Jungian psychologist, has become the de facto leader of the kidnapped group.While her son, Theo, an ex-Delta soldier, uses his military connections to find and free the victims, Sonia Laghari tries to keep them all alive by working her way into the kidnappers' psyches and interpreting their dreams. With her knowledge of their language, her familiarity with their religion, and her Jungian training, she confounds her captors with her insights and beliefs.'When the kidnappers decide to kill their captives one by one, in retaliation for perceived crimes against their country, Theo races against the clock to try and save their lives.
'Superb'.the brilliant character development and labyrinthine plot line, not to mention the absorbing history of modern jihadism and the U.S. war on terrorism, make this a provocative thriller that readers won't soon forget.''Publishers Weekly (starred review)
Chaz Wilmot makes his living cranking out old-master parodies for ads and magazine covers. When he's offered a job restoring a Venetian palace fresco, he is at first, skeptical'he immediately sees it is more a forgery than a restoration. But he is soon seduced by the challenge and throws himself into the work, doing the job brilliantly.
This feat attracts the attention of Werner Krebs, a shady art dealer who becomes Wilmot's friend and patron. Wilmot is suddenly working with a fervor he hasn't felt in years, but without warning, he finds himself reliving moments from his past'not as memories but as if they are happening all over again. Soon, he believes he can travel back to the 17th century where he lived as the Spanish artist Diego Rodriguez de Silva Velazquez. Wilmot begins to fantasize that as Velazquez, he has created a masterpiece and when the painting actually turns up, he doesn't know if he painted it or if he imagined the whole thing.
Little by little, Wilmot enters a secret world of gangsters, greed and murder, with his mystery patron at the center of it all, either as the mastermind behind a plot to forge a painting worth millions, or as the man who will save Wilmot from obscurity and madness.
Miraculously inventive, this book cements Gruber's reputation as one of the most imaginative and gifted writers of our time.
"Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives?"
These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one—not family, not friends, not lovers—is to be trusted.
Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery...or self-destruction.
Jane Doe was a promising anthropologist, an expert on shamanism. Now she\'s nothing, a shadow living under an assumed identity in Miami with a little girl to protect. Everyone thinks she\'s dead. Or so Jane hopes.
Then the killings start, a series of ritualistic murders that terrifies all of Miami. The investigator is Jimmy Paz, a Cuban-American police detective. There are witnesses, but they can recall almost nothing of the events, as though their memory has been erased -- as if a spell has been cast on each of them. Equally bizarre is the string of clues Paz uncovers: a divination charm, exotic drugs found in the bodies of the victims, a century-old report telling of a secret place in the heart of Africa.
These clues point Paz inexorably toward the fugitive, Jane Doe, and force Jane to realize that the darkness she has fled is hunting her down. By the time her path intersects with Jimmy Paz\'s, the two will be thrust into a cataclysmic battle with an evil unimaginable to the Western mind.
Performed by Margaret Whitton.
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