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A thrilling tale of the Devil's final ride between the darkness and dawn, watching as mankind falls victim to the curse of progress and speed, rejecting all peace and silence, all reflection and godliness. As he goes, he gathers phantoms and monsters, hell-bound victims and dark shadows, all the while telling the natural world to rejoice, for it will soon be free of the curse of Man. Written in 1910, this Christian tome is as relevant today as it was a century ago, as people fall victim to the next and fastest thing, falling away from God in the process. The devil's visceral delight in modernity is poetic and chilling 'Come, ye pretenders to holiness—ye thieves of virtue, who give ‘charity’ to the poor with the right hand, and cheat your neighbour with the left! Come, all ye morphia-fed vampires and slaves to poison!—grasp at my wheels and cling!” Corelli lived in the spaces between. Even her birth is still shrouded in mystery, and was the grandest Romance and Christian writer of her era. She outsold Arthur Conan Doyle, H. G. Wells, and Rudyard Kipling put together. Critics hated her, calling her 'the favourite of the common multitude', and she hated them in return. A favourite of Winston Churchill, Queen Victoria and William Gladstone. She was also a lesbian, with a her 'companion' of 40 years to whom she left her entire estate and is buried alongside her in a couples grave. Her friends included Mark Twain, Ouida, the Empress Frederick of Germany, and Alfred Tennyson, while her writing tried to reconcile Christianity with reincarnation and astral projection. 'a woman of deplorable talent who imagined that she was a genius, and was accepted as a genius by a public to whose commonplace sentimentalities and prejudices she gave a glamorous setting.' - Grant Allen 'the imagination of a Poe with the style of an Ouida and the mentality of a nursemaid.' -James Agate
Marie Corelli (Author), Charles Featherstone (Narrator)
Audiobook
'a woman of deplorable talent who imagined that she was a genius, and was accepted as a genius by a public to whose commonplace sentimentalities and prejudices she gave a glamorous setting.' - Grant Allen 'the imagination of a Poe with the style of an Ouida and the mentality of a nursemaid.' -James Agate 'I hate God!' Said Angel. And having made this un-angel-like statement, she folded her short arms across her breast and surveyed her horrified audience defiantly. So begins a tale of a poor child's expulsion from Sunday school for the cruelties of a God who would allow her parents to die, and her life to be one of unending misery. A deceptively short work, Angel's Wickedness contrasts the God of Vengeance with the God of Love. It is either a statement of absolute faith in the greater plan, or a Miltonian subversion of it. Angel's story is the perfect entry to the surprisingly complex work of the writer who dominated the Victorian era and early 20th century, . Corelli lived in the spaces between. Even her birth is still shrouded in mystery, and was the grandest Romance and Christian writer of her era. She outsold Arthur Conan Doyle, H. G. Wells, and Rudyard Kipling put together. Critics hated her, calling her 'the favourite of the common multitude', and she hated them in return. A favourite of Winston Churchill, Queen Victoria and William Gladstone. She was also a lesbian, with a her 'companion' of 40 years to whom she left her entire estate and is buried alongside her in a couples grave. Her friends included Mark Twain, Ouida, the Empress Frederick of Germany, and Alfred Tennyson, while her writing tried to reconcile Christianity with reincarnation and astral projection.
Marie Corelli (Author), Charles Featherstone (Narrator)
Audiobook
Marie Corelli's Collected Poems
Marie Corelli is best known as a novelist, but was always a poet at heart, composing on her strongest passions, whether for love, nature, God, or country. This volume collects poems from across her bestselling books and across her career, curated by Brenda Vyver, her her 'companion' of 40 years, who she left everything to when she died, and who is buried alongside her in a twin grave. It is perhaps worth noting that Brenda drove much of Corelli's work, which ran heavy to erotic descriptions of women. Corelli was the Victorian romance author who outsold Arthur Conan Doyle, H. G. Wells, and Rudyard Kipling put together. Despite critics labelling her as 'as 'the favourite of the common multitude', she was a favourite of Winston Churchill, Queen Victoria and William Gladstone. She was the only author invited to the coronation of Edward VII, and her friends included Mark Twain, Ouida, the Empress Frederick of Germany, and Alfred Tennyson. Her often darkly romantic works tried to reconcile Christianity with mystical ideas such as reincarnation and astral projection. A true character, Corelli claimed that she had warned the finders of the tomb of Tutankhamun about the 'dire punishment' likely to occur to those who rifle Egyptian tombs, claiming to cite an ancient book that indicated that poisons had been left after burials. She . She was associated at some point with the Fraternitas Rosae Crucis; a mystical Rosicrucian group, and her books were a part of the foundation of today's corpus of esoteric philosophy. 'a woman of deplorable talent who imagined that she was a genius, and was accepted as a genius by a public to whose commonplace sentimentalities and prejudices she gave a glamorous setting.' - Grant Allen 'the imagination of a Poe with the style of an Ouida and the mentality of a nursemaid.' -James Agate
Marie Corelli (Author), Charles Featherstone (Narrator)
Audiobook
Angel's Wickedness: A heartbreakingly dark & beautiful tale of a poor child's rejection of God from
- 'a woman of deplorable talent who imagined that she was a genius, and was accepted as a genius by a public to whose commonplace sentimentalities and prejudices she gave a glamorous setting.' - Grant Allen - 'the imagination of a Poe with the style of an Ouida and the mentality of a nursemaid.' -James Agate 'I hate God!' Said Angel. And having made this un-angel-like statement, she folded her short arms across her breast and surveyed her horrified audience defiantly. So begins a tale of a poor child's expulsion from Sunday school for the cruelties of a God who would allow her parents to die, and her life to be one of unending misery. A deceptively short work, Angel's Wickedness contrasts the God of Vengeance with the God of Love. It is either a statement of absolute faith in the greater plan, or a Miltonian subversion of it. Angel's story is the perfect entry to the surprisingly complex work of the writer who dominated the Victorian era and early 20th century, . Corelli lived in the spaces between. Even her birth is still shrouded in mystery, and was the grandest Romance and Christian writer of her era. She outsold Arthur Conan Doyle, H. G. Wells, and Rudyard Kipling put together. Critics hated her, calling her 'the favourite of the common multitude', and she hated them in return. A favourite of Winston Churchill, Queen Victoria and William Gladstone. She was also a lesbian, with a her 'companion' of 40 years to whom she left her entire estate and is buried alongside her in a couples grave. Her friends included Mark Twain, Ouida, the Empress Frederick of Germany, and Alfred Tennyson, while her writing tried to reconcile Christianity with reincarnation and astral projection. -
Marie Corelli (Author), Charles Featherstone (Narrator)
Audiobook
“No one is contented in this world, I believe. There is always something left to desire, and the last thing longed for always seems the most necessary to happiness.” Known as the queen of bestsellers, Corelli’s career began with A Romance of Two Worlds, which addressed the contemporary debate between creationism and evolution. The debut novel even developed a cult following of its own, garnering a group of devotees to her passage regarding “The Electric Principle of Christianity” that they believed was born of her own supernatural experiences (a belief from which she did not try to dissuade them). In A Romance of Two Worlds, a young musician in England who has been suffering from depression and a nervous ailment goes on holiday in order to recuperate. While abroad, she meets an Italian artist, Cellini, who gives her a special draught for relaxation. The young woman has divine visions under the influence of the strange potion which she longs to have again. Cellini takes her to Dr. Casimir, also known as Heliobas, for further treatment of her nervous disposition. The doctor describes himself as an “electric physician,” and with his help she is able to experience more visions, as well as some relief from her anxiety. With each vision she learns more about religion and the destiny of mankind, but it is not enough. She is always yearning to learn more, to be closer to the divine.
Marie Corelli (Author), Gabrielle De Cuir (Narrator)
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The Sorrows of Satan: or, The Strange Experience of one Geoffrey Tempest, Millionaire
The Devil arrives in fin de siècle London The setting is London, 1895, and the Devil is on the loose, in the guise of the handsome and charming Prince Lucio Rimânez. He is searching for someone morally strong enough to resist temptation, but there seems little chance he will succeed. Britain is all but totally corrupt. The aristocracy is financially and spiritually bankrupt, church leaders no longer believe in God, Victorian idealism has been banished from literature and life, and sexual morality is being undermined by the pernicious doctrines of the "New Woman." Lucio sets his sights on Geoffrey Tempest, a starving novelist who has just inherited a fortune, and promises to show Geoffrey how best to invest his newfound wealth. As the tragic story of Geoffrey's meteoric rise and fall unfolds, Marie Corelli exposes the hypocrisy and immorality of modern life in this Faustian novel and bestseller of its time.
Marie Corelli (Author), Stefan Rudnicki (Narrator)
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