Audiobooks by Margaret Oliphant

Wonder Of Women - Ghost Stories Audiobook

Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Ghost Stories - An Introduction2 - Man Size In Marble by Edith Nesbit3 - The Eyes by Edith Wharton4 - The Story of Salome by Amelia Edwards5 - The Shadows on the Wall by Mary E Wilkins Freeman6 - A Spirit Elopement by Clotilde Graves7 - Since I Died by Elizabeth Stuart Phelps8 - Reality or Delusion by Mrs Ellen Wood9 - Was It An Illusion. A Parson's Story by Amelia Edwards10 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton11 - The Ghost at the Rath by Rosa Mulholland12 - Christmas Eve at a Cornish Manor House by Clara Venn13 - The Ghost by Catherine Wells14 - The Ghost in the Clock Room by Hesba Stretton15 - The Little Room by Madeline Yale Wynne16 - The Open Door - Part 1 by Margaret Oliphant17 - The Open Door - Part 2 by Margaret Oliphant18 - To Let by B M Croker19 - Let Loose by Mary Cholmondeley.wav20 - The Runaway by Marion Hepworth-Dixon21 - The Phantom Coach by Amelia Edwards22 - The 4 15 Express by Amelia Edwards23 - The Token by May Sinclair24 - The Striding Place by Gertrude Atherton25 - The Readjustment by Mary Austin26 - The Cold Embrace by Mary Elizabeth Braddon27 - The Old Nurse's Story by Elizabeth Gaskell28 - Dionea - Part 1 by Vernon Lee29 - Dionea - Part 2 by Vernon Lee30 - John Charrington's Wedding by Edith Nesbit

Amelia B. Edwards, B M Croker, Catherine Wells, Clara Venn, Clotilde Graves, Edith Nesbit, Edith Wharton, Elizabeth Gaskell, Elizabeth Stuart Phelps, Gertrude Atherton, Hesba Stretton, Madeline Yale Wynne, Margaret Oliphant, Marion Hepworth-Dixon, Mary Austin, Mary Cholmondeley, Mary E Wilkins Freeman, Mary Elizabeth Braddon, May Sinclair, Mrs Ellen Wood, Rhoda Broughton, Rosa Mulholland, Vernon Lee (Author), Elliot Fitzpatrick, Lisa Bowerman, Richard Mitchley (Narrator)

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Wonder Of Women - Victorian Ghost Stories

Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Victorian Ghost Stories - An Introduction2 - John Charrington's Wedding by Edith Nesbit3 - The Cold Embrace by Mary Elizabeth Braddon4 - Was It An Illusion. A Parson's Story by Amelia Edwards5 - The Old Nurse's Story by Elizabeth Gaskell6 - The Runaway by Marion Hepworth-Dixon7 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton8 - The Little Room by Madeline Yale Wynne9 - To Let by B M Croker10 - The Open Door - Part 1 by Margaret Oliphant11 - The Open Door - Part 2 by Margaret Oliphant

Amelia B. Edwards, B M Croker, Edith Nesbit, Elizabeth Gaskell, Madeline Yale Wynne, Margaret Oliphant, Marion Hepworth-Dixon, Mary Elizabeth Braddon, Rhoda Broughton (Author), Ghizela Rowe, Janet Fullerlove, Kelly Burke (Narrator)

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Wonder Of Women - Haunted House Stories

Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Haunted House - An Introduction2 - The Yellow Wallpaper by Charlotte Perkins Gilman3 - The Ebony Frame by Edith Nesbit4 - The Open Door - Part 1 by Margaret Oliphant5 - The Open Door - Part 2 by Margaret Oliphant6 - The Shadows on the Wall by Mary E Wilkins Freeman7 - The Ghost in the Clock Room by Hesba Stretton8 - The Ghost at the Rath by Rosa Mulholland9 - The Last of Squire Ennismore by Charlotte Riddell10 - The Villa by Elinor Mordaunt11 - Decay by Marjorie Bowen12 - To Let by B M Croker13 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton14 - The First Evening by Catherine Crowe15 - Man Size In Marble by Edith Nesbit

B M Croker, Catherine Crowe, Charlotte Perkins Gilman, Charlotte Riddell, Edith Nesbit, Elinor Mordaunt, Hesba Stretton, Margaret Oliphant, Marjorie Bowen, Mary E Wilkins Freeman, Rhoda Broughton, Rosa Mulholland (Author), Janet Fullerlove, Laurel Lefkow, Liza Ross (Narrator)

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Wonder Of Women - The Weird Stories - Volume 1

Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - The Weird Stories - Volume 1 - An Introduction2 - A Haunted House by Virginia Woolf3 - The Green Bowl by Sarah Orne Jewett4 - The Cold Embrace by Mary Elizabeth Braddon5 - The Eyes by Edith Wharton6 - Hodge by Elinor Mordaunt7 - The Weird of the Walfords by Louisa Baldwin8 - Decay by Marjorie Bowen9 - A Dreamer by Barbara Baynton10 - Let Loose by Mary Cholmondeley.wav11 - Where Their Fire Is Not Quenched by May Sinclair12 - When the Devil Was Well by Gertrude Atherton13 - With & Without Buttons by Mary Butts14 - Couching at the Door by D K Broster15 - The Open Door - Part 1 by Margaret Oliphant16 - The Open Door - Part 2 by Margaret Oliphant

Barbara Baynton, D.K. Broster, Edith Wharton, Elinor Mordaunt, Gertrude Atherton, Louisa Baldwin, Margaret Oliphant, Marjorie Bowen, Mary Butts, Mary Cholmondeley, Mary Elizabeth Braddon, May Sinclair, Sarah Orne Jewett, Virginia Woolf (Author), Elliot Fitzpatrick, Laurel Lefkow, Lisa Bowerman (Narrator)

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Stories About Orphans

Life can be difficult. We all experience hurdles, obstacles and problems that get in the way and may limit our opportunities. But we can usually count on the steadfast and loving support of others. We get that comfort from our parents and pass it on through the generations. Sadly, some will not get that unconditional love and bond from their onset or their early years. Growing up as an orphan is to know you are different and, on some levels at least, alone. Surviving and thriving with this can damage a life or be used as fuel to achieve a whole, rich, and nurtured life.In this volume our authors use this as their theme as they construct moving stories from bleak beginnings to lives with surprising outcomes. 1 - Stories About Orphans - An Introduction2 - Vanka by Anton Chekhov3 - Betty Brown, the St Giles Orange Girl by Hannah More4 - Stephen Archer by George MacDonald5 - The Indian Orphan. A Tale by Letitia Elizabeth Landon6 - An Angel in Disguise by T S Arthur7 - A Story of a Wedding Tour by Margaret Oliphant8 - Some of the Shipwrecked by Mary E Mann9 - The Living Telegraph by Boleslaw Prus10 - The Sea Voyage by Charles Lamb

Anton Chekhov, Boleslaw Prus, Charles Lamb, George MacDonald, Hannah More, Letitia Elizabeth Landon, Margaret Oliphant, Mary E Mann, T S Arthur (Author), David Shaw-Parker, Ghizela Rowe, Tom McLean (Narrator)

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Atmospheric Horror Stories

Horror stories are designed from the onset to create a story that will suddenly go very wrong and create a sheer horror and hell not only for the characters in the story but by extension ourselves. In this carefully crafted volume, our authors use their talents to create an atmosphere that might start with tingling tension but builds and builds until we can trust nothing but the certainty of the next few words and the wrath they will bring.1 - Atmospheric Horror Stories - An Introduction2 - The Legend of Sleepy Hollow by Washington Irving3 - Oh Whistle and I'll Come to You My Lad by M R James4 - For the Blood is the Life by F Marion Crawford5 - The Spectral Hand by Jean Lorrain6 - A Diagnosis of Death by Ambrose Bierce7 - Let Loose by Mary Cholmondeley8 - The Kit Bag by Algernon Blackwood9 - The Prediction by Mary Diana Dods writing as David Lyndsey10 - Vampirismus or Aurelia by E T A Hoffman11 - Caterpillars by E F Benson12 - Smee by A M Burrage13 - Count Magnus by M R James14 - The Crimson Weaver by R Murray Gilchrist15 - The Shadows on the Wall by Mary E Wilkins Freeman16 - The Villa Désirée by May Sinclair17 - The Empty House by Algernon Blackwood18 - The Open Door - Part 1 by Margaret Oliphant19 - The Open Door - Part 2 by Margaret Oliphant20 - The Ghost at the Rath by Rosa Mulholland21 - Wake Not the Dead - Part 1 by Ernst Raupach22 - Wake Not the Dead - Part 2 by Ernst Raupach

A.M. Burrage, Algernon Blackwood, Ambrose Bierce, E F Benson, E T A Hoffman, Ernst Raupach, F Marion Crawford, Jean Lorrain, M.R. James, Margaret Oliphant, Mary Cholmondeley, Mary Diana Dods writing as David Lyndsey, Mary E Wilkins Freeman, May Sinclair, R Murray Gilchrist, Rosa Mulholland, Washington Irving (Author), Elliot Fitzpatrick, Eric Meyers, Richard Mitchley (Narrator)

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The Foundations of Fiction - Haunted House

In this series we turn the pages of classic short stories to put together the literary building blocks of how a particular genre or theme began, how it built its foundations to become the well-loved and well-worn genre that it is today.Do authors have the same ideas at more or less the same time? Or can they sniff out an opportunity as to which way the tastes of an audience are moving. Success undoubtedly builds success and in literary terms we can more politely say that imitation is the sincerest form of flattery, and the surest way to reach a hungry readership is to build on the fortune and flair of your literary colleagues. The dark forces of history have a way of settling in houses, usually large and rambling, but also small and nestled in a city, and from there all sorts of uneasy happenings begin. Authors have very playful imaginations, as well as some very disturbing ideas as they escalate the interactions between people and the growing source of terror that is with us and around us.

A C Benson, A.M. Burrage, Algernon Blackwood, Allen Upward, B M Croker, Bram Stoker, Catherine Crowe, Charlotte Perkins Gilman, Charlotte Riddell, D.K. Broster, E F Benson, E T A Hoffman, Edgar Allan Poe, Edith Nesbit, Edward Bulwer Lytton, Elinor Mordaunt, Elizabeth Gaskell, Eric Purves, H D Everett, H.P. Lovecraft, Hesba Stretton, M.R. James, Margaret Oliphant, Marjorie Bowen, Mary E Wilkins Freeman, Oscar Wilde, Rhoda Broughton, Richard Harris Barham, Rosa Mulholland, Rudyard Kipling, Sheridan Le Fanu, W F Harvey, Walter Scott, William Hope Hodgson (Author), David Shaw-Parker, Mark Rice-Oxley, Richard Mitchley (Narrator)

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Haunted House Stories – The Definitive Collection

The Haunted House is a house that rules our minds with fear. Once we think a house is haunted we prove the point to ourselves again and again. Every floorboard creak or window rattle or unexplained happening is proof concrete.In this anthology our authors go to exceptional lengths to unsettle our minds and open them up to all sorts of terrors. 1 - Haunted House - The Definitive Collection - An Introduction2 - The Lurking Fear - Part 1 by H P Lovecraft3 - The Lurking Fear - Part 2 by H P Lovecraft4 - They by Rudyard Kipling5 - The Canterville Ghost - Part 1 by Oscar Wilde6 - The Canterville Ghost - Part 2 by Oscar Wilde7 - Carnacki, The Ghost Finder - No 1 - The Gateway of the Monster by William Hope Hodgson8 - The Ghost in the Clock Room by Hesba Stretton9 - The Ghost and the Bone-Setter by Sheridan Le Fanu10 - The Ghost at the Wrath by Rosa Mulholland11 - The Fall of the House of Usher - Part 1 by Edgar Allan Poe12 - The Fall of the House of Usher - Part 2 by Edgar Allan Poe13 - The House of the Black Evil by Eric Purves14 - The Villa by Elinor Mordaunt15 - The Empty House by Algernon Blackwood16 - The Deserted House by E T A Hoffman17 - Midnight House by W F Harvey18 - The Story of the Green House, Wallington by Allen Upward19 - The Judge's House by Bram Stoker20 - The Open Door - Part 1 by Margaret Oliphant21 - The Open Door - Part 2 by Margaret Oliphant22 - The Tapestried Chamber by Walter Scott23 - The Room in the Tower by E F Benson24 - The Clock by W F Harvey 25 - The Closed Window by A C Benson26 - The Shadows on the Wall by Mary E Wilkins Freeman27 - The Rats in the Walls by H P Lovecraft28 - The Whispering Wall by H D Everett29 - The Yellow Wall Paper by Charlotte Perkins Gilman30 - Lost Hearts by M R James31 - Man Size in Marble by Edith Nesbit32 - An Account of Some Strange Disturbances in Aungier Street by Sheridan Le Fanu33 - To Let by B M Croker34 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton35 - The First Evening by Catherine Crowe36 - Smee by A M Burrage37 - What Was It by Fitz James O'Brien38 - Decay by Marjorie Bowen39 - The Ankardyne Pew by W F Harvey40 - The Ebony Frame by Edith Nesbit41 - The Spectre of Tappington by Richard Harris Barham42 - The Old Nurse's Story by Elizabeth Gaskell43 - The Last of Squire Ennismore by Charlotte Riddell44 - The Haunted and the Haunters; or, The House and the Brain - Part 1 by Edward Bulwer Lytton45 - The Haunted and the Haunters; or, The House and the Brain - Part 2 by Edward Bulwer Lytton

A C Benson, A.M. Burrage, Algernon Blackwood, Allen Upward, B M Croker, Bram Stoker, Catherine Crowe, Charlotte Perkins Gilman, Charlotte Riddell, E F Benson, E T A Hoffman, Edgar Allan Poe, Edith Nesbit, Edward Bulwer Lytton, Elinor Mordaunt, Elizabeth Gaskell, Eric Purves, Fitz James O'Brien, H D Everett, H.P. Lovecraft, Hesba Stretton, M.R. James, Margaret Oliphant, Marjorie Bowen, Mary E Wilkins Freeman, Oscar Wilde, Rhoda Broughton, Richard Harris Barham, Rosa Mulholland, Rudyard Kipling, Sheridan Le Fanu, W F Harvey, Walter Scott, William Hope Hodgson (Author), Elliot Fitzpatrick, Richard Mitchley, William Dufris (Narrator)

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The Open Door

'Caleb Field'|1897.Despite the short time she lived in Scotland|Frank Wilson Oliphant|Frank developed tuberculosis and so they moved in January 1859 to Florence|Glasgow and Liverpool. She wrote from a young age and in 1849 had her first novel about the Scottish Free Church movement|London. Together they had six children but tragically three died in infancy. Unfortunately|Margaret Oliphant Wilson was born on 4th April 1828 in East Lothian in Scotland but spent her childhood in Midlothian|a cause her parents sympathized with|a couple of years later|an artist working in stained glass|and settled in Camden|and then south to Rome|financial ruin for her alcoholic brother and unfulfilled ambitions for her two sons followed by their deaths in 1890 and 1894. She had settled in Windsor near Eton where her sons had been educated in 1866 and was buried there following her death on 25th June|her family life continued to be fraught with tragedies due to the further death of her one remaining daughter|led to a lifelong association with Blackwood Magazine to which she contributed more than a 100 articles and reviews.In May 1852|much of her writing displays strong connections in terms of settings|provided a sense of comfort to those grieving. In this story a family's return from India to Scotland is soon brought to a state of tension when their fragile son experiences hallucinations. The pursuit of the truth brings many consequences.|published. Her next|she married her cousin|themes and its oral tradition. Margaret was admired for her range of supernatural tales|where he died. Margaret was devastated and was left with the burden of supporting herself and their three children. She returned to England and with her prolific literary work increased her commercial reputation and the size of her reading audience. Margaret worked tirelessly to sustain her popularity with her supernatural tales and historical fiction.Unfortunately|which resonated with her fascination for the afterlife and given her own experience

Margaret Oliphant (Author), Elliot Fitzpatrick (Narrator)

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A Story of the Wedding Tour

Margaret Oliphant Wilson was born on 4th April 1828 in East Lothian in Scotland but spent her childhood in Midlothian, Glasgow and Liverpool. She wrote from a young age and in 1849 had her first novel about the Scottish Free Church movement, a cause her parents sympathized with, published. Her next, 'Caleb Field', a couple of years later, led to a lifelong association with Blackwood Magazine to which she contributed more than a 100 articles and reviews.In May 1852, she married her cousin, Frank Wilson Oliphant, an artist working in stained glass, and settled in Camden, London. Together they had six children but tragically three died in infancy. Unfortunately, Frank developed tuberculosis and so they moved in January 1859 to Florence, and then south to Rome, where he died. Margaret was devastated and was left with the burden of supporting herself and their three children. She returned to England and with her prolific literary work increased her commercial reputation and the size of her reading audience. Margaret worked tirelessly to sustain her popularity with her supernatural tales and historical fiction.Unfortunately, her family life continued to be fraught with tragedies due to the further death of her one remaining daughter, financial ruin for her alcoholic brother and unfulfilled ambitions for her two sons followed by their deaths in 1890 and 1894. She had settled in Windsor near Eton where her sons had been educated in 1866 and was buried there following her death on 25th June, 1897.Despite the short time she lived in Scotland, much of her writing displays strong connections in terms of settings, themes and its oral tradition. Margaret was admired for her range of supernatural tales, which resonated with her fascination for the afterlife and given her own experience, provided a sense of comfort to those grieving. She also wrote about the injustice faced by women and evidenced here by her strong tale:- 'A Story of a Wedding Tour' describing a young bride deserting her husband for a life that would give her a chance to express her own desires.

Margaret Oliphant (Author), Ghizela Rowe (Narrator)

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Margaret Oliphant: Miss Marjoribanks, Phoebe Junior and Hester: A BBC Radio Collection

Three BBC radio adaptations of famous novels by the prolific 19th-century author Mrs Oliphant – plus an episode of Reading Aloud, with extracts from her autobiography Sometimes called ‘the feminist Trollope’, Margaret Oliphant wrote over 100 works of fiction in a wide variety of genres, ranging from novels of small-town life to historical tales and supernatural stories. Included here are three of her best-loved works, brimming with dry wit, perceptive irony and flawed but fascinating heroines. Miss Marjoribanks Lucilla Marjoribanks, a large and determined girl, returns from school with two resolves – to comfort her recently widowed father and to revolutionise society. She becomes the doyenne of Carlingford’s social circle with her Thursday soirees – but her plans are disrupted by her friends’ romances, a new arrival, the solving of a mystery and a wedding… Starring Elizabeth Spriggs as Mrs Oliphant and Teresa Gallagher as Lucilla. Phoebe Junior Phoebe Beecham has met Clarence Copperhead at a Ball in London. His wealthy father disapproves of her, and she fortuitously leaves London to visit her sick Grandmother in Carlingford. But a shock awaits her on arrival... Starring Elizabeth Spriggs as Mrs Oliphant and Charlotte Attenborough as Phoebe Junior. Hester In this deliciously sardonic tale of credit and discredit, a young woman in a 19th Century Cheshire town, having been snubbed and discarded in marriage, does something truly radical. When the family bank is in danger, she pledges her private fortune to save it – but insists on running it herself, as a single woman, in defiance of all convention. Starring Penelope Wilton as Margaret Oliphant and Lyndsey Marshal as Hester Vernon. Also included is a bonus episode of Reading Aloud, in which Gudrun Ure reads from Mrs Oliphant’s autobiography, shining a light on the tragic life of the acclaimed Scottish novelist.

Elizabeth Proud, Kate Clanchy, Margaret Oliphant, Zena Foster (Author), Charlotte Attenborough, Elizabeth Spriggs, Lyndsey Marshall, Penelope Wilton, Peter Jeffrey, Teresa Gallagher (Narrator)

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The Library Window

Margaret Oliphant (1828 - 1897]) was a Scottish novelist who wrote as Mrs. Oliphant. She is best known for her fictional works, historical novels and supernatural tales. "The Library Window" is a ghost story. A young girl, visiting her aunt in Scotland, finds herself increasingly intrigued by a mysterious window in the house opposite her own favourite window, where she sits to read. There seems to be a local mystery about the window, including a dispute about whether there is even a window there at all. Increasingly this doubt seems odd to the girl as the days go by, as she can see into the room opposite and make out furniture and objects there. Then one day she sees someone in that room...

Margaret Oliphant (Author), Cathy Dobson (Narrator)

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