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A Portait of the Artist as a Young Man
Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was down along the road met a nicens little boy named baby tuckoo. . . . His father told him that story: his father looked at him through a glass: he had a hairy face.
James Joyce (Author), John Thompson (Narrator)
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The concept of right and wrong, of good and bad, is taught to us from childhood. It’s a guiding principle as we journey through the decades of life. Easy to keep to? Sometimes it’s easier not to. Authors of the talent of Franz Kafka, F Scott Fitzgerald, Robert Louis Stevenson and many others create characters and circumstances that test their capacity for morality to the limit.1 - Stories Exploring Morality - An Introduction2 - The Dead - Part 1 by James Joyce3 - The Dead - Part 2 by James Joyce4 - In the Penal Colony by Franz Kafka5 - Young Goodman Brown by Nathaniel Hawthorne6 - Markheim by Robert Louis Stevenson7 - Benediction by F Scott Fitzgerald8 - The Birthmark by Nathaniel Hawthorne9 - The Necklace by Guy de Maupassant10 - How Much Land Does A Man Need by Leo Tolstoy11 - The Hoodoo by Martha Gruening12 - The Coup de Grace by Ambrose Bierce13 - Rashomon by Ryunosuke Akutagawa14 - A Tale of Negative Gravity by Frank R Stockton15 - Oil of Dog by Ambrose Bierce16 - The Four Fists by F Scott Fitzgerald17 - Rappaccini's Daughter - Part 1 by Nathaniel Hawthorne18 - Rappaccini's Daughter - Part 2 by Nathaniel Hawthorne
Ambrose Bierce, F Scott Fitzgerald, Frank R Stockton, Franz Kafka, Guy De Maupassant, James Joyce, Leo Tolstoy, Martha Gruening, Nathaniel Hawthorne, Robert Louis Stevenson, Ryunosuke Akutagawa (Author), David Shaw-Parker, Jim Norton, Warren Keyes (Narrator)
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The Foundations of Fiction - Modernism
In this series we turn the pages of classic short stories to put together the literary building blocks of how a particular genre or theme began, how it built its foundations to become the well-loved and well-worn genre that it is today.Do authors have the same ideas at more or less the same time? Or can they sniff out an opportunity as to which way the tastes of an audience are moving. Success undoubtedly builds success and in literary terms we can more politely say that imitation is the sincerest form of flattery, and the surest way to reach a hungry readership is to build on the fortune and flair of your literary colleagues. It’s a reality that the term ‘modernism’ was first used for stories well over a century ago. Like fine wines they have aged remarkably well. In this volume the talents of Virginia Woolf, F Scott Fitzgerald, Katherine Mansfield, James Joyce are testament to the craft, imagination and literary chops these authors have brought to prose in one of its most enduring literary movements. 01 - Foundations of Fiction - Modernism - An Introduction2 - Bliss by Katherine Mansfield3 - Bernice Bobs Her Hair by F Scott Fitzgerald4 - The Legacy by Virginia Woolf5 - The Dead by James Joyce6 - Here We Are by Dorothy Parker7 - Odour of Chrysanthemums by D H Lawrence8 - If I Were A Man by Charlotte Perkins Gilman9 - Tomorrow by Eugene O'Neill10 - Friday by Zona Gale11 - The Defense of Strikerville by Damon Runyon12 - Rooms by Gertrude Stein13 - The Mark on the Wall by Virginia Woolf14 - The Garden Party by Katherine Mansfield15 - Eveline by James Joyce16 - His Smile by Susan Glaspell17 - A Cullenden of Virginia by Thomas Wolfe18 - Miss Brill by Katherine Mansfield19 - The Golden Honeymoon by Ring Lardner20 - Winter Dreams by F Scott Fitzgerald21 - Kew Gardens by Virginia Woolf22 - Ariel's Triumph by Booth Tarkington23 - Speed by Sinclair Lewis24 - Araby by James Joyce25 - The Ice Palace by F Scott Fitzgerald26 - The Fly by Katherine Mansfield27 - White Bread by Zona Gale28 - A Dill Pickle by Katherine Mansfield
Booth Tarkington, Charlotte Perkins Gilman, D.H. Lawrence, Damon Runyon, Dorothy Parker, Eugene O'Neill, F Scott Fitzgerald, Gertrude Stein, James Joyce, Katherine Mansfield, Ring Lardner, Sinclair Lewis, Susan Glaspell, Thomas Wolfe, Virginia Woolf, Zona Gale (Author), Eric Meyers, Eve Karpf, Laurel Lefkow (Narrator)
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There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes.Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.From their pens to your your ears.
F Scott Fitzgerald, James Joyce, Lydia Maria Child (Author), Conor Charlton, Laurel Lefkow, Michael Carleton (Narrator)
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3 Christmas Stories - Set at Christmas Celebrations
There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes.Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.From their pens to your your ears.
James Hain Friswell, James Joyce, Nathaniel Hawthorne (Author), David Shaw-Parker, Jim Norton, Michael Lyons (Narrator)
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Exiles is James Joyce's only extant play and draws on the story of 'The Dead', the final short story in Joyce's story collection Dubliners. The play was rejected by W. B. Yeats for production by the Abbey Theatre. Its first major London performance was in 1970, when Harold Pinter directed it at the Mermaid Theatre.
James Joyce (Author), Various (Narrator)
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Audiolibro narrado en castellano. “Los muertos” de James Joyce corresponde a un relato corto que forma parte de las 15 que componen su colección Dublineses; todos ellos realistas y que tienen lugar en el Dublín de primeros años del siglo XX, publicado en 1914. Considerado por algunos como uno de los mejores escritos en lengua inglesa. Con una estructura teatral en la que los personajes van entrando y saliendo de escena. Las hermanas Morkan dan una fiesta en Navidad, la fiesta es el escenario donde los personajes salen de su vida cotidiana, interactúan y disfrutan de las tradiciones propias de Irlanda. Se suceden las conversaciones, el sobrino de las Morkan Gabriel un profesor y crítico literario preocupado por un discurso que ha de amenizar la cena; finalmente regresa al hotel con su esposa Gretta y todo le llevará a una profunda reflexión sobre los vivos y los muertos. «No hay pasado ni futuro, todo fluye en un eterno presente» James Joyce 1882 -1941 ©2024/1172024 ®SelloNegro. esCultura - Voz Humana ®bseal voice No se permite ni cede el uso de la portada ni de la voz, modulación, timbre, del narrador; para ser utilizados para alimentar, entrenar, simular o acciones similares, en programas o proyectos de inteligencia artificial (IA), robótica o cualquier metodología que utilice o transforme la voz grabada originalmente por el narrador y/ o la imagen de portada.
James Joyce (Author), ®bseal Voice (Narrator)
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[Spanish] - Una nubecilla (Completo)
Texto que pertenece a la colección de una serie de cuentos reunidos en 'Dublineses' de James Joyce. En este relato, se narra el reencuentro de dos amigos, Gallaher y Chandler, quienes después de ocho años sin verse comparten diversos recuerdos. El primero, es exitoso y le menciona a su amigo los lugares que ha conocido en Europa; mientras que el segundo, es un hombre introvertido que tiene algunos proyectos frustrados.
James Joyce (Author), Mariana Godward (Narrator)
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A Rare Recording of James Joyce Reading From Ulysses
In this rare 1924 recording, James Joyce reads from the Aeolus episode of his masterpiece, Ulysses. The recording was arranged and financed by the author’s friend and publisher Sylvia Beach, who brought him by taxi to the HMV (His Master’s Voice) gramophone studio in the Paris suburb of Billancourt. The first session didn’t go well. Joyce was nervous and suffering from his recurring eye troubles. He and Beach returned another day to finish the recording. In her memoir, Shakespeare & Company, Beach writes: "Joyce had chosen the speech in the Aeolus episode, the only passage that could be lifted out of Ulysses, he said, and the only one that was “declamatory” and therefore suitable for recital. He had made up his mind, he told me, that this would be his only reading from Ulysses. Ihave an idea that it was not for declamatory reasons alone that he chose this passage from Aeolus. I believe that it expressed something he wanted said and preserved in his own voice. As it rings out–"he lifted his voice above it boldly"–it is more, one feels, than mere oratory. The passage parallels the episode in Homer’s Odyssey featuring Aeolus, god of the winds. As a pun, Joyce sets it in a newspaper office where his hero Leopold Bloom stops by to place an ad, only to be stymied by the blustery noise of the printing presses and of the various "windbags" in the office. One character tries to entertain a couple of his friends with a mocking recital of a politician’s speech printed in the day’s newspaper. Here is the passage Joyce reads: He began: –Mr. Chairman, ladies and gentlemen: Great was my admiration in listening to the remarks addressed to the youth of Ireland a moment since by my learned friend. It seemed to me that I had been transported into a country far away from this country, into an age remote from this age, that I stood in ancient Egypt and that I was listening to the speech of a highpriest of that land addressed to the youthful Moses. His listeners held their cigarettes poised to hear, their smoke ascending in frail stalks that flowered with his speech…Noble words coming. Look out. Could you try your hand at it yourself? –And it seemed to me that I heard the voice of that Egyptian highpriest raised in a tone of like haughiness and like pride. I heard his words and their meaning was revealed to me. From the Fathers It was revealed to me that those things are good which yet are corrupted which neither if they were supremely good nor unless they were good could be corrupted. Ah, curse you! That’s saint Augustine. –Why will you jews not accept our language, our religion and our culture? You are a tribe of nomad herdsmen; we are a mighty people. You have no cities nor no wealth: our cities are hives of humanity and our galleys, trireme and quadrireme, laden with all manner merchandise furrow the waters of the known globe. You have but emerged from primitive conditions: we have a literature, a priesthood, an agelong history and a polity. Nile. Child, man, effigy. By the Nilebank the babemaries kneel, cradle of bulrushes: a man supple in combat: stonehorned, stonebearded, heart of stone. –You pray to a local and obscure idol: our temples, majestic and mysterious, are the abodes of Isis and Osiris, of Horus and Ammon Ra. Yours serfdom, awe and humbleness: ours thunder and the seas. Israel is weak and few are her children: Egypt is an host and terrible are her arms. Vagrants and daylabourers are you called: the world trembles at our name. A dumb belch of hunger cleft his speech. he lifted his voice above it boldly: –But, ladies and gentlemen, had the youthful Moses listened to and accepted that view of life, had he bowed his head and bowed his will and bowed his spirit before that arrogant admonition he would never have led the chosen people out of their house of bondage nor followed the pillar of the cloud by day. He would never have spoken with the Eteral amid lightnings on Sinai’s mountaintop nor even have come down with the light of inspiration shining in his countenance and bearing in his arms the tables of the law, graven in the language of the outlaw.
James Joyce (Author), James Joyce (Narrator)
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Book at Bedtime: A BBC Radio Collection: 10 Unmissable Classics
A bumper collection of accessible classics from the perennially popular BBC Radio 4 series This diverse, wide-ranging anthology features readings of 10 of the greatest books in the English language, taken from the BBC's Book at Bedtime and performed by a stellar cast of narrators. Here are nearly 27 hours of sensational stories, from iconic romances and humorous travelogues to pioneering Modernist masterpieces and compelling explorations of the human heart. Comprising much-loved favourites as well as neglected classics, this genre-spanning selection has something for everyone. This collection includes abridged readings of: Persuasion by Jane Austen: Anne Elliot and Captain Wentworth get a second chance at love following their broken engagement seven years earlier. Read by Juliet Stevenson. Jane Eyre by Charlotte Brontë: An orphaned young woman discovers romance when she meets the charming Mr Rochester. Read by Anne-Marie Duff. Far from the Madding Crowd by Thomas Hardy: Independent Bathsheba Everdene must contend with three very different suitors all vying for her affections. Read by Douglas Hodge. Travels with a Donkey in the Cévennes by Robert Louis Stevenson: Stephenson's travelogue from his 12-day hike, taken to distance himself from his love affair with a married woman. Read by Alan Cumming. The Aspern Papers by Henry James: A nameless narrator goes to Venice to persuade American poet Jeffrey Aspern's lover to let him read Aspern's letters. Read by Samuel West. Three Men on the Bummel by Jerome K. Jerome: The Three Men in a Boat return for a bicycle tour through the German Black Forest. Read by Hugh Laurie. Dubliners by James Joyce: Form-defining stories about life in Dublin at the start of the 20th century. Read by Stephen Rea. The Good Soldier by Ford Madox Ford: Two couples, two marriages; both seemingly perfect. But beneath the surface lies deception and betrayal. Read by Toby Stephens. The Rector's Daughter by F.M. Mayor: Mary has spent thirty-five years taking care of others, but with the arrival Robert Herbert her quiet, ordered existence is changed forever. Read by Juliet Stevenson. Orlando by Virginia Woolf: A playful mock biography of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. Read by Amanda Hale. First published 1817 (Persuasion), 1847 (Jane Eyre), 1874 (Far from the Madding Crowd), 1879 (Travels with a Donkey in the Cévennes), 1888 (The Aspern Papers), 1900 (Three Men on the Bummel), 1914 (Dubliners), 1915 (The Good Soldier), 1924 (The Rector's Daughter), 1928 (Orlando) © 2023 BBC Studios Distribution Ltd. (P) 2023 BBC Studios Distribution Ltd
Charlotte Bronte, Charlotte Brontë, F.M. Mayor, Ford Madox Ford, Henry James, James Joyce, Jane Austen, Jerome K. Jerome, Robert Louis Stevenson, Thomas Hardy, Virginia Woolf (Author), Alan Cumming, Amanda Hale, Anne-Marie Duff, Douglas Hodge, Hugh Laurie, Juliet Stevenson, Samuel West, Stephen Rea, Toby Stephens (Narrator)
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The Top 10 Short Stories - Love
Short stories have always been a sort of instant access into an author's brain, their soul and heart. A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.In this series we try to offer up tried and trusted 'Top Tens' across many different themes and authors. But any anthology will immediately throw up the questions - Why that story? Why that author? The theme itself will form the boundaries for our stories which range from well-known classics, newly told, to stories that modern times have overlooked but perfectly exemplify the theme. Throughout the volume our authors whether of instant recognition or new to you are all leviathans of literature.Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.In this volume our classic authors turn their pens to the immortal quest for love. What they find and what they reveal are, of course, illuminating, beguiling and the best of magical literature.01 - The Top 10 - Love - An Introduction02 - Araby by James Joyce03 - A Modern Lover - Part 1 by D H Lawrence04 - A Modern Lover - Part 2 by D H Lawrence05 - The Fullness of Life by Edith Wharton06 - About Love by Anton Chekhov07 - Mr and Mrs Dove by Katherine Mansfield08 - The Blizzard by Alexander Pushkin09 - On the Gull's Road by Willa Cather10 - Madame Rose Hanie by Khalil Gibran11 - The Gift of the Magi by O Henry12 - The Nightingale and the Rose by Oscar Wilde
Alexander Pushkin, Anton Chekhov, D.H. Lawrence, Edith Wharton, James Joyce, Katherine Mansfield, Khalil Gibran, O Henry, Oscar Wilde, Willa Cather (Author), David Shaw-Parker, Jim Norton, Kelly O'doherty (Narrator)
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James Joyce's The Dead - Unabridged
The final (and longest) story in James Joyce's short story collection 'The Dubliners,' 'The Dead' is one of Joyce's most beloved works of short fiction. Taking place at Christmastime, the tale revolves around Gabriel Conroy and his wife Gretta, who are attending a holiday party hosted by Gabriel's elderly aunts. In typical Joycean style, this seemingly mundane setting hides many of the guests' secrets and mysteries, not the least of which is shielded by Gretta herself. When her great secret finally spills forth, it has a profound and immediate effect on Gabriel. A powerful and elegiac examination of life, love and the very nature of the Irish identity, this volume is presented in its original and unabridged format.
James Joyce (Author), Sara Nichols (Narrator)
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