From veteran true crime master Harold Schechter comes a unique look into the history of crime told through the dark objects left behind.
The false teeth of a female serial killer from 1908, the cut-and-paste confession of the Black Dahlia killer, the newly cracked cipher of the Zodiac killer, the shotgun used in the Clutter family murders, which were made famous by Truman Capote's true crime classic In Cold Blood—these are more than simple artifacts that once belonged to notorious murderers. They are objects of fascination to the legion of true crime obsessives around the world. And not merely for fleeting dark thrills, but because they represent a way to better understand those who we typically label monsters in lieu of learning how they actually became one.
In Murderabilia, veteran true crime writer Harold Schechter presents 100 murder-related artifacts spanning two centuries (1808–2014), with accompanying stories of various lengths. A visual and literary journey, it presents a history unlike any previously told in the true crime genre, one that speaks to the dark fascination of true crime fans while also presenting a larger historical timeline of how and why we continue to be captivated by the most sensational crimes and killers among us.
Harold Schechter, Amazon Charts bestselling author of Hell’s Princess, unearths a nearly forgotten true crime of obsession and revenge, and one of the first—and worst—mass murders in American history.
In 1927, while the majority of the township of Bath, Michigan, was celebrating a new primary school—one of the most modern in the Midwest—Andrew P. Kehoe had other plans. The local farmer and school board treasurer was educated, respected, and an accommodating neighbor and friend. But behind his ordinary demeanor was a narcissistic sadist seething with rage, resentment, and paranoia. On May 18 he detonated a set of rigged explosives with the sole purpose of destroying the school and everyone in it. Thirty-eight children and six adults were murdered that morning, culminating in the deadliest school massacre in US history.
Maniac is Harold Schechter’s gripping, definitive, exhaustively researched chronicle of a town forced to comprehend unprecedented carnage and the triggering of a “human time bomb” whose act of apocalyptic violence would foreshadow the terrors of the current age.
Bestselling true-crime master Harold Schechter explores the real-life headline-making psychos, serial murderers, thrill-hungry couples, and lady-killers who inspired a century of classic films.
The necktie murders in Alfred Hitchcock’s Frenzy; Chicago’s Jazz Age crime of passion; the fatal hookup in Looking for Mr. Goodbar; the high school horrors committed by the costumed slasher in Scream. These and other cinematic crimes have become part of pop-culture history. And each found inspiration in true events that provided the raw material for our greatest blockbusters, indie art films, black comedies, Hollywood classics, and grindhouse horrors.
So what’s the reality behind Psycho, Badlands, The Hills Have Eyes, A Place in the Sun, Arsenic and Old Lace, and Dirty Harry? How did such tabloid-ready killers as Bonnie and Clyde, body snatchers Burke and Hare, Texas sniper Charles Whitman Jr., nurse-slayer Richard Speck, and Leopold and Loeb exert their power on the public imagination and become the stuff of movie lore?
In this collection of revelatory essays, true-crime historian Harold Schechter takes a fascinating trip down the crossroads of fact and fiction to reveal the sensational real-life stories that are more shocking, taboo, and fantastic than even the most imaginative screenwriter can dream up.
In the pantheon of serial killers, Belle Gunness stands alone. She was the rarest of female psychopaths, a woman who engaged in wholesale slaughter, partly out of greed but mostly for the sheer joy of it. Between 1902 and 1908, she lured a succession of unsuspecting victims to her Indiana "murder farm." Some were hired hands. Others were well-to-do bachelors. All of them vanished without a trace. When their bodies were dug up, they hadn't merely been poisoned, like victims of other female killers. They'd been butchered.
Hell's Princess is a riveting account of one of the most sensational killing sprees in the annals of American crime: the shocking series of murders committed by the woman who came to be known as Lady Bluebeard. The only definitive book on this notorious case and the first to reveal previously unknown information about its subject, Harold Schechter's gripping, suspenseful narrative has all the elements of a classic mystery-and all the gruesome twists of a nightmare.
The wayward son of a revered Civil War general, Roland Molineux enjoyed good looks, status, and fortune-hardly the qualities of a prime suspect in a series of shocking, merciless cyanide killings. Molineux's subsequent indictment for murder led to two explosive trials and a sex-infused scandal that shocked the nation. Bringing to life Manhattan's Gilded Age, Schechter captures all the colors of the tumultuous legal proceedings, gathering his own evidence and tackling subjects no one dared address at the time-all in hopes of answering a tantalizing question: What powerfully dark motives could drive the wealthy scion of an eminent New York family to murder?
In the horrifying annals of American crime, the infamous names of brutal killers such as Bundy, Dahmer, Gacy, and Berkowitz are writ large in the imaginations of a public both horrified and hypnotized by their monstrous, murderous acts. But for every celebrity psychopath who's gotten ink for spilling blood, there's a bevy of all-but-forgotten homicidal fiends studding the bloody margins of U.S. history. In this book you'll meet Robert Irwin, "The Mad Sculptor": He longed to use his carving skills on the woman he loved but had to settle for making short work of her mother and sister instead. Peter Robinson, "The Tell-Tale Heart Killer": It took two days and four tries for him to finish off his victim but no time at all for keen-eyed cops to spot the fatal flaw in his floor plan. Anton Probst, "The Monster in the Shape of a Man": The ax-murdering immigrant's systematic slaughter of all eight members of a Pennsylvania farm family matched the savagery of the Manson murders a century later. Edward H. Rulloff, "The Man of Two Lives": A genuine Jekyll and Hyde, his brilliant scholarship disguised his bloodthirsty brutality.
Hollywood's make-believe maniacs like Jason, Freddy, and Hannibal Lecter can't hold a candle to real life monsters like John Wayne Gacy, Ted Bundy, Jeffrey Dahmer, and scores of others who have terrorized, tortured, and terminated their way across civilization throughout the ages. Now, from the much-acclaimed author of Deviant, Deranged, and Depraved, comes the ultimate resource on the serial killer phenomenon. Rigorously researched, this innovative and highly compelling compendium covers every aspect of multiple murderers, including psychology, cinema, fetishism, fan clubs, "trophies," and trading cards.
From "America's principal chronicler of its greatest psychopathic killers" (Boston Book Review) comes the definitive account of Ed Gein, a mild-mannered Wisconsin farmhand who stunned an unsuspecting nation-and redefined the meaning of the word psycho.
The year was 1957. The place was an ordinary farmhouse in America's heartland, filled with extraordinary evidence of unthinkable depravity. The man behind the massacre was a slight, unassuming Midwesterner with a strange smile-and an even stranger attachment to his domineering mother. After her death and a failed attempt to dig up his mother's body from the local cemetery, Gein turned to other grave robberies and, ultimately, multiple murders.
Driven to commit gruesome and bizarre acts beyond all imagination, Ed Gein remains one of the most deranged minds in the annals of American homicide. This is his story-recounted in fascinating and chilling detail by Harold Schechter, one of the most acclaimed true-crime storytellers of our time.
"Top-drawer true crime."-Booklist
In the winter of 1873, a small band of prospectors lost their way in the frozen wilderness of the Colorado Rockies. Months later, when the snow finally melted, only one of them emerged. His name was Alfred G. Packer, though he would soon become infamous throughout the country under a different name: "the Man-Eater."
After the butchered remains of his five traveling companions were discovered in a secluded valley by the Gunnison River, Packer vanished for nine years, becoming the West's most wanted man. What followed was a saga of evasion and retribution as the trial of the century worked to extricate fact from myth and as Polly Pry, a once-famed pioneering journalist, took on the cause of Packer. Man-Eater is the definitive story of a legendary crime-a gripping tale of unspeakable suffering, the desperate struggle for survival, and the fight to uncover the truth.
Beekman Place, once one of the most exclusive addresses in Manhattan, had a curious way of making it into the tabloids in the 1930s: SKYSCRAPER SLAYER, BEAUTY SLAIN IN BATHTUB read the headlines. On Easter Sunday in 1937, the discovery of a grisly triple homicide at Beekman Place would rock the neighborhood yet again — and enthrall the nation. The young man who committed these murders would come to be known in the annals of American crime as the Mad Sculptor. Caught up in the Easter Sunday slayings was a bizarre and sensationalistic cast of characters, seemingly cooked up in a tabloid editor’s overheated imagination. The charismatic perpetrator, Robert Irwin, was a brilliant young sculptor who had studied with some of the masters of the era. But with his genius also came a deeply disturbed psyche; Irwin was obsessed with sexual self-mutilation and was frequently overcome by outbursts of violent rage. Irwin’s primary victim, Veronica Gedeon, was a figure from the world of pulp fantasy — a stunning photographer’s model whose scandalous seminude pinups would titillate the public for weeks after her death. Irwin’s defense attorney, Samuel Leibowitz, was a courtroom celebrity with an unmatched record of acquittals and clients ranging from Al Capone to the Scottsboro Boys. And Dr. Fredric Wertham, psychiatrist and forensic scientist, befriended Irwin years before the murders and had predicted them in a public lecture months before the crime. Based on extensive research and archival records, The Mad Sculptor recounts the chilling story of the Easter Sunday murders — a case that sparked a nationwide manhunt and endures as one of the most engrossing American crime dramas of the twentieth century. Harold Schechter’s masterly prose evokes the faded glory of post-Depression New York and the singular madness of a brilliant mind turned against itself. It will keep you riveted until the very end.
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