Audiobooks by Hanif Abdurraqib

They Can't Kill Us Until They Kill Us Audiobook

*2018 '12 best books to give this holiday season' ?TODAY Show *Best Books of 2018 ?Rolling Stone 'A Best Book of 2017' ?NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily *American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' *Midwest Indie Bestseller In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others?along with original, previously unreleased essays?Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times. 'Funny, painful, precise, desperate, and loving throughout. Not a day has sounded the same since I read him.' ?Greil Marcus,

Hanif Abdurraqib (Author), Eve L. Ewing, Hanif Abdurraqib, Jason Reynolds (Narrator)

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Sing, Aretha, Sing!: Aretha Franklin, “Respect,” and the Civil Rights Movement

A young Aretha Franklin captivates her community with the song “Respect” during the height of the Civil Rights Movement, in this striking biography that will embolden today’s young listeners to sing their own truth. When Aretha Franklin sang, she didn’t just sing…she sparked a movement. As a performer and a civil rights activist, the Queen of Soul used her voice to uplift freedom fighters and the Black community during the height of the 1960s Civil Rights Movement. Her song “Respect” was an anthem of identity, survival, and joy. It gave hope to people trying to make change. And when Aretha sang, the world sang along. With Hanif Abdurraqib’s poetic voice, Sing, Aretha, Sing! demonstrates how one brave voice can give new power to a nation, and how the legacy of Aretha Franklin lives on in a world still fighting for freedom.

Hanif Abdurraqib (Author), Angel Moore Choyce (Narrator)

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A Little Devil in America: In Praise of Black Performance

Brought to you by Penguin. An electrifying celebration of Black performances, cultures and communities in the United States, from the New York Times bestselling poet and critic Hanif Abdurraqib At the March on Washington, Josephine Baker reflected on her life and her legacy. She had spent decades as one of the most successful entertainers in the world, but, she told the crowd, 'I was a devil in other countries, and I was a little devil in America, too'. Inspired by these words, Hanif Abdurraqib has written a stirring meditation on Black performance in the modern age, in which culture, history and his own lived experience collide. With sharp insight, humour and heart, Abdurraqib explores a sequence of iconic and intimate performances that take him from mid-century Paris to the moon -- and back down again, to a cramped living room in Columbus, Ohio. Each one, he shows, has layers of resonance across Black and white cultures, the politics of American empire, and his own personal history of love and grief -- whether it's the twenty-seven seconds of 'Gimme Shelter' in which Merry Clayton sings, or the magnificent hours of Aretha Franklin's homegoing; Beyoncé's Super Bowl show or a schoolyard fistfight; Dave Chapelle's skits or a game of spades among friends. 'Gorgeous' - Brit Bennett 'Pure genius' - Jacqueline Woodson 'One of the most dynamic books I have ever read' - Clint Smith © Hanif Abdurraqib 2021 (P) Penguin Audio 2021

Hanif Abdurraqib (Author), Jd Jackson (Narrator)

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A Fortune For Your Disaster: Poems

In his much-anticipated follow-up to The Crown Ain't Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author's black friends wanted to listen to 'Don't Stop Believin'.' It's about wrestling with histories, personal and shared. Abdurraqib uses touchstones from the world outside-from Marvin Gaye to Nikola Tesla to his neighbor's dogs-to create a mirror, inside of which every angle presents a new possibility.

Hanif Abdurraqib (Author), Hanif Abdurraqib (Narrator)

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Go Ahead in the Rain: Notes to A Tribe Called Quest

The seminal rap group A Tribe Called Quest brought jazz into the genre, resurrecting timeless rhythms to create masterpieces. This narrative follows Tribe from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast-West Coast rivalry that threatened to destroy the genre, and some record labels' shift from focusing on groups to individual MCs. Throughout the narrative, poet and essayist Hanif Abdurraqib connects the music and cultural history to their street-level impact. Whether he's remembering The Source magazine cover announcing the Tribe's 1998 breakup or writing personal letters to the group after bandmate Phife Dawg's death, Abdurraqib seeks the deeper truths of A Tribe Called Quest, truths that-like the low end, the bass-are not simply heard in the head but are felt in the chest. Digging into the group's history, Abdurraqib draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself.

Hanif Abdurraqib (Author), Ron Butler (Narrator)

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