CWA Judges' comment: “The setting is refreshingly original; after WWII a soldier returns to rural Australia to face the consequences of a crime he did not commit. With a powerful sense of time and location, this is beautifully crafted, and has a serious point to make about the aftermath of war.”
2011 ABIA LITERARY FICTION BOOK OF THE YEARWINNER OF THE 2011 INDIE AWARD FOR FICTIONSHORTLISTED FOR THE 2011 MILES FRANKLIN AWARDIt is 1919. The Great War has ended, but the Spanish flu epidemic is raging across Australia. Schools are closed, state borders are guarded by armed men, and train travel is severely restricted. There are rumours it is the end of the world. In the NSW town of Flint, Quinn Walker returns to the home he fled ten years earlier when he was accused of an unspeakable crime. Aware that his father and uncle would surely hang him, Quinn hides in the hills surrounding Flint. There, he meets the orphan Sadie Fox - a mysterious young girl who seems to know more about the crime than she should. A searing gothic novel of love, longing and justice, Bereft is about the suffering endured by those who go to war and those who are forever left behind. PRAISE FOR CHRIS WOMERSLEY'Beautifully written and conceived, Bereft pushes at the borders of literary fiction and thriller, spinning a horrific incident in one man's life into a page-turning reflection on grief and guilt, on the nature of storytelling and its inevitable joys and shortcomings, on what we have to believe in order to survive.' The Age'Chris Womersley, in plain and startling yet tender and lyrical prose, has constructed a moving narrative that opens up the wounds of war, laying bare the events that pre-date the conflict and reach forward into the collective memory ... War is the big drama of human horror, but the basest acts of cruelty are also enacted in what passes for peacetime. That Womersley can marry these two extremes, and construct a narrative in which the reader is left with a burning sense of regret and tenderness, is a mark of his skill and of his fictional reach.' Australian Book Review
