March 2011 Guest Editor Robert Goddard on The Woman in White...
There’s just such a lot to enjoy and admire in this ground-breaking work of mystery and suspense. It was one of my inspirations for trying my hand at novel-writing in the first place. When The Woman in White was published in 1860, it was an instant success. No-one else had ever dared to cram quite so much intrigue into a plot, not least because it’s an extremely difficult thing to do. But Collins brushes the difficulty aside, throws in memorable characters and carries the whole thing off with the aplomb of the master he was. Genius!
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'In one moment, every drop of blood in my body was brought to a stop .. There, as if it had that moment sprung out of the earth .. stood the figure of a solitary Woman, dressed from head to foot in white'
The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.