With an Introduction and Notes by John M.L. Drew, University of Buckingham.
Wilde's only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence. From its provocative Preface, challenging the reader to believe in 'art for art's sake', to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design.
Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment. Its words returned to haunt him in his court appearances in 1895, and he later recalled the 'note of doom' which runs like 'a purple thread' through its carefully crafted prose.
Oscar Wilde was an 19th century Irish writer whose works include the play The Importance of Being Earnest and the novel The Picture of Dorian Gray. He is also one of the Victorian era's most famous dandies, a wit whose good-humored disdain for convention became less favored after he was jailed for homosexuality. Wilde grew up in a prosperous family and distinguished himself at Dublin's Trinity College and London's Oxford. He published his first volume of poems in 1881 and found work in England as a critic and lecturer, but it was his socializing (and self-promotion) that made him famous, even before the 1890 publication of The Picture of Dorian Gray. In 1895, at the height of his popularity, his relationship with the young poet Lord Alfred Douglas was declared inappropriately intimate by Douglas's father, the Marquess of Queensberry. Wilde sued for libel, but the tables were turned when it became clear there was enough evidence to charge Wilde with "gross indecency" for his homosexual relationships. He was convicted and spent two years in jail, after which he went into self-imposed exile in France, bankrupt and in ill health.
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