October 2011 Guest Editor Philippa Gregory on F. Scott Fitzgerald...
I have just re-read this and constantly admired the economy of Fitzgerald. He can write poignant paragraphs that come out of almost nothing, as a reader you can hardly tell what he is doing, but you emerge from the novel feeling emotionally wrung. It’s the story of the most glamorous couple on the French Riviera, and slowly you understand that much of their beauty is a façade, and that even their passion is something that will pass. It is loosely based on Fitzgerald’s own marriage to Zelda who is an interesting character in her own right and too often “written off” by biographers as the unstable wife to a genius. As this novel hints, perhaps it was far more complicated and interesting than that.
The heir to his grandfather's considerable fortune, Anthony Patch is led astray from the path to gainful employment by the temptations of the 1920s Jazz Age. His descent into dissolution and profligacy is accelerated by his marriage to the attractive but turbulent Gloria, and the couple soon discover the dangerous flip side of a life of glamour and debauchery.
Containing obvious parallels with F. Scott and Zelda Fitzgerald's own lives, The Beautiful and Damned is a tragic examination of the pitfalls of greed and materialism and the transience of youth and beauty.
F. Scott Fitzgerald was born in 1896 in St Paul, Minnesota, and went to Princeton University which he left in 1917 to join the army. Fitzgerald was said to have epitomised the Jazz Age, an age inhabited by a generation he defined as ‘grown up to find all Gods dead, all wars fought, all faiths in man shaken’.
In 1920 he married Zelda Sayre. Their destructive relationship and her subsequent mental breakdowns became a major influence on his writing. Among his publications were five novels, This Side of Paradise, The Great Gatsby, The Beautiful and Damned, Tender is the Night and The Love of the Last Tycoon (his last and unfinished work): six volumes of short stories and The Crack-Up, a selection of autobiographical pieces.
Fitzgerald died suddenly in 1940. After his death The New York Times said of him that ‘He was better than he knew, for in fact and in the literary sense he invented a “generation” … he might have interpreted them and even guided them, as in their middle years they saw a different and nobler freedom threatened with destruction.’
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