"Voiced by a forty-year-old architect, this vignette of modern life presents a witty window into dysfunctional family dynamics and the pressure on women to have children."
Short and brilliantly bittersweet, Marie Aubert’s Grown Ups packs plenty of existential trials into its 160 pages. Honest, entertaining, and poignant with it, Grown Ups shows how many of us never quite grow up through its nuanced, droll portrayal of family dynamics.
Single architect Ida isn’t terribly keen on children - “other people’s children, always, everywhere” - but, at forty, as her family gather at their country cabin to celebrate her mother’s 65th birthday, she’s considering freezing her eggs for the future. Sibling tension and rivalry is succinctly and potently evoked from the outset, delivered through Ida’s engaging first-person narrative that often drifts into introspective monologues. Her younger sister Marthe is insecure, desperate to conceive, and envious of Ida. At the same time, Ida competes with Marthe (“She can’t overtake me”), sick of Tinder, and desperate for physical closeness, “to have someone come up behind me, hold me, their breath at my neck.” The cracks that come in the wake of Marthe’s big announcement widen further during their mother’s birthday meal, leaving both sisters forever changed.
| Primary Genre | Family Drama |
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