A Trail of Fire Synopsis
Four extraordinary stories featuring characters from the bestselling Outlander series.
The fiery trails of tracer bullets, as a wounded Spitfire falls from the sky.
A Jamaican plantation burns deep into the night.
A handful of heroic Highlanders fight their way straight up a vertical cliff to stand on the Plains of Abraham in a fiery dawn.
And a torch burns green, through the eerie surrounds of a Parisian cemetery, down into the mysteries of the earth.
Four Outlander tales, each set in a different time and place, and yet each one a fiery thread in the warp and weft of the epic story that began in Scotland in 1945, when Claire Randall first touched a boulder in an ancient stone circle and was hurled back in time...
About This Edition
| ISBN: |
9781409103806 |
| Publication date: |
29th August 2013 |
| Author: |
Diana Gabaldon |
| Publisher: |
Orion Books an imprint of Orion |
| Format: |
Paperback |
| Pagination: |
416 pages |
| Primary Genre |
Historical Fiction
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| Other Genres: |
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About Diana Gabaldon
Diana Gabaldon is the internationally bestselling author of many historical novels including CROSS STITCH, DRAGONFLY IN AMBER, VOYAGER, DRUMS OF AUTUMN, THE FIERY CROSS and A BREATH OF SNOW AND ASHES. She lives with her family in Scottsdale, Arizona.
Photo © Nancy Castaldo
Diana Gabaldon on her influences...
I know writers of novels who say they don't read fiction at all while working on a book, out of fear of "being influenced" by what they read. I am struck by horror at the thought of going years without being able to read fiction (though perhaps these people write faster than I do, and take long vacations between books?)—but more struck by the sheer silliness of this.
Everything writers see, think, and experience influences their work. How could it not? Now, it's true that people do ask writers, "Where do you get your ideas?" and that writers--out of facetiousness or desperation--give answers like, "From the Sears catalog" (or "From Ideas.com," depending on the writer's vintage). But the truth is that writers get ideas from every damn thing they see, hear, smell, touch, taste, think, feel, or do—including the books they read.
Naturally, one wants to develop a unique voice, but do kids learn to talk without ever being talked to? You have an individual voice, by virtue of being an individual. And your individuality is composed of your essential God-given spark of personality and of the sum total of the things you encounter in life. Now, whether each encounter is a bruising collision or a fruitful act of love…who knows? But all of it is grist to a writer's mill; so much should be obvious, if one reads at all widely.
Personally, I learned to read at the age of three, and have read non-stop ever since. I'll be 58 next week; you can read a lot of books in fifty-five years. I'm sure that every single book I've ever read has had some influence on me as a writer, whether negative (I've read a lot of books with the mounting conviction that I would never in my life do something like that) or positive.
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