10% off all books and free delivery over £40
Buy from our bookstore and 25% of the cover price will be given to a school of your choice to buy more books. *15% of eBooks.

Brazilian Cinema and the Aesthetics of Ruins

View All Editions

The selected edition of this book is not available to buy right now.
Add To Wishlist
Write A Review

About

Brazilian Cinema and the Aesthetics of Ruins Synopsis

Winner of the British Association of Film, Television and Screen Studies (BAFTSS) 2023 Award for Best First Monograph.

Winner of the Association of Moving Image Researchers (AIM) 2022 Award for Best Monograph.


Guilherme Carréra's compelling book examines imagery of ruins in contemporary Brazilian cinema and considers these representations in the context of Brazilian society. Carréra analyses three groups of unconventional documentaries focused on distinct geographies: Brasìlia - The Age of Stone (2013) and White Out, Black In (2014); Rio de Janeiro - ExPerimetral (2016), The Harbour (2013), Tropical Curse (2016) and HU Enigma (2011); and indigenous territories - Corumbiara: They Shoot Indians, Don't They? (2009), Tava, The House of Stone (2012), Two Villages, One Path (2008) and Guarani Exile (2011). In portraying ruinscapes in different ways, these powerful films articulate critiques of the notions of progress and (under) development in the Brazilian nation.
Carréra invites the reader to walk amid the debris and reflect upon the strategies of spatial representation employed by the filmmakers. He addresses this body of films in relation to the legacies of Cinema Novo, Tropicália and Cinema Marginal, asking how these presentday films dialogue with or depart from previous traditions. Through this dialogue, he argues, the selected films challenge not only documentary-making conventions but also the country's official narrative.

About This Edition

ISBN: 9781350496194
Publication date: 27th June 2024
Author: Guilherme Carréra
Publisher: Bloomsbury Academic an imprint of Bloomsbury Publishing (UK)
Format: Paperback
Pagination: 346 pages
Series: World Cinema
Genres: Films, cinema
Film history, theory or criticism
Documentary films
Ethnic studies