The first decade of the Jacobean age witnessed a sudden profusion of comedies satirizing city life; among these were comedies by Ben Jonson, John Marston and Thomas Middleton, as well as the bulk of the repertory of the newly-established children's companies at Blackfriars and Paul's. The playwrights self-consciously forged a new genre which attracted London audiences with its images of folly and vice in Court and City, and hack-writing dramatists were prompt to cash in on a new theatrical fashion.
This study, first published in 1980, examines ways in which the Jacobean city comedy reflect on the self-consciousness of audiences and the concern of the dramatists with Jacobean society. This title will be of interest of students of Renaissance Drama, English Literature and Performance.
ISBN: | 9781138279957 |
Publication date: | 23rd March 2017 |
Author: | Brian Gibbons |
Publisher: | Routledge an imprint of Taylor & Francis |
Format: | Hardback |
Pagination: | 196 pages |
Series: | Routledge Library Editions. Renaissance Drama |
Genres: |
The arts: general topics Theatre studies Literary studies: plays and playwrights |