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Institutional Patronage in Post-Tridentine Rome

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Institutional Patronage in Post-Tridentine Rome Synopsis

The archconfraternity of SS. Trinità was one of the less well-known institutions for musical patronage in sixteenth-century Rome. Yet in focusing on its activities in the period 1550-1650, this book sheds light on networks of urban patronage that were equally important in commissioning the sacred music of the period as the Cappella Pontificia and the Cappella Giulia at St Peter's. Not only did SS. Trinità provide Palestrina with his only known major involvement in sacred music outside the Cappella Giulia after 1571 it also employed at some time or another every major composer active in the city. Noel O'Regan discusses the importance of SS. Trinità in the sphere of Roman sacred music during this period and the ways in which this music was affected by social and religious factors in the play for power and prestige in post-tridentine Rome.

About This Edition

ISBN: 9780947854065
Publication date: 28th November 1995
Author: Noel ORegan
Publisher: Ashgate Publishing Limited an imprint of Taylor & Francis Ltd
Format: Hardback
Pagination: 128 pages
Series: Royal Musical Association Monographs
Genres: The arts: general topics
Literature: history and criticism
Language teaching and learning
Language: reference and general
Art music, orchestral and formal music