In The Mourning Voice, Nicole Loraux presents a radical challenge to what has become the dominant view of tragedy in recent years: that tragedy is primarily a civic phenomenon, infused with Athenian political ideology, which envisions its spectators first and foremost as citizens, members of the political collective. Instead, Loraux maintains, the spectator addressed by tragedy is the individual defined primarily in terms of his or her humanity, rather than in terms of affiliation with a political group. The plays, she says, involve the spectators in the emotional expressiveness of tragic suffering, thereby creating a theatrical identity. Aroused by the experience of suffering, the audience is reminded that it is witnessing a theatrical representation of the instability of the human condition-a state that Loraux asserts tragedy is uniquely suited to convey.
| ISBN: | 9780801438301 |
| Publication date: | 15th May 2002 |
| Author: | Nicole Loraux |
| Publisher: | Cornell University Press |
| Format: | Hardback |
| Pagination: | 127 pages |
| Series: | Cornell Studies in Classical Philology |
| Genres: |
Gender studies: women and girls Literary studies: ancient, classical and medieval Classic and pre-20th century plays Ancient, classical and medieval texts |