Seven years after the day of the bombs, Point Reyes was luckier than most places. Its people were reasonably normal -- except for the girl with her twin brother growing inside her, and talking to her. Their barter economy was working. Their resident genius could fix almost anything that broke down. But they didn't know they were harbouring the one man who almost everyone left alive wanted killed . . .
Philip K. Dick (1928-1982) was born in Chicago but lived in California for most of his life. His edgy, dark future visions are even more relevant now. His novels have inspired many other writers and been used as the basis for films such as the classic Blade Runner the blockbuster Minority Report and the indie 'cartoon' A Scanner Darkly.
Since his untimely death at age 53, there has been an extraordinary growth of interest in his writings, which during his lifetime were largely ignored by serious mainstream critics and readers. Such is no longer the case, and the novels of Philip K. Dick frequently appear on university curricula devoted to modern American literature.
From age fifteen to his early twenties, Dick was employed in two Berkeley shops, University Radio and Art Music, owned by Herb Hollis, a salt-of-the-earth American small businessman who became a kind of father-figure for Dick and served as an inspiration for a number of his later fictional characters, most notably Leo Bulero in The Three Stigmata of Palmer Eldritch. In the early 1950s, with the helpful mentorship of SF editor and Berkeley resident Anthony Boucher, Dick began to publish stories in the SF pulps of the era at an astonishing rate - seven of his stories appeared in June 1953 alone. He soon gave up his employment in the Hollis shops to pursue the economically insecure career of an SF writer.
