This 1992 book analyses the relation between an emergent modern subjectivity in seventeenth-century French literature, particularly in dramatic works, and the contemporaneous evolution of the absolutist state. It shows how major writers of the Classical period (Corneille, Racine, Moliere, Lafayette) elaborate a new subject in and through their representations of the family, and argues that the family serves as the mediating locus of a patriarchal ideology of sexual and political containment. Most importantly, it asks why the theatre became the privileged form of representation in this state, and why this theatre concentrates almost exclusively on family conflict. Professor Greenberg argues that the narrative of oedipal sexuality and subjugation central to this new literary canon reflected the conflicting social, political and economic forces that were shifting European society away from the universe of the Renaissance and guiding it towards the 'transparency' of Classical representation.
ISBN: | 9780521412933 |
Publication date: | 25th September 1992 |
Author: | Mitchell Goldwin Smith Professor of Romance Studies, Miami University Greenberg |
Publisher: | Cambridge University Press |
Format: | Hardback |
Pagination: | 256 pages |
Series: | Cambridge Studies in French |
Genres: |
Literary studies: fiction, novelists and prose writers Literary studies: general Literary studies: plays and playwrights |