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A retelling of a classic story featuring the heroic deeds of King Arthur and the knights of the round table. This edition of The Time Machine is one of a range of marvellous comic books created in the '50s and '60s now with artwork re-coloured and covers digitally enhanced for a new generation. Perfect bound at a terrifically good value price.
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We're delighted to re-introduce these marvellous comic books to new generations of readers who will surely enjoy them as fantastic tales of adventure and excitement but will also improve their reading skills as a result and be inspired to read the complete versions of many of these fine works. I sincerely hope that you enjoy these superb adaptations and are similarly inspired as I was, nearly 50 years ago - Jeff Brooks, CEO, Classic Comic Store Ltd
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The Time Machine Synopsis
Intrigued by the possibilities of time travel as a student and inspired as a journalist by the great scientific advances of the Victorian Age, Wells drew on his own scientific publications—on evolution, degeneration, species extinction, geologic time, and biology—in writing The Time Machine. This Norton Critical Edition is based on the first London edition of the novel. It is accompanied by detailed explanatory annotations and “A Note on the Text.” “Backgrounds and Contexts” is organized thematically into four sections: “The Evolution of The Time Machine” presents alternative versions and installments and excerpts of the author’s time-travel story; “Wells’s Scientific Journalism (1891–94)” focuses on the scientific topics central to the novel; “Wells on The Time Machine” reprints the prefaces to the 1924, 1931, and 1934 editions; and “Scientific and Social Contexts” collects five widely read texts by the Victorian scientists and social critics Edwin Ray Lankester, Thomas Henry Huxley, Benjamin Kidd, William Thomson (Lord Kelvin), and Balfour Stewart and Peter Guthrie Tait. “Criticism” includes three important early reviews of The Time Machine from the Spectator, the Daily Chronicle, and Pall Mall Magazine as well as eight critical essays that reflect our changing emphases in reading and appreciating this futuristic novel. Contributors include Yevgeny Zamyatin, Bernard Bergonzi, Kathryn Hume, Elaine Showalter, John Huntington, Paul A. Cantor and Peter Hufnagel, Colin Manlove, and Roger Luckhurst. A Chronology and Selected Bibliography are also included.
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