LoveReading Says
January 2010 Good Housekeeping selection.
On My Bookshelf by Wendy Holden...
Anna Karenina by Leo Tolstoy is the best in its class – I am a novelist, but for my money the writers of the19th century set the bar for the whole genre. The reason I love it isn’t so much the tragic Anna with ghastly Vronsky, but because of Princess Kitty and Levin. He’s cracked and she’s a bit cosy, but their love affair is just so transportingly romantic. The description of when they meet at the frozen pond, where she is skating and he can’t even look at her because he feels it would be like looking at the sun, gets me every time. It’s because of these two lovers that I’ve never understood the fuss about Jane Austen’s Elizabeth and Mr Darcy.
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Anna Karenina Synopsis
Publication of this exacting new translation of Tolstoy's great Anna signifies a literary event of the first magnitude
Tolstoy produced many drafts of Anna Karenina. Crafting and recrafting each sentence, he was anything but casual in his use of language. His project, translator Marian Schwartz observes, "was to bend language to his will, as an instrument of his aesthetic and moral convictions." In her magnificent new translation, Schwartz embraces Tolstoy's unusual style-she is the first English language translator ever to do so. Previous translations have departed from Tolstoy's original, "correcting" supposed mistakes and infelicities. But Schwartz uses repetition where Tolstoy does, wields a judicious cliché when he does, and strips down descriptive passages as he does, re-creating his style in English with imagination and skill.
Tolstoy's romantic Anna, long-suffering Karenin, dashing Vronsky, and dozens of their family members, friends, and neighbors are among the most vivid characters in world literature. In the thought-provoking Introduction to this volume, Gary Saul Morson provides unusual insights into these characters, exploring what they reveal about Tolstoy's radical conclusions on romantic love, intellectual dishonesty, the nature of happiness, the course of true evil, and more. For readers at every stage-from students first encountering Anna to literary professionals revisiting the novel-this volume will stand as the English reader's clear first choice.
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