Lord John and the Private Matter Synopsis
'Gripping' OK! The year is 1757. On a bright June day, Lord John Grey emerges from his club, his mind in turmoil. A nobleman and a high-ranking officer in His Majesty's Army, Grey has just witnessed something shocking. But his efforts to avoid a scandal that might destroy his family are interrupted by something still more urgent: the Crown appoints him to investigate the brutal murder of a comrade-in-arms, who might well have been a traitor. Obliged to pursue two inquiries at once, Major Grey finds himself ensnared in a web of treachery and betrayal that touches every level of society - and threatens all he holds dear. From the bawdy-houses of London's night world to the drawing rooms of the nobility, from the blood of a murdered corpse to the thundering seas of the East India Company, Lord John follows the elusive trail of the woman in green who may hold the key to everything - or to nothing at all…
About This Edition
| ISBN: |
9780099461173 |
| Publication date: |
7th October 2004 |
| Author: |
Diana Gabaldon |
| Publisher: |
Arrow / Random House |
| Format: |
Paperback |
| Pagination: |
475 pages |
| Series: |
Lord John Grey |
| Primary Genre |
Historical Fiction
|
| Other Genres: |
|
| Recommendations: |
|
About Diana Gabaldon
Diana Gabaldon is the internationally bestselling author of many historical novels including CROSS STITCH, DRAGONFLY IN AMBER, VOYAGER, DRUMS OF AUTUMN, THE FIERY CROSS and A BREATH OF SNOW AND ASHES. She lives with her family in Scottsdale, Arizona.
Photo © Nancy Castaldo
Diana Gabaldon on her influences...
I know writers of novels who say they don't read fiction at all while working on a book, out of fear of "being influenced" by what they read. I am struck by horror at the thought of going years without being able to read fiction (though perhaps these people write faster than I do, and take long vacations between books?)—but more struck by the sheer silliness of this.
Everything writers see, think, and experience influences their work. How could it not? Now, it's true that people do ask writers, "Where do you get your ideas?" and that writers--out of facetiousness or desperation--give answers like, "From the Sears catalog" (or "From Ideas.com," depending on the writer's vintage). But the truth is that writers get ideas from every damn thing they see, hear, smell, touch, taste, think, feel, or do—including the books they read.
Naturally, one wants to develop a unique voice, but do kids learn to talk without ever being talked to? You have an individual voice, by virtue of being an individual. And your individuality is composed of your essential God-given spark of personality and of the sum total of the things you encounter in life. Now, whether each encounter is a bruising collision or a fruitful act of love…who knows? But all of it is grist to a writer's mill; so much should be obvious, if one reads at all widely.
Personally, I learned to read at the age of three, and have read non-stop ever since. I'll be 58 next week; you can read a lot of books in fifty-five years. I'm sure that every single book I've ever read has had some influence on me as a writer, whether negative (I've read a lot of books with the mounting conviction that I would never in my life do something like that) or positive.
More About Diana Gabaldon
