Zero History Synopsis
Former hit singer Hollis is down on her luck after the Crash and can't turn down the offer of a job again from mysterious global ad agency, Blue Ant. Stanley Milgrim, ex-addict freshly out of an expensive rehab paid for by Blue Ant-founder Hubertus Bigend, is also on the payroll. Bigend wants them to do some discreet research on an a secret, obscurely fashionable denim. It may not matter that they know nothing about fashion - but it does matter, at least to them, when bullets start to fly and they realize that Bigend's business obsession is leading them down a dangerous path.
About This Edition
| ISBN: |
9780670919550 |
| Publication date: |
28th July 2011 |
| Author: |
William Gibson |
| Publisher: |
Viking an imprint of Penguin Books Ltd |
| Format: |
Paperback |
| Pagination: |
404 pages |
| Series: |
Blue Ant |
| Primary Genre |
Thriller and Suspense
|
| Recommendations: |
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About William Gibson
William Gibson was born in the United States in 1948. In 1972 he moved to Vancouver, Canada, after four years spent in Toronto. He is married with two children.
William Gibson's first novel Neuromancer sold more than six million copies worldwide. Count Zero and Mona Lisa Overdrive completed his first trilogy. He has since written six further novels, moving gradually away from science fiction and futuristic work, instead writing about the strange contemporary world we inhabit. His most recent novels include Pattern Recognition, Spook Country and Zero History, his non-fiction collection, Distrust That Particular Flavor, compiles assorted writings and journalism from across his career.
Author photo © Michael O'Shea
Maxim Jakubowski's view on NEUROMANCER...
Nearly a quarter of a century after its initial appearance, Gibson’s groundbreaking cyberpunk debut has lost none of its modernity and fascination. Extrapolating the world of the internet and video games culture, an unforgettable vision of a future where data, sprawling cities, artificial intelligences and multi corporations fight an invisible war, as seen through the buccaneering computer jockeys who surf its interfaces.
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