The genre-bending and masterful new collection of ghost stories from Jeanette Winterson A ghost has no substance, but it has power - and presence - and it can appear in alternative forms. In the metaverse, we are all alternative forms. The Dead will join us. 'Always passionate and provocative' NEW STATESMAN 'The best living writer in this language' EVENING STANDARD Our lives are digital, exposed and always-on. We track our friends and family wherever they go. We have millennia of knowledge at our fingertips. We know everything about our world. But we know nothing about theirs. We have changed, but our ghosts have not. They've simply adapted and innovated, found new channels to reach us. They inhabit our apps and wander the metaverse just as they haunt our homes and our memories, always seeking new ways to connect. To live amongst us. To remind us. To tempt us. To take their revenge. These stories are not ours to tell. They are the stories of the dead - of those we've lost, loved, forgotten... and feared. Some are fiction. But some may not be.
Many consider her to be the best living writer in this language - Evening Standard
Winterson is always passionate and provocative - New Statesman
A fascinating and engrossing look at AI, science, gender fluidity and, ultimately, what it really means to be human -- Nicola Sturgeon Packed with charm and beautifully illustrated, it's a book that will solve your gift dilemmas and let you escape the less salubrious aspects of Christmas for a literary wonderland - Stylist, praise for CHRISTMAS DAYS
Thought provoking and necessary - Guardian, praise for 12 BYTES
Spine-chillingly good - i
Author
About Jeanette Winterson
Jeanette Winterson OBE is the author of ten novels, including Oranges are not the Only Fruit, The Passion and Sexing the Cherry; a book of short stories, The World and Other Places; a collection of essays, Art Objects as well as many other works, including children's books, screenplays and journalism. Her writing has won the Whitbread Award for Best First Novel, the John Llewellyn Rhys Memorial Prize, the E. M. Forster Award and the Prix d'argent at Cannes Film Festival.
