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The God of Good Looks

"Revenge, romance, identity, repairing father-daughter bonds, and channelling make-up to highlight socio-political wrongs — this Trinidad-set page-turner is an ingenious dazzler."

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LoveReading Says

LoveReading Says

Radiant with superb characterisation, pertinent issues around sexist double standards and political corruption, themes of identity, and a brilliant evocation of Trinidad’s Port of Spain, I relished Breanne Mc Ivor’s The God of Good Looks from start to finish.

Bianca Bridge is the kind of character you don’t forget. With a degree from a UK university, her intention to become a writer back in her Trinidad homeland is thwarted when she loses her job as a result of having an affair with a powerful married government minister. Smart, brave, beautiful and talented, she’s secured new work as a model, while writing a novel that will show “the REAL ME. The Bianca who still exists behind the girl in the modelling photos”. Bianca’s novel will also tell the world how much she loves her deceased mother.

Though her name is mud thanks to uncompromising photos of her and the minister, Bianca gets a new job working for Obadiah, the self-styled God of Good Looks, whose make-up empire is on the rise. After a fractious start, Bianca is given greater freedom to add her razor-sharp commentary and creative eye to the company magazine.

When the cloud of the affair continues to rain on her parade, Bianca finds a way back to her father, a wealthy, influential businessman, as Obadiah becomes increasingly drawn to her immense talents, and more.

With a brilliantly crafted dual narrative, and an act of revenge and reclamation rising to a thrilling crescendo, The God of Good Looks unveils the masks we hide behind, the masks we can choose to use, and the person behind them all.

Joanne Owen

Star Books

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Primary Genre Modern and Contemporary Fiction
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