Lauren Aimee Curtis Press Reviews
'Dolores is a glowing, beating heart of a book; Curtis' sentences manage to be both mysterious and precise, creating a potent atmosphere that resonates beyond its brevity' -- Megan Hunter, author of THE END WE START FROM
'Dolores reads the way a first novel should: short, lyrical, intense, and with adventurous ambition' -- Nell Zink, author of THE WALLCREEPER and MISLAID
'Rich, melodic and marked by a troubling sensuality, Dolores depicts the strange pleasures a young girl might take in her body, and the perils and liberations such pleasures hold -- Sue Rainsford, author of FOLLOW ME TO GROUND A succinct, intense story ... this atmospheric debut is a deliciously satisfying read about a girl at a critical juncture in her life' - BookRiot
'Dolores is propulsive, atmospheric, wonderfully peculiar, a little dark. A dreamy hallucination' -- Amina Cain, author of INDELICACY
'Precise, intense and aching, Dolores moves seamlessly between sensuality and realism. I read it in a couple of fevered hours and lived in its heady atmosphere for days afterwards. Short and mysterious, Dolores is a compelling, one-sitting read ... Curtis writes the close-up details of life in the convent with as much intensity as the burgeoning sexuality of a young girl, and the two elements chime in a strange harmony' - Observer
'Blurring the borders past and present, sex and religion, desire and shame, Lauren Aimee Curtis's debut novel Dolores is a short and potent story of a young woman in trouble' - Irish Times
'This skilfully written and disquieting novella takes a character from contemporary life, gives her a classic female problem, and places her in an almost timeless setting, and the result is a hypnotic and powerfully affecting read' - Sydney Morning Herald, 'Pick of the Week
About Lauren Aimee Curtis
Lauren Aimee Curtis was born in Sydney. Her first book, Dolores, was shortlisted for the Readings Prize, the UTS Glenda Adams Award for New Writing, and was selected as a New Statesman Book of the Year. She has written for Granta, The White Review and Sydney Review of Books, among other publications.
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