The Museum Makers

LoveReading Says

In The Museum Makers Rachel Morris, director of museum company Metaphor, plots an enthralling personal and professional journey from finding a box of family belongings beneath her bed, to the beating heart of Bloomsbury’s bohemian circles in the nineteenth and twentieth centuries. This journey is underpinned by the very essence of what museums are and do: “Museum-making is about sorting often quite ordinary objects to make meaningful patterns out of the muddle and confusion of the universe; thoughtful, beautiful patterns that have something to say. Museums are where we go to make sense of the world and the pasts that have gone. And what we do in museums we also do with our own histories.” Which is exactly what Morris does when she digs into the contents of the box and is led to discover secrets about her father, Gran, and great-grandmother Nona, which she curates into her Museum of Me.

Illuminated by the power of objects to stir memories, and to make sense of oneself, the journey also delves into women’s involvement with, and relationship to, museums: “Museums have a special appeal for women whether as places to work in or as places to visit.” While men may have curated early museums (as an extension of their curation of the world), women were key collectors, donors and fundraisers from those nascent days.

At once an absorbing history of museums, and a profoundly personal memoir of detection and discovery, this has all the delightful universal appeal of a cabinet of curiosity.

Joanne Owen

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