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Audiobooks Narrated by Vanessa Benjamin
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Ancient papyrus scrolls recovered among the charred ruins of the Library of Alexandria reveal astonishing texts that detail the wonders of Atlantis-knowledge that could shatter the blueprint of world energy. Archaeologist Annja Creed confronts shadow figures determined to preserve empires built on power, greed and global manipulation, finding unlikely allies in a mysterious American with connections in high places, and a young linguistics prodigy with attitude. Dodging a petroleum conglomerate and their pet killers on a high-speed chase that leads from Egypt to the North Sea oil fields to the urban battlegrounds of China, Annja becomes an unwilling conspirator in a bid for power to control the beating heart of the world's energy.
One of Marion Chesney's best Regencies features a young woman betrothed at the tender age of ten to the gentleman that had kidnapped her.
Lady Lucinda Esmond's swine of a father, the Earl of Sotheran, was forever fleecing young bucks in London's gaming halls with impunity-until he cheats Captain Mark Chamfrey, who kidnaps ten-year-old Lucinda for ransom.
But when Chamfrey has a change of heart and returns the girl, Earl Esmond nonetheless exacts his own price: Chamfrey can only redeem himself and save his skin by marrying his little victim nine years hence.
Lucinda's father could not have foreseen what a beauty Lucinda would become, nor that Chamfrey, a newly made Marquess, would find that what was supposed to be his punishment turns out be exactly what he desires!
A lovely widow plans to marry a French count in this historical romance by bestselling author Marion Chesney
It was true. The lovely young widow Lady Charteris-Delphine to her friends-had agreed to abide by her parents' wishes and marry the Comte Saint-Pierre. Delphine's parents had long since died in the Terror, but when she learned of their wishes for her, she believed it her duty to respect their wishes. Delphine would marry, but it would be a marriage in name only.
But when Delphine saw Jules Saint-Pierre, she got the shock of her life: he was the same man she had seen juggling in the streets at a local fair. What was he doing as the Comte Saint-Pierre? Was he posing? Had she made some terrible mistake?
A lovely widow plans to marry French count in this historical romance by bestselling author Marion Chesney
It was true. The lovely young widow Lady Charteris—Delphine to her friends—had agreed to abide by her parents’ wishes and marry the Comte Saint-Pierre. Delphine’s parents had long since died in the Terror, but when she learned of their wishes for her, she believed it her duty to respect their wishes. Delphine would marry, but it would be a marriage in name only.
But when Delphine saw Jules Saint-Pierre, she got the shock of her life: he was the same man she had seen juggling in the streets at a local fair. What was he doing as the Comte Saint-Pierre? Was he posing? Had she made some terrible mistake?
Lady Lucinda Esmond’s swine of a father, the Earl of Sotheran, was forever fleecing young bucks in London’s gaming halls with impunity—until he cheats Captain Mark Chamfrey, who kidnaps ten-year-old Lucinda for ransom.
But when Chamfrey has a change of heart and returns the girl, Earl Esmond nonetheless exacts his own price: Chamfrey can only redeem himself and save his skin by marrying his little victim nine years hence.
Lucinda’s father could not have foreseen what a beauty Lucinda would become, nor that Chamfrey, a newly made Marquess, would find that what was supposed to be his punishment turns out be exactly what he desires!
“Nobody writes Jane Austen like Marion Chesney…[She] gets it right every time.”—Detroit Free Press, praise for the author
At age twenty-three, the petite Lady Margery has already graced the rows of wallflowers for many a season. With the one exception of Charles, the Marquess of Edgecombe and the only man who ever dances with her, Lady Margery will have nothing to do with men; what’s more, she does not even particularly like Charles.
Bored beyond words, she firmly decides this is the end of it all and returns to the comfort of her only love, her home at Chelmswood. But she does not find comfort even there. It seems her middle-aged father has taken for himself a dim-witted brat of nineteen to be his bride.
Forced into bankruptcy by his child-bride’s lust for luxury, Margery’s father determines to sell Chelmswood. But Margery will not hear of it and launches an all-out, military-like campaign to ensnare herself a wealthy husband and save her ancestral home. Everything seems to be going according to plan until the unforeseen intervention of Charles sabotages Margery’s plan, giving them both a run for their money.
Waverley women pursue their aspirations no matter what the obstacle. They may marry if the cause seems to suit the purpose, or they may flirt until their heart is content—or, perhaps, until the gentleman who has proven to be the most elusive of all is clearly within reach. No matter what the obstacle, none is too big for a Waverley woman. These are books of dreams, lessons, fanciful thoughts, and, most of all, tales of girls grown now to women who won’t settle for anything less than their full dream, impossible as it may seem at the outset.
By day Felicity champions women’s rights, vowing to stay unmarried and true to the cause, but by night she dreams of romance. She is the secret author of a scandalous new novel—the tale of a lady “rake” and her passionate exploits. One titled gentleman has learned her identity and is growing more and more intrigued with this headstrong young woman. With the handsome marquis spurring her on, Felicity will soon learn that real life can be infinitely more interesting—and stranger—than fiction.
Though Frederica chafed at the restricted life she lived as the adopted daughter of an infamous bluestocking, she did agree with the philosophy. Until men learned to appreciate intellectual equals, Frederica was better off without them. But her sister’s elopement has sparked fires of romance in Frederica’s well-educated head, making her ripe for the considerable charms of Lord Harry Danger, who has saved her from a pack of drunken thugs. Now if he would only treat her as an equal and stop the silly flirting.
His kiss left her flushed and disconcerted—perhaps men were best avoided after all…
The Earl of Tredair has had his fill of balls, routs, and silly misses, and he despairs of finding someone extraordinary—that is, until he meets Miss Fanny Waverley.
Most unique and intriguing, Fanny and her two sisters are the adopted daughters of the reclusive bluestocking Madame Waverley. They have been raised as her disciples to spread the word of women’s rights and to encourage poor oppressed females to stand up against the iniquities of the male sex.
The beautiful and farouche Miss Fanny, however, finds it quite difficult to think of all men as cruel and lustful beasts—how can she when she finds herself longing to kiss one of the most hated of his breed?
The success of The House at Tyneford made it clear that readers adore Natasha Solomons. In The Gallery of Vanished Husbands, Solomons once again returns to an earlier era, this time to tell the story of one woman’s incredible life through the many portraits she inspired.
London, 1958. It’s the eve of the sexual revolution, but in Juliet Montague’s conservative Jewish community where only men can divorce women, she finds herself a living widow, invisible. Ever since her husband disappeared seven years ago, Juliet has been a hardworking single mother of two and unnaturally practical. But on her thirtieth birthday, that’s all about to change. A wealthy young artist asks to paint her portrait, and Juliet, moved by the powerful desire to be seen, enters into the burgeoning art world of 1960s London, which will bring her fame, fortune, and a lifelong love affair.
“Reads like a quiet domestic mystery and a romantic drama rolled into one…Absorbing and exciting.”—RT Book Reviews
Alternating between nineteenth century Europe and present-day New England, the narrative follows the great British painter J. M. W. Turner and his scene of artists, intellectuals, and lovers; and Henry, a middle-aged family man whose otherwise mundane existence is disrupted by the discovery of The Center of the World, Turner’s controversial painting of Helen of Troy that had been thought to be lost forever.
This transcendently beautiful painting was so erotic that it was hidden away and supposedly destroyed … until Henry happens to stumble upon it while vacationing at his summer home in the Adirondacks. Now in possession of an object of unimaginable value, Henry finds himself torn between wanting to sell the work and keeping something of beauty in his life. Returning to the nineteenth century, the reader follows the creation of the painting and learns more about Turner’s beliefs, technique, manner, and indecorous affairs. Filled with sex, beauty, and love (of all kinds), this novel explores the ever-evolving role of art in our lives.
“With the painting’s journey, newcomer Van Essen demonstrates a flair for dialogue and an appreciation for how art moves the human heart.”—Publishers Weekly
Althea Farraday, a thirty-eight-year-old divorced mother of three, has a teenage son who’s a Buddhist, a hypercritical sister who knows how to push all her buttons, a job on the endangered species list, and a love life to match. Just as she’s settling in to a comfortable level of chaos, a near-perfect man enters her life. Equipped to steal her heart and help turn her passion for designing gardens into a new career, Patrick Donahugh may be too good to be true. Amid wild roses, California poppies, scarlet flax, sweet rocket, love-in-a-mist, and of course, plenty of dirt, Wild Designs is a refreshingly honest and funny read that celebrates the almost-ready-to-bloom aspect of all of our lives.
“Vanessa Benjamin is a wonderful narrator; her Althea is a struggling working mom with a grand sense of humor. Benjamin’s interpretation of Patrick Donahugh cleverly portrays a witty gentleman desperately trying to win Althea’s heart. Overall, Benjamin presents a full cast of British characters with forethought and color.”—AudioFile
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