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This collection contains eight of Shakespeare’s best loved comedies. Each exhibits the vigour, humour, and optimism of the young master before he turned to the gloom and bitterness of the great tragedies. Contents A Midsummer Night’s Dream All’s Well That Ends Well Twelfth Night Much Ado About Nothing The Comedy of Errors As You Like It Measure for Measure The Merchant of Venice Featuring the voices of:Aisling Gray, Alan Weyman, Alexandra Lee Smith, Blaise Doran, Cate Barratt, Catherine Bilson, Claudia Anglade, Dara Brown, David Shears, Denis Daly, Emma Faye, Gary D. MacFadden, Graham Scott, John Burlinson, Josh Innerst, Kendra Murray, Laura Richcreek, Lillian Rachel, Linda Barrans, Mark Crowle-Groves, Marty Krz, PJ Morgan, Roberta Jackson, Ron Altman, Simon Paxton, Susan Iannucci, Tom Saer, and Trisha Rose. Texts kindly provided by playshakespeare.com Songs created and arranged by Alan Weyman and Marty Krz Audio edited by Denis Daly
William Shakespeare (Author), Aisling Gray, Alan Weyman, Alexandra Lee Smith, Blaise Doran, Cate Barratt, Catherine Bilson, Claudia Anglade, Dara Brown, David Shears, Denis Daly, Emma Faye, Gary MacFadden, Graham Scott, John Burlinson, Josh Innerst, Kendra Murray, Laura E. Richcreek, Lillian Rachel, Linda Barrans, Mark Crowle-Groves, Marty Krz, PJ Morgan, Roberta Jackson, Ron Altman, Simon Paxton, Susan Iannucci, Tom Saer, Trisha Rose, a full cast (Narrator)
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[Italian] - Genesis - Douay-Rheims Bible
The Torah starts with God creating the world, then describes the beginnings of the people of Israel, their descent into Egypt, and the giving of the Torah at Mount Sinai. It ends with the death of Moses, just before the people of Israel cross to the promised land of Canaan. Interspersed in the narrative are the specific teachings (religious obligations and civil laws) given explicitly (i.e. Ten Commandments) or implicitly embedded in the narrative (as in Exodus 12 and 13 laws of the celebration of Passover). In Hebrew, the five books of the Torah are identified by the incipits in each book;[23] and the common English names for the books are derived from the Greek Septuagint[citation needed] and reflect the essential theme of each book: - Bəreshit (בְּרֵאשִׁית, literally 'In the beginning')—Genesis, from Γένεσις (Génesis, 'Creation') - Shəmot (שְׁמוֹת, literally 'Names')—Exodus, from Ἔξοδος (Éxodos, 'Exit') - Vayikra (וַיִּקְרָא, literally 'And He called')—Leviticus, from Λευιτικόν (Leuitikón, 'Relating to the Levites') - Bəmidbar (בְּמִדְבַּר, literally 'In the desert [of]')—Numbers, from Ἀριθμοί (Arithmoí, 'Numbers') - Dəvarim (דְּבָרִים, literally 'Things' or 'Words')—Deuteronomy, from Δευτερονόμιον (Deuteronómion, 'Second-Law')
Anonymous (Author), Ron Altman (Narrator)
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Pentateuch - Douay–Rheims Bible
The Torah starts with God creating the world, then describes the beginnings of the people of Israel, their descent into Egypt, and the giving of the Torah at Mount Sinai. It ends with the death of Moses, just before the people of Israel cross to the promised land of Canaan. Interspersed in the narrative are the specific teachings (religious obligations and civil laws) given explicitly (i.e. Ten Commandments) or implicitly embedded in the narrative (as in Exodus 12 and 13 laws of the celebration of Passover). In Hebrew, the five books of the Torah are identified by the incipits in each book;[23] and the common English names for the books are derived from the Greek Septuagint[citation needed] and reflect the essential theme of each book: - Bəreshit (בְּרֵאשִׁית, literally 'In the beginning')—Genesis, from Γένεσις (Génesis, 'Creation') - Shəmot (שְׁמוֹת, literally 'Names')—Exodus, from Ἔξοδος (Éxodos, 'Exit') - Vayikra (וַיִּקְרָא, literally 'And He called')—Leviticus, from Λευιτικόν (Leuitikón, 'Relating to the Levites') - Bəmidbar (בְּמִדְבַּר, literally 'In the desert [of]')—Numbers, from Ἀριθμοί (Arithmoí, 'Numbers') - Dəvarim (דְּבָרִים, literally 'Things' or 'Words')—Deuteronomy, from Δευτερονόμιον (Deuteronómion, 'Second-Law')
Anonymous (Author), Ron Altman (Narrator)
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Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the sombre tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage. The odd man out is the sinister Don John, brother and former enemy of Don Pedro, Prince of Aragon, but recently restored to the Prince’s favour. Being of a morose and jealous temperament, Don John plots to disrupt the wedding and cause division between the lovers, with the aid of his fellow conspirators, Borachio and Conrade. However, this evil plan is thwarted by an unexpected incursion by the bumbling constables Dogberry and Verges. The young couple are finally reunited, but only after Claudio has first been led to believe that his rejected spouse, Hero, has died of shame and grief. The matching of Beatrice and Benedick, encouraged by some artful chicanery by Hero and Claudio, and marked by many witty and sardonic exchanges of repartee, serves to lighten the texture of the darker elements of the action. Featuring Emma Faye as Hero, Kendra Murray as Beatrice, Dara Brown as Claudio, Lillian Rachel as Benedick, Cate Barratt as Dogberry, and Gary Macfadden as Don John. Also featuring the voices of Catherine Bilson, Ron Altman, Alan Weyman, P J Morgan, Claudio Anglade, John Burlinson and Linda Barrans. Songs arranged by Alan Weyman Audio edited by Denis Daly Text kindly provided by playshakespeare.com
William Shakespeare (Author), A Full Cast, Alan Weyman, Cate Barratt, Catherine Bilson, Claudia Anglade, Dara Brown, Emma Faye, Gary Macfadden, John Burlinson, Kendra Murray, Lillian Rachel, Linda Barrans, Pj Morgan, Ron Altman (Narrator)
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Coriolanus by William Shakespeare - is a tragedy by William Shakespeare, believed to have been written between 1605 and 1608. The play is based on the life of the legendary Roman leader Caius Marcius Coriolanus. Shakespeare worked on it during the same years he wrote Antony and Cleopatra, making them his last two tragedies. Synopsis The play opens in Rome shortly after the expulsion of the Tarquin kings. There are riots in progress after stores of grain have been withheld from ordinary citizens. The rioters are particularly angry at Caius Marcius,[2] a brilliant Roman general whom they blame for the loss of their grain. The rioters encounter a patrician named Menenius Agrippa, as well as Caius Marcius himself. Menenius tries to calm the rioters, while Marcius is openly contemptuous, and says that the plebeians are not worthy of the grain because of their lack of military service. Two of the tribunes of Rome, Brutus and Sicinius, privately denounce Marcius. Marcius leaves Rome after news arrives that a Volscian army is in the field. The commander of the Volscian army, Tullus Aufidius, has fought Marcius on several occasions and considers him a blood enemy. The Roman army is commanded by Cominius, with Marcius as his deputy. While Cominius takes his soldiers to meet Aufidius's army, Marcius leads a rally against the Volscian city of Corioli. The siege of Corioli is initially unsuccessful, but the Romans conquer it when Marcius is able to force open the gates of the city. Even though he is exhausted from the fighting, Marcius marches quickly to join Cominius and fight the other Volscian forces. Marcius and Aufidius meet in single combat, fighting until Aufidius's own soldiers drag him away from the battle. In recognition of his great courage, Cominius gives Caius Marcius the agnomen, or 'official nickname', of Coriolanus. When they return to Rome, Coriolanus's mother Volumnia encourages her son to run for consul. Coriolanus is hesitant to do this, but he bows to his mother's wishes. He effortlessly wins the support of the Roman Senate, and seems at first to have won over the plebeians as well. However, Brutus and Sicinius scheme to defeat Coriolanus and instigate another plebeian riot in opposition to his becoming consul. Faced with this opposition, Coriolanus flies into a rage and rails against the concept of popular rule. He compares allowing plebeians to have power over the patricians to allowing 'crows to peck the eagles'. The two tribunes condemn Coriolanus as a traitor for his words and order him to be banished. Coriolanus retorts that it is he who banishes Rome from his presence.
William Shakespeare (Author), Abby Pugh, Bob Gonzalez, Chuck Williamson, John Fricker, Leonard Wilson, Martin Geeson, Patti Cunningham, Peter Makus, Ron Altman, Tricia G (Narrator)
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The Black Cat by Edgar Allan Poe is a short story by American writer Edgar Allan Poe. It was first published in the August 19, 1843, edition of The Saturday Evening Post. In the story, an unnamed narrator has a strong affection for pets until he perversely turns to abusing them. His favorite, a pet black cat, bites him one night and the narrator punishes it by cutting its eye out and then hanging it from a tree. The home burns down but one remaining wall shows a burned outline of a cat hanging from a noose. He soon finds another black cat, similar to the first except for a white mark on its chest, but he soon develops a hatred for it as well. Plot: The story is presented as a first-person narrative using an unnamed unreliable narrator. He is a condemned man at the outset of the story.[3] The narrator tells us that from an early age he has loved animals; he and his wife have many pets, including a large, beautiful black cat (as described by the narrator) named Pluto. This cat is especially fond of the narrator and vice versa. Their mutual friendship lasts for several years until the narrator becomes an alcoholic. One night, after coming home completely intoxicated, he believes the cat to be avoiding him. When he tries to seize it, the panicked cat bites the narrator, and in a fit of drunken rage he seizes the animal, pulls a pen-knife from his pocket, and deliberately gouges out the cat's eye. From that moment on, the cat flees in terror at his master's approach. At first, the narrator is remorseful and regrets his cruelty. 'But this feeling soon gave place to irritation. And then came, as if to my final and irrevocable overthrow, the spirit of perverseness.' In another fit of drunken fury, the narrator takes the cat out in the garden one morning and ties a noose around its neck, hanging it from a tree where it dies. That very night his house mysteriously catches fire, forcing the narrator, his wife and their servant to flee the premises. The next day, the narrator returns to the ruins of his home to find, imprinted on the single wall that survived the fire, the apparition of a gigantic cat with a rope around the animal's neck.
Edgar Allan Poe (Author), Ron Altman (Narrator)
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Heidi By Johanna Spyri Presented by Voices of Today First published in 1881, the subtitle of the book reads 'It was written as a book 'for children and those who love children.' Heidi as a 5 year old orphan has been handed off by her young aunt, Dete, to live with her grandfather in the Swiss Alps. The story follows her life as she falls in love with grandfather and he with her and the life of goat-herding that they share. Grandfather refuses to allow her to attend school in the small village below and quarrels ensue. Her young aunt returns to remove her from grandfather to live as a hired lady's companion to wealthy Clara, a wheelchair bound child, in Frankfurt. She is loved by Clara, but not by the other's within Clara's home where she is considered ill-mannered. Heidi becomes severely homesick and the wealthy family's doctor recommends her return to the mountains. Clara misses Heidi and comes to visit. Cast Narrator: Susan Iannucci Heidi: Trisha Rose Grandfather: Ben Stevens Brigitta: Jennifer Fournier Clara: Sarah Bacaller Also featuring the voices of Ron Altman, David Stifel, Al Gibson, Lee Ann Howlett, Joan Dukore and Susan Marlowe. Production copyright 2021 Voices of Today
Johanna Spyri (Author), Adam Skousen, Alan Gibson, Ben Stevens, David Stifel, Jennifer Fournier, Joan Dukore, Lee Ann Howlett, Ron Altman, Sarah Bacaller, Susan Iannucci, Susan Marlowe, Trisha Rose (Narrator)
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Hamlet and Macbeth are two of Shakespeare's best-known plays and contain some of the most famous speeches in world literature. These one-act versions of the plays, which were edited by J. P Crabb, the details of whose life and other works have disappeared into obscurity, retain the significant monologues and dialogues while presenting a streamlined view of the action. Featuring the voices of Alan Weyman, Amanda Friday, Anna Grace, Blythe Melin, David Shears, Denis Daly, Graham Scott, Huw Brentnall, Jeff Moon, Lance Rasmussen, PJ Morgan, Rob Goll, Ron Altman, Sarah Bacaller, Senn Annis, Sydnee Fullmer and Tyler Hyrchuk. Production copyright 2020 is held by The Online Stage
William Shakespeare (Author), Alan Weyman, Amanda Friday, Anna Grace, Blythe Melin, David Shears, Denis Daly, Graham Scott, Huw Brentnall, Jeff Moon, Lance Rasmussen, Pj Morgan, Rob Goll, Ron Altman, Sarah Bacaller, Senn Annis, Shaina Summerville, Sydnee Fullmer, Tyler Hyrchuk (Narrator)
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