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It’s no secret that authors have a love-hate relationship with Hollywood. The oft-repeated cliché that “the book was better than the movie” holds true for more reasons than the average reader will ever know. When asked about selling their book rights to Hollywood authors like to joke that they drive their manuscripts to the border of Arizona and California and toss them over the fence, driving back the way they came at breakneck speed. This is probably because Hollywood just doesn’t “get it.” Its vision for the film or TV series rarely seems to match the vision of the author. And for those rare individuals who’ve had the fortune of sitting across the desk from one of the myriad, interchangeable development execs praising the brilliance of their work while ticking off a never-ending list of notes for the rewrite, the pros of pitching their work to Hollywood rarely outweigh the cons. Stephen Jay Schwartz has sat on both sides of that desk―first as the Director of Development for film director Wolfgang Petersen, then as a screenwriter and author pitching his work to the film and television industry. He’s seen all sides of what is known in this small community as “Development Hell.” The process is both amusing and heartbreaking. Most authors whose work contains a modicum of commercial potential eventually find themselves in “the room” taking a shot at seeing their creations re-visualized by agents, producers or development executives. What they often discover is that their audience is younger and less worldly as themselves. What passes for “story notes” is often a mishmash of vaguely connected ideas intended to put the producer’s personal stamp on the project. Hollywood vs. The Author is a collection of non-fiction anecdotes by authors who’ve had the pleasure of experiencing the development room firsthand―some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and TV shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen. They underscore the insanity of every crazy thing you’ve ever heard about Hollywood. For insiders and outsiders alike, Hollywood vs. The Author delivers the goods.
Stephen Jay Schwartz (editor) (Author), Alan Jacobson, Alexandra Sokoloff, Andrew Kaplan, Diana Gould, James Brown, Joshua Corin, Lawrence Block, Lee Goldberg, Naomi Hirahara, P. J. Ochlan, Rob Roberge, Simon Mattacks, Stephen Jay Schwartz, Tess Gerritsen (Narrator)
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NEW YORK TIMES BESTSELLER From Janet Evanovich, #1 bestselling author of the Stephanie Plum novels, and Lee Goldberg, bestselling author and television writer for Monk, comes the first adventure in an electrifying new series featuring an FBI agent who always gets her man, and a fearless con artist who lives for the chase. FBI Special Agent Kate O'Hare is known for her fierce dedication and discipline on the job, chasing down the world's most wanted criminals and putting them behind bars. Her boss thinks she is tenacious and ambitious; her friends think she is tough, stubborn, and maybe even a bit obsessed. And while Kate has made quite a name for herself for the past five years the only name she's cared about is Nicolas Fox-an international crook she wants in more ways than one. Audacious, handsome, and dangerously charming, Nicolas Fox is a natural con man, notorious for running elaborate scams on very high-profile people. At first he did it for the money. Now he does it for the thrill. He knows that the FBI has been hot on his trail-particularly Kate O'Hare, who has been watching his every move. For Nick, there's no greater rush than being pursued by a beautiful woman . . . even one who aims to lock him up. But just when it seems that Nicolas Fox has been captured for good, he pulls off his greatest con of all: He convinces the FBI to offer him a job, working side by side with Special Agent Kate O'Hare. Problem is, teaming up to stop a corrupt investment banker who's hiding on a private island in Indonesia is going to test O'Hare's patience and Fox's skill. Not to mention the skills of their ragtag team made up of flamboyant actors, wanted wheelmen, and Kate's dad. High-speed chases, pirates, and Toblerone bars are all in a day's work . . . if O'Hare and Fox don't kill each other first. Praise for The Heist "The Heist is the perfect title to carry on a trip to the beach. The laugh out loud humor that readers expect from Evanovich is in full force, and Goldberg's crafty and elaborate writing is prominent. . . . Everyone will be eager for the next book in the series."-Associated Press "The action is fast-paced and the writing is first-rate, making The Heist an excellent choice for vacation reading."-Huntington News
Janet Evanovich, Lee Goldberg (Author), Lee Goldberg, Scott Brick (Narrator)
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