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What's a novelist supposed to do with contemporary culture? And what's contemporary culture sup-posed to do with novelists? In The Ecstasy of Influence, Jonathan Lethem, tangling with what he calls the "white elephant" role of the writer as public intellectual, arrives at an astonishing range of answers. A constellation of previously published pieces and new essays as provocative and idiosyncratic as any he's written, this volume sheds light on an array of topics from sex in cinema to drugs, graffiti, Bob Dylan, cyberculture, 9/11, book touring, and Marlon Brando, as well as on a shelf's worth of his literary models and contemporaries: Norman Mailer, Paula Fox, Bret Easton Ellis, James Wood, and oth-ers. And, writing about Brooklyn, his father, and his sojourn through two decades of writing, Lethem sheds an equally strong light on himself.
Jonathan Lethem (Author), Jonathan Lethem (Narrator)
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From the incomparable Jonathan Lethem, a raucous romantic farce that explores the paradoxes of love and art Lucinda Hoekke spends eight hours a day at the Complaint Line, listening to anonymous callers air their random grievances. Most of the time, the work is excruciatingly tedious. But one frequent caller, who insists on speaking only to Lucinda, captivates her with his off-color ruminations and opaque self-reflections. In blatant defiance of the rules, Lucinda and the Complainer arrange a face-to-face meeting-and fall desperately in love. Consumed by passion, Lucinda manages only to tear herself away from the Complainer to practice with the alternative band in which she plays bass. The lead singer of the band is Matthew, a confused young man who works at the zoo and has kidnapped a kangaroo to save it from ennui. Denise, the drummer, works at No Shame, a masturbation boutique. The band's talented lyricist, Bedwin, conflicted about the group's as-yet-nonexistent fame, is suffering from writer's block. Hoping to recharge the band's creative energy, Lucinda "suggests" some of the Complainer's philosophical musings to Bedwin. When Bedwin transforms them into brilliant songs, the band gets its big break, including an invitation to appear on L.A.'s premiere alternative radio show. The only problem is the Complainer. He insists on joining the band, with disastrous consequences for all. Brimming with satire and sex, You Don't Love Me Yet is a funny and affectionate send-up of the alternative band scene, the city of Los Angeles, and the entire genre of romantic comedy, but remains unmistakably the work of the inimitable Jonathan Lethem.
Jonathan Lethem (Author), Jonathan Lethem (Narrator)
Audiobook
The Disappointment Artist: Selected Unabridged Essays
In a volume he describes as "a series of covert and no-so-covert autobiographical pieces," Jonathan Lethem explores the nature of cultural obsession-in his case, with examples as diverse as western films, comic books, the music of Talking Heads and Pink Floyd, and the New York City subway. Along the way, he shows how each of these "voyages out from himself" have led him home-home to his father's life as a painter, and to the source of his beginnings as a writer. THE DISAPPOINTMENT ARTIST is a series of windows onto the collisions of art, landscape, and personal history that formed Lethem's richly imaginative, searingly honest perspective on life as a human creature in the jungle of culture at the end of the twentieth century. From a confession of the sadness of a "Star Wars nerd" to an investigation into the legacy of a would-be literary titan, Lethem illuminates the process by which a child invents himself as a writer, and as a human being, through a series of approaches to the culture around him. In "The Disappointment Artist," a letter from his aunt, a children's book author, spurs a meditation on the value of writing workshops, and the uncomfortable fraternity of writers. In "Defending The Searchers" Lethem explains how a passion for the classic John Wayne Western became occasion for a series of minor humiliations. In "Identifying with Your Parents," an excavation of childhood love for superhero comics expands to cover a whole range of nostalgia for a previous generation's cultural artifacts. And "13/1977/21," which begins by recounting the summer he saw Star Wars twenty-one times, "slipping past ushers who'd begun to recognize me . . . occult as a porn customer," becomes a meditation on the sorrow and solace of the solitary movie-goer. THE DISAPPOINTMENT ARTIST confirms Lethem's unique ability to illuminate the way life, his and ours, can be read between the lines of art and culture.
Jonathan Lethem (Author), Jonathan Lethem (Narrator)
Audiobook
Jonathan Lethem's new collection of stories is a feast for his fans and the perfect introduction for new listeners-- a smorgasbord of fantastic, amusing, poignant tales written in a dizzying variety of styles. Lethem is a trailblazer fo a new kind of literary fiction, sampling high and low culture to create fictional worlds that are utterly original. Longtime fans will recognize echoes of Lethem's novels in all these pieces--narrators who can't stop babbling, hapless detectives, people with unusual powers that do them no good, hot-blooded academics, the keen loss of love, clever repartee masking desperation, stumbling romances, and the obligations of friendship. Sparkling with off-beat humor and subtle insights that have made Lethem one of today's most highly praised writers, the stories in MEN AND CARTOONS will delight Lethem's legion of fans and appeal to a host of new listeners.
Jonathan Lethem (Author), , Jonathan Lethem, Various Narrators (Narrator)
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