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Bullets Over Bombay: Satya and the Hindi Film Gangster
'This book took me right back to my formative years. It was as if I was back there on the sets, watching Ramu with his magic wand and a band of outsiders. A lot of nostalgia and a whole lot of perspective' - ANURAG KASHYAP 'An enchanting and detailed look at the making of one of the finest movies of Indian cinema. A must-read for all fans of Satya' - VISHAL BHARDWAJ 'A passionate and riveting making-of chronicle of the film that paved the way for so many of us. A must for every Satya lover and student of cinema' - SRIRAM RAGHAVAN In 1998, Satya opened to widespread critical acclaim. At a time when Bollywood was still rediscovering romance, Ram Gopal Varma's film dared to imagine the ordinary life of a Mumbai gangster. It kicked off a new wave of Hindi gangster films that depicted a vital, gritty side of Mumbai, rarely shown in mainstream cinema until then. More than two decades later, it has become an iconic film. When it was released, the regular moviegoer would have been hard-pressed to recognise more than a couple of names in the film's credits. Today, it reads like an honour roll - Anurag Kashyap, Manoj Bajpayee, Vishal Bhardwaj, Saurabh Shukla. Speaking to the people who made Satya a landmark film, Uday Bhatia tells the incredible story of how it all came together, how it drew from the gangster and street film traditions, and why it went on to become a modern classic.
Uday Bhatia (Author), Faraz Khan (Narrator)
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'Good people can be crashing bores. Evil men who combine evil-doing with drunkenness, debauchery and making illicit money make more interesting characters because they pack their lives with action. They do what most of us would like to do but do not have the guts to.'-Khushwant SinghMalice. The word is synonymous with Khushwant Singh; his pen has spared no one. For over four decades as India's most widely read columnist, he has commented on just about everything: religion, politics, our future, our past, prohibition, impotency, presidents, politicians, cricket, dog-haters, astrologers, the banning of books, the secret of 1ongevity ... the list is endless.Candid to the point of being outrageous, Khushwant Singh makes both his reader and subject wince. He writes unabashedly on nose picking, wife bashing, bribing journalists, gender wars and the desires of an octogenarian; on Nehru and Edwina, Lalu, Bal Thackeray, Chandraswami and Sonia Gandhi, among host of others.Khushwant Singh's Big Book of Malice brings together some of his nastiest and most irreverent pieces. Witty, sharp and brutally honest, this collection is certain to delight and provoke readers of all ages.'
Khushwant Singh (Author), Faraz Khan (Narrator)
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A.K. Ramanujan (1929-1993), one of India's finest poets, translators, folklorists, essayists and scholars of the twentieth century, is a stalwart in India's literary history. His translations of ancient Tamil and medieval Kannada poetry, as well as of UR Ananthamurthy's novel Samskara, are considered as classics in Indian literature. A pioneering modernist poet, during his lifetime he produced four poetry collections in English, and he had also intended to publish the journals he had kept throughout the decades. After his premature death 25 years ago, his journals, diaries, papers and other documents-spanning fifty years from 1944 to 1993-were given by his family to the Special Collections Research Center at the Regenstein Library of the University of Chicago in June 1994. These unpublished writings, meticulously preserved and catalogued at the University of Chicago, were waiting for someone to unveil them to a wider readership. Edited by Krishna Ramanujan and Guillermo Rodríguez, Journeys offers access to Ramanujan's personal diaries and journals, providing a window into his creative process. It will include literary entries from his travels, his thoughts on writing, poetry drafts, and dreams. His diaries and journals served as fertile ground where he planted the seeds for much of his published work.
Krishna Ramanujan (Author), Faraz Khan (Narrator)
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