Buy from our bookstore and 25% of the cover price will be given to a school of your choice to buy more books. *15% of eBooks.
Audiobooks Narrated by David Remnick
Browse audiobooks narrated by David Remnick, listen to samples and when you're ready head over to Audiobooks.com where you can get 3 FREE audiobooks on us
'Always up close and personal, always tenacious and informed by deep background, and always vivid and veracious' The Times
This audio edition is read by the author, David Remnick, and Matt Godfrey.
The greatest popular songs, whether it's Aretha Franklin singing 'Respect' or Bob Dylan performing 'Blind Willie McTell', have a way of embedding themselves in our memories. You remember a time and a place and a feeling when you hear that song again. In Holding the Note, David Remnick writes about the lives and work of some of the greatest musicians, songwriters, and performers of the past fifty years. He portrays a series of musical lives - Leonard Cohen, Buddy Guy, Mavis Staples, Paul McCartney, Bruce Springsteen, Patti Smith, and more - and their unique encounters with the passing of that essential element of music: time. These are intimate portraits of some of the greatest creative minds of our time written with a lifetime's passionate attachment to music that has shaped us all.
Ever since Donald Trump entered the presidential race-in a press conference attended by paid actors, in which he slandered Mexican immigrants-he has dominated headlines, becoming the unrestrained id at the center of one of the most bizarre and alarming elections in American history.
It was not always so. In 1996, longtime New Yorker writer Mark Singer was conscripted by his editor to profile Donald Trump. At that time Trump was a mere Manhattan-centric megalomaniac, a failing casino operator mired in his second divorce and (he claimed) recovering from the bankruptcy proceedings that prompted him to inventory the contents of his Trump Tower home. Conversing with Trump in his offices, apartments, cars, and private plane, Singer found himself fascinated with this man "who had aspired to and achieved the ultimate luxury, an existence unmolested by the rumbling of a soul."
In Trump and Me, Singer revisits the profile and recounts how its publication lodged inside its subject's head as an enduring irritant-and how Singer ("A TOTAL LOSER!" according to Trump) cheerfully continued to bait him. He reflects on Trump's evolution from swaggering buffoon to potential threat to America's standing as a rational guardian of the world order. Heedlessly combative, equally adept at spewing insults and manipulating crowds at his campaign rallies, the self-proclaimed billionaire has emerged as an unlikely tribune of populist rage. All politics is artifice, and Singer marvels at how Trump has transfixed an electorate with his ultimate feat of performance art-a mass political movement only loosely tethered to reality.
