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Daisy Jones and The Six: '2019's first pop-culture sensation' - Telegraph
Random House presents the audiobook edition of Daisy Jones and The Six by Taylor Jenkins Reid, read by Sara Arrington, Jennifer Beals, Arthur Bishop, Fred Berman, Benjamin Bratt, Jonathan Davis, Ari Fliakos, Holter Graham, Judy Greer, January Lavoy, Robinne Lee, Peter Larkin, Henry Leyva, P.J. Ochlan, Robert Petkoff, Alex Reid, Pablo Schreiber, Brendan Wayne, Julia Whelan, Nancy Wu and Oliver Wyman. 'Brace for 2019's first pop-culture sensation... we're not exaggerating... new obsession, incoming' TELEGRAPH For a while, Daisy Jones & The Six were everywhere. Their albums were on every turntable, they sold out arenas from coast to coast, their sound defined an era. And then, on 12 July 1979, they split. Nobody ever knew why. Until now. They were lovers and friends and brothers and rivals. They couldn't believe their luck, until it ran out. This is their story of the early days and the wild nights, but everyone remembers the truth differently. The only thing they all know for sure is that from the moment Daisy Jones walked barefoot onstage at the Whisky, their lives were irrevocably changed. Making music is never just about the music. And sometimes it can be hard to tell where the sound stops and the feelings begin. 'Utterly believable...fantastically enjoyable' THE TIMES 'reads like an addictive Netflix documentary meets A Star Is Born - despite being utterly fictional. It's also a call-to-arms that when you find your niche, don't doubt, embrace it.' EMERALD STREET 'The verdict: Daisy Jones steals the limelight... A zeitgeist book for 2019' STYLIST 'A tremendously engaging, and completely believable tale of rock and roll excess... inventive, persuasive and completely satisfying.' DYLAN JONES 'I spent a lost weekend in this book. Daisy Jones is an instant icon.' ERIN KELLY 'DAISY JONES & THE SIX is a transporting novel - at once a love story, a glimpse into the combustible inner workings of a rock-and-roll band, and a pitch-perfect recreation of the music scene of the Fleetwood Mac era. You'll never want it to end.' CECILIA AHERN 'Once in a blue moon you get to discover a book you end up pressing upon many other people to read. Taylor Jenkins Reid has got every nuance, every detail exact and right. I loved every word.'PAUL REES 'So brilliantly written I thought all the characters were real . . . I couldn't put it down' EDITH BOWMAN 'A book that reads like an addictive Netflix documentary meets A Star Is Born - despite being utterly fictional . . . It's also a call-to-arms that when you find your niche, don't doubt, embrace it.' EMERALD STREET 'The characters leap off the page, seducing you with their dramas, and making you wish the band was real.' HEAT 'The heady haze of the 70s music scene, and a perfectly flawed Daisy, combine to create a fresh, rock n roll read. I loved it.' ALI LAND, author of Good Me Bad Me
Taylor Jenkins Reid (Author), Alex Reid, Ari Fliakos, Arthur Bishop, Benjamin Bratt, Brendan Wayne, Fred Berman, Henry Leyva, Holter Graham, January Lavoy, Jennifer Beals, Jonathan Davis, Judy Greer, Julia Whelan, Nancy Wu, Oliver Wyman, P.J. Ochlan, Pablo Schreiber, Peter Larkin, Robert Petkoff, Robinne Lee, Sara Arrington (Narrator)
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All the Pieces Matter: The Inside Story of The Wire
The definitive oral history of the iconic and beloved TV show The Wire, as told by the actors, writers, directors, and others involved in its creation Since its final episode aired in 2008, HBO's acclaimed crime drama The Wire has only become more popular and influential. The issues it tackled, from the failures of the drug war and criminal justice system to systemic bias in law enforcement and other social institutions, have become more urgent and central to the national conversation. The show's actors, such as Idris Elba, Dominic West, and Michael B. Jordan, have gone on to become major stars. Its creators and writers, including David Simon and Richard Price, have developed dedicated cult followings of their own. Universities use the show to teach everything from film theory to criminal justice to sociology. Politicians and activists reference it when discussing policy. When critics compile lists of the Greatest TV Shows of All Time, The Wire routinely takes the top spot. It is arguably one of the great works of art America has produced in the 20th century. But while there has been a great deal of critical analysis of the show and its themes, until now there has never been a definitive, behind-the-scenes take on how it came to be made. With unparalleled access to all the key actors and writers involved in its creation, Jonathan Abrams tells the astonishing, compelling, and complete account of The Wire, from its inception and creation through its end and powerful legacy.
Jonathan Abrams (Author), Arthur Bishop, January LaVoy, Jonathan Abrams, Prentice Onayemi (Narrator)
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This Is All a Dream We Dreamed: An Oral History of the Grateful Dead
In This Is All a Dream We Dreamed, two of the most well-respected chroniclers of the Dead, Blair Jackson and David Gans, reveal the band’s story through the words of its members, their creative collaborators and peers, and a number of diverse fans, stitching together a multitude of voices into a seamless oral tapestry. Capturing the ebullient spirit at the group’s core, Jackson and Gans weave together a musical saga that examines the music and subculture that developed into its own economy, touching fans from all walks of life, from penniless hippies to celebrities, and at least one U.S. vice president. This definitive book traces the Dead’s evolution from its humble beginnings as a folk/bluegrass band playing small venues in Palo Alto to the feral psychedelic warriors and stadium-filling Americana jam band that blazed all the way through to the 90s. Along the way, we hear from many who were touched by the Dead—from David Crosby and Miles Davis, to Ken Kesey, Carolyn “Mountain Girl” Garcia, and a host of Merry Pranksters, to legendary concert promoter Bill Graham, and others. Throughout their journey the Dead broke (and sometimes rewrote) just about every rule of the music business, defying conventional wisdom and charting their own often unusual course, in the process creating a business model unlike any seen before. Musically, too, they were pioneers, fusing inspired ideas and techniques with intuition and fearlessness to craft an utterly unique and instantly recognizable sound. Their music centered on collective improvisation, spiritual and social democracy, trust, generosity, and fun. They believed that you can make something real, spontaneous, and compelling happen with other musicians if you trust and encourage each other, and jam as if your life depended on it. And when it worked, there was nothing else like it. Whether you’re part of the new generation of Deadheads who are just discovering their music or a devoted fan who has traded Dead tapes for decades, you will want to listen in on the irresistible conversations and anecdotes shared in these pages. You’ll hear stories you haven’t heard before, possibly from voices that may be unfamiliar to you, and the tales that unfold will shed a whole new light on a long and inspiring musical odyssey.
Blair Jackson, David Gans (Author), Arthur Bishop, Blair Jackson, Cynthia Hopkins, David Gans, Eliza Foss, Fred Berman, Helen Litchfield, Holter Graham, Oliver Wyman (Narrator)
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According to Kurt Vonnegut's alter ego, the old science fiction writer Kilgore Trout, a global timequake will occur on February 13, 2001, at 2:27 p.m. It will be the moment when the universe suffers a crisis of conscience: Should it go on expanding indefinitely, or collapse and make another great big BANG? For its own cosmic reasons, it decides to back up a decade to 1991, giving the world a 10-year case of deja vu, making everybody and everything do exactly what they'd done during the past decade, for good or ill, a second time. As a character in, and a brilliant chronicler of, this bizarre event, Kurt Vonnegut casts his wicked wit and his unique perspective on life as he's lived it and observed it, for more than seventy years.
Kurt Vonnegut (Author), Arthur Bishop (Narrator)
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From a MacArthur Fellow and the author of The Good Soldiers, a profound look at life after war The wars of the past decade have been covered by brave and talented reporters, but none has reckoned with the psychology of these wars as intimately as the Pulitzer Prize-winning journalist David Finkel. For The Good Soldiers, his bestselling account from the front lines of Baghdad, Finkel embedded with the men of the 2-16 Infantry Battalion during the infamous 'surge,' a grueling fifteen-month tour that changed them all forever. In Finkel's hands, readers can feel what these young men were experiencing, and his harrowing story instantly became a classic in the literature of modern war. In Thank You for Your Service, Finkel has done something even more extraordinary. Once again, he has embedded with some of the men of the 2-16-but this time he has done it at home, here in the States, after their deployments have ended. He is with them in their most intimate, painful, and hopeful moments as they try to recover, and in doing so, he creates an indelible, essential portrait of what life after war is like-not just for these soldiers, but for their wives, widows, children, and friends, and for the professionals who are truly trying, and to a great degree failing, to undo the damage that has been done. The story Finkel tells is mesmerizing, impossible to put down. With his unparalleled ability to report a story, he climbs into the hearts and minds of those he writes about. Thank You for Your Service is an act of understanding, and it offers a more complete picture than we have ever had of these two essential questions: When we ask young men and women to go to war, what are we asking of them? And when they return, what are we thanking them for? One of Publishers Weekly's Best Nonfiction Books of 2013 One of The Washington Post's Top 10 Books of the Year A New York Times Notable Book of 2013 An NPR Best Book of 2013 A Kirkus Reviews Best Nonfiction Book of 2013
David Finkel (Author), Arthur Bishop (Narrator)
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