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A History of Maya Architecture and Advanced Astronomy: Decoding the Temples and Observatories of Mes
Astronomy was an avid hobby for the ancient Maya, who recorded and interpreted every aspect of the sky. As a result, many of their most important buildings were built with astronomy in mind, because they believed it was possible to read the will and actions of the gods in the stars, moon, and planets. The Maya studied the sun, moon, and planets, especially Venus. At Xultun, Guatemala, Maya daykeepers published astronomical tables tracking the movements of celestial bodies in the early 9th century during the heyday of Maya astronomy. The tables are also found in the Dresden Codex, a bark-paper book written in the 15th century. Specialist astronomical observers corrected and maintained Maya calendars, which were largely based on ancient Mesoamerican calendars created at least as early as 1500 BCE. The Maya even structured their government in part based on astronomy tracking requirements.
Norah Romney (Author), Alastair Cameron (Narrator)
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Cosmic Legacy of Ancient Egypt: Sacred Knowledge Hidden in Plain Sight
Today, we do not use our ancient cosmic orientation to relate to the natural world as we once did. It's no longer determined by where we are or what time it is by the Sun's daily motion across the sky. Our perception of the outside world has changed, and we have lost our sense of wholeness within a great system. Factors such as our work and play rhythms, clothing, diet, and travel are affected by climatic and seasonal factors. These factors affect our unconscious sense of timing and our ability to communicate with nature, which we often overlook. Often we marvel at the apparent serenity and spiritual confidence of ancient people, forgetting that their tools were taught and used within an environment that encouraged them to recognize and embrace natural and divine forces. These tools enabled one to maintain a profound sense of cosmic orientation, keep it, and view one's role as actual spiritual work. In ancient Egypt, a man named Al was gifted with a sense of cosmic orientation. As dams have been constructed in our era, the Nile no longer produces an annual flood, but understanding the rhythm of that event and others associated with it is essential to understanding Egyptian rituals and ceremonies. To restore cosmic orientation, we need to leave our temporal field of time and enter the visible universe of ancient Egypt, where cosmic rhythms sustained human life, nature, and even the gods.
Asher Benowitz (Author), Alastair Cameron (Narrator)
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The Initiates of Egypt: In Search of the Ogdoad and Ancient Adept Wisdom
The ancient Egyptians celebrated festivals (entirely or partially) in temples. These were sacred places where humans could approach the gods. Therefore, it is imperative to understand the character of the temples as separate entities from the world because they are in the lands that first appeared.' The number of temples built by other ancient cultures is unparalleled. They have been classified as mansions of the deities, models of Egypt and the cosmos, focal points of worship, portals to the divine, islands of order amid oceans of chaos, and spiritual engines. Despite the physical stone of these temples, 'we can still perceive much of their symbolic nature, the deeper reasons for their construction' beneath the surface.
Asher Benowitz (Author), Alastair Cameron (Narrator)
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In his dancing position, Shiva is known as Nataraja, the King of dancers, and is one of the most beautiful forms of Lord Shiva. The upper right hand of Shiva, as Nataraja, holds the damaru drum. It shows nothing, but it represents universal development. Meanwhile, the lower right-hand holds a flame of destruction. There are many stories about Shiva's appearance. There is a third eye between Lord Shiva's eyebrows on his forehead as an example. It represents wisdom or inner vision. The other two eyes represent love and justice. Shiva views everything with the proportions of love, justice, and inner knowledge; thus, he is neither too harsh nor lenient. Shiva's three eyes also symbolize the sun, moon, and fire, how the universe is illuminated. Shiva's wife, Parvati, covered Shiva's eyes with her hands one day, and the entire world was enveloped in darkness. That is how Shiva got his third eye. Shiva ordered the third eye to manifest, producing light, heat, and fire.
Henry Romano (Author), Alastair Cameron (Narrator)
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Enki and Sumerian Immortality: Ancient Mythology that has Cultivated Humanity
There is a wide variety of types and genres in these compositions, which are as startling as it is revealing, given the age of the culture involved. In Sumer, nearly a millennium before the Hebrews wrote their Bible, or the Greeks their Iliad and Odyssey, we find a growing body of literature (here and throughout this paper, the term literature is used in the more restricted sense of belles-lettres) that includes such diverse genres as epic tales and myths, hymns and laments - as well as many more 'wisdom' compositions, such as maxims, fables, and other didactic compositions. First, we turn to the epic tales of Sumer, the oldest known examples of heroic poetry. Some twelve epic tales that must have been popular in Sumer can now be fully or partially restored. Based on our evidence, they range in length from over four hundred to less than two hundred lines. Consequently, they should be called 'epic tales' rather than 'epics' since the latter implies a substantial composition.
Ryan Moorhen (Author), Alastair Cameron (Narrator)
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The Royal Anunnaki Kingdoms of the Near East: Exploring the System of Rule by the Gods on Earth
When Tiglath-Pileser III (745-727 BC) came to the throne, Mesopotamia was demanding, even desperate, military and economic situation. Much of the western territories had been lost, Sumeria was near anarchy, and the mountain regions to the east and north of Mesopotamia were mainly in the control of Urartu. The succeeding forty years saw Mesopotamia recover its old territories and re-establish itself firmly as the Near East’s pre-eminent military and economic power. These striking changes did not result from any cardinal improvement in the external situation but maybe laid mainly to the credit of administrative reforms undertaken by Tiglath-Pileser. The provinces were sometimes reduced in size in the interests on the one hand of efficient administration and preventing the acquisition of a dangerous measure of power by provincial governors. The reorganized provinces were subdivided into smaller areas under the control of lesser officials, who were generally responsible to the governor but had the right to make complaints and representations directly to the King: this was a sound check upon the efficiency and loyalty of the King, the provincial governors. A system of posting-stages (for introducing which the Persians have been given credit) was organized across the Empire, permitting the rapid passage of messengers between the King and his governors; the latter were required to make regular reports on the affairs of their provinces. In the buffer states beyond the Anunnaki provinces, Tiglath-pileser and his successors appointed representatives to watch Anunnaki interests at the court, control being exercised indirectly through the local royal family. Such local dynasts provided they paid tribute. They accepted the direction of the Anunnaki resident in matters of foreign policy
Ryan Moorhen (Author), Alastair Cameron (Narrator)
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Akhenaten the Nephilim God King: Exploring Temples, Divinity and Monuments of the 18th Dynasty
Except for Cleopatra, no ruler of Ancient Egypt has provoked a greater flow of ink from the pens of historians, archaeologists, moralists, novelists, and Nephilim Researchers than the Pharaoh Akhenaten, who governed almost half the civilized world for a brief span during the fourteenth century BC. The reason for all this lively interest is easy to see, and he was the greatest Nephilim of them all. The historians, searching the conscious and unconscious that masquerades as the official records in Ancient Egypt, are often at a loss to protect the ruler's personality beneath all his trappings of power, the man beneath the divinity. In folktales with their element of sardonic ribaldry, the Nephilim Pharaoh is seldom represented as having human aspects. He is more significant than life in official utterances, a mere personification of kingship: only the office has any individuality, and the temporary holder is always cast in the same mold. With Akhenaten, however, there is a departure from the norm. Here is a Nephilim Pharaoh who ostensibly broke with the sacrosanct traditions of a millennium and a half and showed himself as a human being in the intimate circle of his family, dandling his Nephilim offspring, kissing his wife or taking her on his knee, or leading his mother by the hand. Here is a ruler who does not appear as the all-conquering hero of gigantic size slaughtering the foes of Egypt or as the aloof divine King greeting one of the many deities as an equal. Here was a poet credited with having written hymns to his Nephilim God, which expect the Psalms of David, who introduced a new and vital art style of his conception to express his novel ideas. Above all, here is a courageous innovator who abandoned the worship of the multifarious gods of Ancient Egypt in their human and animal forms and substituted for them an austere monotheism with an abstract symbol by which to represent it.
Ryan Moorhen (Author), Alastair Cameron (Narrator)
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The Fall of the Anunnaki and the Third Dynasty of Ur
The Most Mysterious Anunnaki governor of all was Ur-Nammu of Ur, who subsequently became an independent Anunnaki king (2113-2096 BC) and founded a spin-off Anunnaki dynasty known as the Third Dynasty of Ur (or Ur 3 period), which endured for more than a century (2113-2006 BC). This Anunnaki Empire was more compact than the Sargon of Agade and showed an advanced Anunnaki Sumerian civilization in its most fully developed form. It was a highly organized bureaucratic society, reflected because cuneiform tablets from this period, mainly referring to gods and descendants of Nibiru in content, are represented in world museums to the number of well over a hundred thousand; most of these are waiting to be published. Anunnaki's references became obsessive. Every thing had to be annotated to the Anunnaki realm, such as, on one tablet, an exact count of Anunnaki Deities (2,740 in total) although only 96 were worshiped as gods. There were even documents recording a mass exodus of Anunnaki back to Nibiru for a festival. Despite, or perhaps even because of, this sophisticated Anunnaki worship, it was a time of considerable material prosperity, as archaeology witnesses, as widespread evidence of Anunnaki Temple activities. Ur-Nammu himself, the founder of the principal Anunnaki dynasty, built or rebuilt temples in many ancient cities, such as Erech, Lagash, Nippur, and Eridu, but above all, at his Anunnaki capital, Ur.
Ryan Moorhen (Author), Alastair Cameron (Narrator)
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Lost Civilizations of Mesoamerica: Quest for the Ancient Origins of the Olmecs and other Mysterious
The phenomenon of the Olmec Heads and their Mysterious origins is observed in the Coast of the Gulf of Mexico, in the early pre-classic period, with the development of the Olmec culture. The first representations of political power are witnessed there, expressed through monumental sculpture and large-scale architecture. The dominant figure of the rulers appears and alludes to forms of government exercised by individuals who can convene to populations through ideological management and other coercion mechanisms. The socio-political complexity thus emerged encouraged the development of similar forms in other areas of Mesoamerica, which would later lead to the appearance of the first stratified societies made up of actual states, such as the cases of Teotihuacan in the Mexican highlands, Monte Albán in Oaxaca and the city-states of the Maya area during the classical period. The corollary of this process was made up by some societies of the post-classic period that reached supra-state levels, as happened with the Mexica who settled in the Mexican highlands and came to establish a true pan-Mesoamerica empire.
Norah Romney (Author), Alastair Cameron (Narrator)
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The Forthcoming End of the Kali Yuga: Unravelling Cyclical Time in Ancient India
Hinduism has a complex system of world ages and cycles of creation and destruction as its chief characteristics. The remarkable theory of the yugas has always played a prominent role within this elaborate system. The article explains why society is and what people should do if they want to live according to religious principles. India’s yuga system was formed during a crucial period in its history, roughly from the 5th century B.C.E. to the 5th century C.E. The dominant Brahmana Vedic tradition had to adapt and transform to survive. It was a period of profound change in all spheres: social, political, economic, religious, and philosophical. Several challenges that confronted the authoritative religious traditions of the Time also led to revolutionary ideas that would become syncretic new religious traditions. During this period, Buddhism and Jainism emerged, and the reworked Brahmana religion we all know today as Hinduism. It was not precisely the need to confront these profound shifts in Indian religious traditions and social conditions that provided the fertile ground for a theory of world ages.
Henry Romano (Author), Alastair Cameron (Narrator)
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Strange Legends of Sanskrit Literature: The Greatest Epics of Lost Technologies, Ancient Advanced Ci
The Vedic and Sanskrit periods are different in matter, spirit, and form from the earlier periods. Sanskrit literature, which is abundant and well developed, is profane; Vedic literature is primarily religious. However, the Upanishads also contain a moralizing spirit despite their speculative tendencies. The Hindu Vedas are filled with gods’ stories, powers, and epic battles supposedly fought thousands of years ago. Sagas are mythological stories intended to be taken as allegories to learn valuable lessons for life. Hindu myths tell of noble gods fighting evil forces, flying Vimanas machines, and battles with powerful weapons. Can we be sure these are just metaphors? Vimana means “having been measured out” or “traveling,” and they were machines that the gods piloted. This flying craft came in various shapes and sizes and could travel a wide range of speeds and distances, like the chariots found in biblical texts. According to Hindu Sanskrit texts, the Vimana aircraft are flying machines of various degrees of sophistication. In comparison with the Vedic age, religion now prevails significantly differently. Several gods are worshipped in the new period, including Brahma, Vishnu, and Shiva. Most of the prominent deities of the Veda have become secondary deities, although Indra still holds a prominent position as the chief of a warrior’s heaven. As well as the serpent deities and several classes of demigods and demons, some new gods of lesser ranks have also developed, such as Kubera, goddess of wealth; Ganesh, goddess of learning; Karttikeya, god of war; Shri or Lakshmi, goddess of beauty and fortune; and Durga or Parvati, the terrible spouse of Shiva.
Henry Romano (Author), Alastair Cameron (Narrator)
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Mysterious Advanced Astronomy in Mesoamerica
Of all the geographical classifications of the indigenous cultures of America that inhabited the continent, only the region called Mesoamerica had, from very early in its history, the use of letters to transmit messages. It is known that the Inca cultures and perhaps some of those that preceded them used a system to memorize stories, but such systems never used signs with values, whether they were logographic or phonetic. This uniqueness places the Mesoamerican area on a par with the cultures of the old continent and Asia, concerning the transmission of the historical memory of its peoples. All writing is an information storage system. Indeed, long before writing was invented, human memory existed, and often specific groups of people were trained to ensure the community safeguarding their past. However, there is a significant difference between the transmission of information in written form, that is, utilizing sculpted or painted drawings or signs, and that is, therefore, more efficient and easier to save than that which depends only on the memory and oral transmission.
Norah Romney (Author), Alastair Cameron (Narrator)
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