Audiobooks narrated by Alan Weyman

This full cast presentation includes Part 1 and Part 2 of Shakespeare’s Henry IV. In 1598 appeared a Quarto with the following title: The History of Henrie the Fourth; With the Battell at Shrewsburie, betweene the King and Lord Henry Percy, surnamed Henrie Hotspur of the North. With the humorous conceits of Sir John Falstaffe. At London. Printed by P. S. for Andrew Wise, dwelling in Paules Churchyard, at the signe of the Angell. 1598. This was the First Part of Shakespeare’s Henry IV, which must have been written in 1597. This play is the first in which Shakespeare really demonstrated his great and overwhelming individuality. Its dramatic structure is fairly loose, though is closer knit and technically stronger than that of the Second Part. However, as a poetical creation, it is one of the great masterpieces of the world’s literature, at once heroic and burlesque, thrilling and side-splitting. Yet these contrasted elements are not brought into hard-and-fast rhetorical antithesis, but move and mingle with a natural freedom. The driving elements of the plot are the machinations of the guilt-ridden King Henry IV to establish the legitimacy of his accession and the inevitable revolt by the former supporters who helped him to gain the throne. One of the leaders of the opposing faction is the warlike Henry Percy, nicknamed Hotspur, who the king compares unfavourably with his own son, the self-indulgent and riotous Prince Hal. The prince spends much of his time cavorting with a group of boon companions, the most notable of which is the dissipated and unscrupulous knight, Sir John Falstaff, who acts as something of a surrogate parent. At the end of the First Part, the revolt is suppressed; in the conflict, Prince Hal reveals his true character as a doughty defender of the realm. In the Second Part, the king’s health progressively declines and Hal begins to assert his royal prerogative. Eventually, the king dies, and Hal, now having shed all his adolescent impertinence, ascends to the throne. Falstaff, in expectation of elevation to high office and new-found prosperity, publicly accosts the new king and is rudely rebuffed, together with his disreputable retinue. Audio edited by Denis Daly The text used for this performance was kindly provided by playshakespeare.com. Welsh dialogue and tune for Lady Mortimer’s song in Henry IV Part One provided by Noni Lewis.

William Shakespeare (Author), Alan Weyman, Blaise Doran, Christopher Dukes, Denis Daly, Geraint Pickard, Graham Scott, Gregory Dwyer, Josh Innerst, Laura E. Richcreek, Noni Lewis, Roberta Jackson, Rory Barnett, Sarah Jane Rose, Shane Emmett, Tim Dehn, a full cast (Narrator)

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Eight Shakespeare Comedies

This collection contains eight of Shakespeare’s best loved comedies. Each exhibits the vigour, humour, and optimism of the young master before he turned to the gloom and bitterness of the great tragedies. Contents A Midsummer Night’s Dream All’s Well That Ends Well Twelfth Night Much Ado About Nothing The Comedy of Errors As You Like It Measure for Measure The Merchant of Venice Featuring the voices of:Aisling Gray, Alan Weyman, Alexandra Lee Smith, Blaise Doran, Cate Barratt, Catherine Bilson, Claudia Anglade, Dara Brown, David Shears, Denis Daly, Emma Faye, Gary D. MacFadden, Graham Scott, John Burlinson, Josh Innerst, Kendra Murray, Laura Richcreek, Lillian Rachel, Linda Barrans, Mark Crowle-Groves, Marty Krz, PJ Morgan, Roberta Jackson, Ron Altman, Simon Paxton, Susan Iannucci, Tom Saer, and Trisha Rose. Texts kindly provided by playshakespeare.com Songs created and arranged by Alan Weyman and Marty Krz Audio edited by Denis Daly

William Shakespeare (Author), Aisling Gray, Alan Weyman, Alexandra Lee Smith, Blaise Doran, Cate Barratt, Catherine Bilson, Claudia Anglade, Dara Brown, David Shears, Denis Daly, Emma Faye, Gary MacFadden, Graham Scott, John Burlinson, Josh Innerst, Kendra Murray, Laura E. Richcreek, Lillian Rachel, Linda Barrans, Mark Crowle-Groves, Marty Krz, PJ Morgan, Roberta Jackson, Ron Altman, Simon Paxton, Susan Iannucci, Tom Saer, Trisha Rose, a full cast (Narrator)

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Measure for Measure

Measure for Measure is one of darkest of Shakespeare’s comedies. Written in about 1603 and first performed in 1604, it immediately preceded the composition of the major tragedies Othello, King Lear, and Macbeth. Duke Vincentino, the ruler of Vienna, fears that under his mild sovereignty, the people may have become lazy and lax. He decides to “go over cover” in the disguise of a monk and appoint his deputy, Angelo, who is a reputed paragon of virtue, as temporary ruler. On assuming power, Angelo inaugurates draconian provisions regarding sexual propriety. One of the first victims of this new regime is young Claudio, who has impregnated his lover Juliet, and is accordingly sentenced to death. Claudio’s sister, Isabella, who is preparing to enter religious life, is encouraged to approach Angelo and plead for her brother’s life. Angelo is immediately smitten with the beautiful Isabella and makes her an offer: her brother will be spared if she yields to Angelo’s sexual advances. Isabella indignantly rejects this proposal, but finds herself unable to reveal Angelo’s hypocrisy publicly, as she fears her accusations will lack credence. Fortunately, the Duke, who has not left Vienna, befriends Isabella in his assumed role of friar, and hatches a plan to both save Claudio and to unmask Angelo. Featuring the voices of Denis Daly, Gary D. MacFadden, David Shears, Graham Scott, Josh Innerst, Kendra Murray, Blaise Doran, Simon Paxton, Roberta Jackson, Alexandra Lee Smith, and Alan Weyman. Audio edited by Denis Daly Tunes for songs provided by Alan Weyman. The text used for this performance was kindly provided by playshakespeare.com.

William Shakespeare (Author), A Full Cast, Alan Weyman, Alexandra Lee Smith, Blaise Doran, David Shears, Denis Daly, Gary Macfadden, Graham Scott, Josh Innerst, Kendra Murray, Roberta Jackson, Simon Paxton (Narrator)

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The Merchant of Venice

Antonio, a wealthy and popular merchant, is in financial difficulty. He approaches a Jewish money lender, Shylock, who agrees to provide 3000 ducats, with a very curious bond – a pound of the merchant’s flesh, to be levied if Antonio fails to make a timely repayment. Feeling confident that his argosies will arrive in time to cover the debt, Antonio agrees to this bizarre transaction. Meanwhile, a wealthy gentlewoman, Portia, must choose a suitor using a curious ritual mandated by her father’s will. Applicants must choose from three locked caskets, one of which contains a picture of Portia. He who chooses the casket with the picture will wed Portia immediately; the unsuccessful applicants will cease courting not only Portia, but all prospective partners. Portia’s preferred suitor is a young Venetian, Bassanio, who is a close friend of Antonio. Antonio’s ships fail to arrive in time to satisfy his debt to Shylock and Antonio is hauled into court. In a male disguise, Portia appears in court to represent Antonio. Will her skillful representation free Antonio from Shylock’s demands? Written between 1596 and 1598 and published in 1600, The Merchant of Venice most notably touches on the troubling subject of antisemitism. While critical debate rages about Shakespeare’s actual attitudes toward Jewish culture, it is difficult to deny that the eventual fate of Shylock is not in accord with today’s view of social justice. Featuring the voices of Denis Daly, Catherina Bilson, Alexandra Lee Smith, Gary D. Macfadden, Blaise Doran, Graham Scott, Roberta Jackson, Josh Innerst, Simon Paxton, Alan Weyman, Emma Faye and Marty Krz.

William Shakespeare (Author), A Full Cast, Alan Weyman, Alexandra Lee Smith, Blaise Doran, Catherine Bilson, Denis Daly, Emma Faye, Gary MacFadden, Gary Macfadden, Graham Scott, Josh Innerst, Marty Krz, Roberta Jackson, Simon Paxton, a full cast (Narrator)

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Twelfth Night

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection. Olivia is also the target of two other romantic schemes. Her pompous steward, Malvolio, has persuaded himself that Olivia has fallen for him but is too diffident to reveal her passion. Her dissipated uncle, Sir Toby Belch, has plans to set up a match for her with Sir Andrew Aguecheek, a feeble-minded squire. Viola/Cesario falls in love with Orsino and Olivia with Cesario, but all of the parties are obliged to hide their feelings. Having survived the shipwreck, Sebastian now appears on the scene and contracts a secret marriage with Olivia, who believes him to be Cesario. In the final act, Viola reveals her true identity … Featuring Emma Faye as Viola, Kendra Murray as Olivia, Cate Barratt as Sir Toby Belch, Alan Weyman as Sir Andrew Aguecheek, Lillian Rachel as Malvolio, Marty Krz as Feste and Laura Richcreek as Orsino. Also featuring the voices of Claudia Anglade, Linda Barrans, PJ Morgan, Denis Daly and John Burlinson. Songs arranged by Alan Weyman and Marty Krz Audio edited by Denis Daly Text kindly provided by playshakespeare.com

William Shakespeare (Author), A Full Cast, Alan Weyman, Cate Barratt, Claudia Anglade, Denis Daly, Emma Faye, Jennie Litt, John Burlinson, Kendra Murray, Laura E. Richcreek, Lillian Rachel, Linda Barrans, Marty Krz, Pj Morgan, Trisha Rose (Narrator)

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Much Ado About Nothing

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the sombre tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage. The odd man out is the sinister Don John, brother and former enemy of Don Pedro, Prince of Aragon, but recently restored to the Prince’s favour. Being of a morose and jealous temperament, Don John plots to disrupt the wedding and cause division between the lovers, with the aid of his fellow conspirators, Borachio and Conrade. However, this evil plan is thwarted by an unexpected incursion by the bumbling constables Dogberry and Verges. The young couple are finally reunited, but only after Claudio has first been led to believe that his rejected spouse, Hero, has died of shame and grief. The matching of Beatrice and Benedick, encouraged by some artful chicanery by Hero and Claudio, and marked by many witty and sardonic exchanges of repartee, serves to lighten the texture of the darker elements of the action. Featuring Emma Faye as Hero, Kendra Murray as Beatrice, Dara Brown as Claudio, Lillian Rachel as Benedick, Cate Barratt as Dogberry, and Gary Macfadden as Don John. Also featuring the voices of Catherine Bilson, Ron Altman, Alan Weyman, P J Morgan, Claudio Anglade, John Burlinson and Linda Barrans. Songs arranged by Alan Weyman Audio edited by Denis Daly Text kindly provided by playshakespeare.com

William Shakespeare (Author), A Full Cast, Alan Weyman, Cate Barratt, Catherine Bilson, Claudia Anglade, Dara Brown, Emma Faye, Gary Macfadden, John Burlinson, Kendra Murray, Lillian Rachel, Linda Barrans, Pj Morgan, Ron Altman (Narrator)

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A Gallery of Children

A Gallery of Children' is A. A. Milne's first published book of prose. It was released after his poetry collection, 'When we were very young', and prior to 'Winnie the Pooh'. With his characteristic blend of nonsense, wit and warmth, Milne offers twelve short stories of childish endeavour and mishap. They will delight and amuse listeners both young and not-so-young.

A. A. Milne (Author), Alan Weyman, Bonnie Trost, Jennifer Fournier, John Burlinson, Lee Ann Howlett, Susan Iannucci (Narrator)

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Three Gothic Tales

Transformation Fernando Eboli The Evil Eye These three tales were written for the popular literary gift annual The Keepsake in 1828, 1829 and 1831. Their ‘sensational’ themes include exotic locations, dire misfortune, long-lost kin, stolen identity, evil redeemed, plots resolved by strange coincidences, and in one case at least, an encounter with a supernatural being. Gothic fare. The cover image is taken from an illustration to The Evil Eye in The Keepsake for 1830.

Mary Wollstonecraft Shelley (Author), Alan Weyman (Narrator)

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Two Tragedies in One Act

Hamlet and Macbeth are two of Shakespeare's best-known plays and contain some of the most famous speeches in world literature. These one-act versions of the plays, which were edited by J. P Crabb, the details of whose life and other works have disappeared into obscurity, retain the significant monologues and dialogues while presenting a streamlined view of the action. Featuring the voices of Alan Weyman, Amanda Friday, Anna Grace, Blythe Melin, David Shears, Denis Daly, Graham Scott, Huw Brentnall, Jeff Moon, Lance Rasmussen, PJ Morgan, Rob Goll, Ron Altman, Sarah Bacaller, Senn Annis, Sydnee Fullmer and Tyler Hyrchuk. Production copyright 2020 is held by The Online Stage

William Shakespeare (Author), Alan Weyman, Amanda Friday, Anna Grace, Blythe Melin, David Shears, Denis Daly, Graham Scott, Huw Brentnall, Jeff Moon, Lance Rasmussen, Pj Morgan, Rob Goll, Ron Altman, Sarah Bacaller, Senn Annis, Shaina Summerville, Sydnee Fullmer, Tyler Hyrchuk (Narrator)

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Audiobooks Narrated by Alan Weyman