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"The Pirates of Penzanceby William S. Gilbert and Sir Arthur Sullivan A comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where it was well received by both audiences and critics.Its London debut was on 3 April 1880, at the Opera Comique, where it ran for 363 performances. Cast Narrator: Julie VW Frederic: Karen Savage Pirate King: StephenC Samuel: Phil Chenevert Ruth: Liberty Stump Major-General Stanley: Kevin S. Mellis Mabel: Catharine Eastman Edith: BookAngel7 Kate: Ezwa Isabel: JemmaBlythe Sergeant of Police: John Fricker Chorus: Alex Foster BookAngel7 Catharine Eastman Ezwa Fred DeBerardinis Helen Song Henry Frigon Jane Smith JemmaBlythe John Fricker Karen Savage Liberty Stump Miriam Esther Goldman StephenC ToddHW"
Arthur Sullivan, W. S. Gilbert (Author), Various (Narrator)
Audiobook
"William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic fiction read by some of the world’s most renowned voices. Originally released as vinyl records, these expertly abridged and remastered stories are now available to download for the first time. A collection of the funny, curious verse written during the 19th and 20th centuries, read by some of Britain's most renowned actors. Humorous and whimsical verse are collated together in these timeless readings of poetry from our funniest writers. Performed by Sir John Gielgud; Imogen Stubbs; Tim Pigott-Smith; Peter Orr; Wendy Hillier. This collection includes poems from: • A.E. Housman • Benjamin Franklin King • J.K. Stephen • A.C. Swinburne • Lewis Carroll • Thomas Hardy • W.S. Gilbert • Edward Lear • William McGonagall • A.H. Clough • Robert Barnabas Brough • Thomas Grey • Lord Byron • Walter Raleigh • Oliver Goldsmith • George Canning • John Dryden • Samuel C. Boston • H.C. Beeching • C.S. Calverley • William Walsh • W.M. Thackeray • George Coleman • Hartley Coleridge • Charles Cros • George Du Maurier • W.R. Mardale • Matthew Prior • Earl Of Rochester • Thomas Love Peacock • Thomas Hood • Harry Graham"
A. E. Housman, A.C. Swinburne, A.H. Clough, Benjamin Franklin King, Edward Lear, J.K. Stephen, Lewis Carroll, Lord Byron, Thomas Hardy, W. S. Gilbert, Walter Raleigh, Wendy Hillier, William McGonagall (Author), Imogen Stubbs, Sir John Gielgud, Tim Pigott-Smith (Narrator)
Audiobook
"The Mikado is the ninth of the 14 Gilbert and Sullivan musical collaborations. It opened in 1885, had the second longest run for any work of musical theatre of the time, and remains the most frequently performed Gilbert and Sullivan. It was adapted as a children's book by W. S. Gilbert entitled The Story of The Mikado, which was Gilbert's last literary work (and published posthumously). It is a retelling of The Mikado, with various changes to simplify language or make it more suitable for children. This is that children's book. No singing or any of Sullivan's music, just Gilbert's witty words laid out - by him - in prose and poetry with amusing asides. The Forward mentions some illustrations by Alice B. Woodward in the hardcopy, and they are lovely. They can be seen by following the e-text link to the actual scanned book if you wish. (Summary by Wikipedia and ToddHW)"
W. S. Gilbert (Author), NoelBadrian (Narrator)
Audiobook
"H.M.S. Pinafore; or, The Lass That Loved a Sailor, is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened in London, England, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation. This is not that opera. It was adapted as a children's book by W. S. Gilbert entitled The Story of HMS Pinafore, or The Pinafore Picture Book, and includes some lovely illustrations by Alice B. Woodward that can be seen by following the archive.org link to the actual scanned book if you wish. No singing or any of Sullivan's music, just Gilbert's witty words laid out - by him - in prose and poetry with amusing asides. (Summary by Wikipedia and ToddHW)"
W. S. Gilbert (Author), NoelBadrian (Narrator)
Audiobook
"A comic operetta which is a satire on the themes of fashion and pretension and hero-worship. Bunthorne is a poet who pretends to be highly "idealised" in order to impress the ladies. They all worship him, except for Patience, the dairy maid, who is the only one he loves. However, his grand plan goes awry with the arrival of Grosvenor who is more idealised and more poetical then he is. The ladies all flock after Grosvenor instead, until Bunthorne curses him with poor fashion sense and stoutness! But will the curse bring Bunthorne his Patience? (Summary by Beth Thomas)"
W. S. Gilbert (Author), LibriVox Volunteers (Narrator)
Audiobook
The Mikado, Or The Town Of Titipu
"In this recording, one person reads the entire play, all parts, including the stage directions. Even without the support of Arthur Sullivan's music and the interpretation of actors, the consummate silliness of Gilbert's libretto entertains. The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances, which was the second longest run for any work of musical theatre and one of the longest runs of any theatre piece up to that time. Before the end of 1885, it was estimated that, in Europe and America, at least 150 companies were producing the opera. The Mikado remains the most frequently performed Savoy Opera, and it is especially popular with amateur and school productions. The work has been translated into numerous languages and is one of the most frequently played musical theatre pieces in history. Setting the opera in Japan, an exotic locale far away from Britain, allowed Gilbert to satirise British politics and institutions more freely by disguising them as Japanese - Summary by Wikipedia and david wales"
W. S. Gilbert (Author), David Wales (Narrator)
Audiobook
"This is a sequel of sorts to 37 American Poems, one of my first solos. Concentration here is on late 19th to early 20th Century works by US poets. (Summary by BellonaTimes)"
W. S. Gilbert (Author), Graham Redman (Narrator)
Audiobook
The Pirates Of Penzance; Or The Slave Of Duty (Version 2)
"The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. The story concerns Frederic, who, having completed his 21st year, is released from his apprenticeship to a band of tender-hearted pirates. He meets Mabel, the daughter of Major-General Stanley, and the two young people fall instantly in love. Frederic finds out, however, that he was born on 29 February, and so, technically, he only has a birthday each leap year. His apprenticeship indentures state that he remains apprenticed to the pirates until his 21st birthday, and so he must serve for another 63 years. Bound by his own sense of duty, Frederic's only solace is that Mabel agrees to wait for him faithfully. (Summary from Wikipedia)"
W. S. Gilbert (Author), David Wales (Narrator)
Audiobook
"LibriVox volunteers bring you 26 recordings of The Disagreeable Man by Sir W. S. Gilbert. This was the Fortnightly Poetry project for June 10, 2012. The Bab Ballads are a collection of light verse by W. S. Gilbert, illustrated with his own comic drawings. Gilbert wrote the Ballads before he became famous for his comic opera librettos with Arthur Sullivan. In writing the Bab Ballads, Gilbert developed his unique "topsy-turvy" style, where the humour was derived by setting up a ridiculous premise and working out its logical consequences, however absurd. The Ballads also reveal Gilbert's cynical and satirical approach to humour. They became famous on their own, as well as being a source for plot elements, characters and songs that Gilbert would recycle in the Gilbert and Sullivan operas. The Bab Ballads take their name from Gilbert's childhood nickname, and he later began to sign his illustrations "Bab". Nothing else quite like the Ballads has ever been produced in the English language. They contain both satire and nonsense, as well as a great deal of utter absurdity. The Ballads were read aloud at private dinner-parties, public banquets and even in the House of Lords. The ballads have been much published, and there are even recordings of readings of some of them. ( Summary by Wikipedia )"
W. S. Gilbert (Author), LibriVox Volunteers (Narrator)
Audiobook
"Sweethearts is a comic play billed as a "dramatic contrast" in two acts by W. S. Gilbert. The play tells a sentimental and ironic story of the differing recollections of a man and a woman about their last meeting together before being separated and reunited after 30 years. (Summary by Wikipedia)"
W. S. Gilbert (Author), LibriVox Volunteers (Narrator)
Audiobook
"LibriVox volunteers bring you 17 recordings of O Hollow Hollow Hollow by W.S. Gilbert. This was the Weekly Poetry project for January 8, 2012. Here is a poem by the "fleshly" poet, Bunthorne, from the opera Patience, by Gilbert and Sullivan. Who better to introduce it than the poet himself: BUNTHORNE. It is a wild, weird, fleshy thing; yet very tender, very yearning, very precious. It is called, "Oh, Hollow! Hollow! Hollow!" PATIENCE Is it a hunting song? BUNTHORNE. A hunting song? No, it is not a hunting song. It is the wail of the poet's heart on discovering that everything is commonplace. To understand it, cling passionately to one another and think of faint lilies. Bunthorne was considered to have been modelled on Oscar Wilde, but more recent reseach has suggested that this claim is not correct. ( Summary by Algy Pug )"
W. S. Gilbert (Author), LibriVox Volunteers (Narrator)
Audiobook
"The Bab Ballads are a collection of light verse by W. S. Gilbert, illustrated with his own comic drawings. Gilbert wrote the Ballads before he became famous for his comic opera librettos with Arthur Sullivan. In writing the Bab Ballads, Gilbert developed his unique "topsy-turvy" style, where the humor was derived by setting up a ridiculous premise and working out its logical consequences, however absurd. The Ballads also reveal Gilbert's cynical and satirical approach to humor. They became famous on their own, as well as being a source for plot elements, characters and songs that Gilbert would recycle in the Gilbert and Sullivan operas. The Bab Ballads take their name from Gilbert's childhood nickname, and he later began to sign his illustrations "Bab". Nothing else quite like the Ballads has ever been produced in the English language. They contain both satire and nonsense, as well as a great deal of utter absurdity. The Ballads were read aloud at private dinner-parties, public banquets and even in the House of Lords. Summary by Wikipedia and Phil Chenevert"
W. S. Gilbert (Author), LibriVox Volunteers (Narrator)
Audiobook
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